David Copperfield's Disappearing, Inc. v. Haddon Advertising Agency, Inc.

897 F.2d 288, 1990 WL 25766
CourtCourt of Appeals for the Seventh Circuit
DecidedMarch 13, 1990
DocketNo. 89-1198
StatusPublished
Cited by1 cases

This text of 897 F.2d 288 (David Copperfield's Disappearing, Inc. v. Haddon Advertising Agency, Inc.) is published on Counsel Stack Legal Research, covering Court of Appeals for the Seventh Circuit primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
David Copperfield's Disappearing, Inc. v. Haddon Advertising Agency, Inc., 897 F.2d 288, 1990 WL 25766 (7th Cir. 1990).

Opinion

GRANT, Senior District Judge.

David Copperfield and his corporate identity, David Copperfield’s Disappearing, Inc., brought suit against the defendants, Haddon Advertising Agency, Inc. and Cash Station, Inc., alleging that they breached an agreement to pay for Copperfield’s appearance in an ad campaign for Cash Station. Following a jury verdict in favor of Mr. Copperfield, the defendants filed a motion under Fed.R.Civ.P. 50(b) for judgment notwithstanding the verdict. It is the denial of that motion which forms the basis of this appeal.

I. FACTS

Defendant, Cash Station, ’ Inc., is a not-for-profit Illinois corporation in the business of providing electronic funds transfer services to bank customers through automatic teller machines. In late 1986, Cash Station merged with the Money Network, which also provided electronic funds transfer services. The merged entity was to be renamed “Money Station, Inc.”

In order to publicize the merger, Cash Station engaged the advertising services of the defendant Haddon Advertising Agency, Inc. (“Haddon”). Haddon conceived and presented to Cash Station an advertising campaign featuring the well-known magician-illusionist, David Copperfield.

In December 1986, Haddon contacted Copperfield’s attorney and business representative, Albert Rettig, to inquire about Copperfield’s availability and fee for an ad campaign. Rettig subsequently notified Haddon that Copperfield was available and that he would charge $125,000 for a television commercial; $150,000 for a commercial and local print ads; and, $175,000 for a [290]*290television commercial, print advertisement and a personal appearance.

On March 27, 1987, James Dugan, Had-don’s Associate Creative Director, telephoned Rettig to tell him that Cash Station had approved the campaign and Copperfield’s fee, which at that time included Copperfield’s appearance in television and print commercials as well as a personal appearance. Dugan and Rettig also discussed Copperfield’s schedule and general availability and the need for a written contract.

On March 31, 1987, Dugan sent Rettig a letter reviewing their fee discussions of March 27; acknowledging that the still shots for the print campaign and filming of the television commercials could be completed in Los Angeles between May 11 and May 24 to accommodate Copperfield’s schedule; and tentatively scheduling a personal appearance in Chicago for July 7, 1987. Dugan also sent the script and story boards for the television commercial for Copperfield’s approval. In his letter, Du-gan stated, “Assuming that Mr. Copperfield approves the attached script, I would ask that you [Rettig] prepare the necessary contracts for the commercial and the personal appearance.”

Copperfield did not approve of the script as presented, and requested a meeting with Haddon representatives to discuss proposed changes. The meeting took place on April 24, 1987, at which time Haddon agreed to modify the script, to employ Copperfield’s technical advisor, Don Wayne, to help create the illusions which were to be performed, and to schedule preprogram-ming and actual production for May 20-22. It was also agreed that Copperfield and his stylist would shop for his wardrobe prior to the preprogramming meeting on May 20.

Copperfield and his staff began working on the Cash Station project immediately following the April 24 meeting, creating the illusions for the commercial and putting aside work on a CBS television special. Haddon also began work on the project, selecting the production company and preparing for preprogramming and actual production.

Cash Station gave its final approval to the revisions in the script and storyboard in early May. At some point thereafter, for reasons not clear to the court, Haddon assumed the responsibility for drafting the written contract for Copperfield’s services.

The first draft of the contract was delivered to Rettig on Friday, May 15,1987, five days before preprogramming and production were to commence. In a letter which accompanied the draft, Jacqueline Wagner, a Vice President at Haddon, apologized for the delay in forwarding the contract and expressed Haddon’s pleasure at having acquired Copperfield as the spokesperson for the new Money Station.

The contract submitted embodied the terms which had previously been agreed upon, including the nature of the services to be performed, the compensation to be paid, the place and dates of performance, and other particulars. Section 8 of that contract captioned Compensation, provided:

(a) In consideration of the services of Copperfield and for the rights, properties and privileges vested in Agent hereunder, Agent on behalf of [Money Station of Illinois, Inc.] shall pay to Copperfield as full compensation the sum of one hundred fifty thousand dollars ($150,000) which amount includes any fees to Copperfield’s agent.
(b) The Compensation payable to Copperfield pursuant to Subsection 8(a) of this Agreement shall be paid in two installments as follows:
(i) $50,000 upon the execution of this Agreement; and
(ii) $100,000 upon the completion of production of the television commercial, videotape and still photographs.

The contract also provided that Copperfield would assume his pension and welfare costs; that Illinois law would govern the contract; and that all breach of contract actions would be settled by arbitration— terms which had not been discussed or agreed upon by the parties.

Rettig telephoned Wagner the following day concerning the additional terms. He [291]*291proposed to make certain changes which he considered “incidental,” namely:

(a) that the law of Nevada or California rather than the law of Illinois control the agreement;
(b) that time and geographic limitations be inserted in the noncompetition clause;
(c) that a clause be inserted granting Copperfield power to approve scripts, storyboards, copy and layout;
(d) that Haddon pay for the pension and welfare expenses which were generated to Copperfield by reason of the agreement; 1 and,
(e) that Haddon agree to indemnify Copperfield against any potential lawsuit for the running of the advertisement.

Although Wagner was unwilling to commit to the proposed revisions over the telephone, neither she nor Rettig ever suggested that performance would not proceed as scheduled.

The parties had not reached an agreement as to the outstanding provisions when, on May 18, 1987, Cash Station learned that it did not have rights to the name “Money Station.” As the ad campaign was based upon the concept that words from the names of Cash Station and Money Network would be used to “magically” become Money Station, the loss of the name was, in the defendants’ opinion, fatal to the ad concept.

Wagner telephoned Rettig on May 18 to advise him that the commercial was not going to proceed as scheduled. Rettig and Copperfield, however, were not advised until late May, or early June, that Haddon and Cash Station had decided to drop the campaign altogether.

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897 F.2d 288, 1990 WL 25766, Counsel Stack Legal Research, https://law.counselstack.com/opinion/david-copperfields-disappearing-inc-v-haddon-advertising-agency-inc-ca7-1990.