Creative Artists Agency, LLC, Twisted Roads Touring, LLC, 4FINI, Inc., Brett Saliba, Sarah Siquieros F/K/A Sarah Baer, and Kevin Lyman v. Las Palmas Race Park, LLC Las Palmas Downs, Inc. and Front Porch Entertainment

CourtCourt of Appeals of Texas
DecidedOctober 29, 2015
Docket13-14-00015-CV
StatusPublished

This text of Creative Artists Agency, LLC, Twisted Roads Touring, LLC, 4FINI, Inc., Brett Saliba, Sarah Siquieros F/K/A Sarah Baer, and Kevin Lyman v. Las Palmas Race Park, LLC Las Palmas Downs, Inc. and Front Porch Entertainment (Creative Artists Agency, LLC, Twisted Roads Touring, LLC, 4FINI, Inc., Brett Saliba, Sarah Siquieros F/K/A Sarah Baer, and Kevin Lyman v. Las Palmas Race Park, LLC Las Palmas Downs, Inc. and Front Porch Entertainment) is published on Counsel Stack Legal Research, covering Court of Appeals of Texas primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

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Creative Artists Agency, LLC, Twisted Roads Touring, LLC, 4FINI, Inc., Brett Saliba, Sarah Siquieros F/K/A Sarah Baer, and Kevin Lyman v. Las Palmas Race Park, LLC Las Palmas Downs, Inc. and Front Porch Entertainment, (Tex. Ct. App. 2015).

Opinion

NUMBER 13-14-00015-CV

COURT OF APPEALS

THIRTEENTH DISTRICT OF TEXAS

CORPUS CHRISTI - EDINBURG

CREATIVE ARTISTS AGENCY, LLC, TWISTED ROADS TOURING, LLC, 4FINI, INC., BRETT SALIBA, SARAH SIQUIEROS F/K/A SARAH BAER, AND KEVIN LYMAN, Appellants,

v.

LAS PALMAS RACE PARK, LLC, LAS PALMAS DOWNS, INC., AND FRONT PORCH ENTERTAINMENT, Appellees.

On appeal from the 93rd District Court of Hidalgo County, Texas.

MEMORANDUM OPINION

Before Chief Justice Valdez and Justices Garza and Longoria Memorandum Opinion by Chief Justice Valdez Appellants, Creative Artists Agency, LLC, Twisted Roads Touring, LLC, 4FINI, Inc.,

Brett Saliba, Sarah Baer, and Kevin Lyman (collectively “Creative Artists”) appeal from

the trial court’s denial of their motion to compel arbitration with appellees, Las Palmas

Race Park, LLC, Las Palmas Downs, Inc., and Front Porch Entertainment, Inc.

(collectively “Las Palmas”). By their first issue, appellants contend that the trial court

erred by refusing to compel arbitration under the theories of assumption of obligations

and equitable estoppel. By their second issue, appellants contend that any express or

implied finding on any disputed fact made by the trial court in this case is unsupported by

legally or factually sufficient evidence. Finally, appellants contend that we must abate the

proceedings in the trial court during the pendency of the arbitration proceedings. We

affirm.

I. BACKGROUND

Creative Artists entered into a contract (the “Agreement”) through employee, Brett

Saliba, with Promotions of America, Inc., through its principal, Arnaldo “Nano” Ramirez,

for purchase of a performance of the Willie Nelson’s Country Throwdown Festival Concert

Tour (the “Tour”) at Las Palmas Race Park in Mission, Texas on June 30, 2011.

According to appellants, Ramirez then orally agreed with the owners of Las Palmas Race

Park, Roman and Jorge Garza (“the Garzas”), to host the Tour at the race track. It was

agreed that Melhart Music would provide the stages for the Tour’s performances at the

race park.

According to appellants, the Agreement provided that “the ‘Purchaser’ [Ramirez]

of the performance would pay a guaranteed monetary price of $160,000 (or 50% of the

gross box office receipts less approved expenses and taxes, whichever was greater) (the

2 ‘Purchase Price’) as well as take responsibility for and provide promotion and

presentation of the performance.” The Agreement required an $80,000 deposit thirty days

prior to the performance. The Agreement also contained an arbitration clause stating that

[a]ny claim or dispute arising out of or relating to this Agreement or the breach thereof shall be settled by arbitration in Los Angeles, California in accordance with the commercial rules and regulations then in effect of the American Arbitration Association. The parties hereto agree to be bound by the award of such arbitration and judgment upon the award may be entered upon any court having jurisdiction thereof.

Appellants point out that “[t]he Agreement also contained a force majeure clause

that excused obligations under the Agreement for, among other things, acts of God,

absence of power or other essential services, and inclement weather.” The Agreement

further limited damages by excluding, “among other things, indirect, consequential and

exemplary damages including but not limited to lost profits.” Las Palmas was not a

signatory to the Agreement and only Ramirez signed the Agreement. Appellants argue

that Las Palmas assumed the obligations of the Agreement and stepped into Ramirez’s

shoes and claim that the Garzas “communicated” with Saliba asking that Las Palmas be

allowed to assume responsibility for the Tour in Mission and that Saliba agreed.

The parties agree that Las Palmas tendered performance by paying an $80,000

deposit to Creative Artists. According to Las Palmas, “[o]n the morning of the event,

[Sarah Siquieros f/k/a Sarah Baer (“Baer”)] arrived onsite and alleged problems with the

staging provided by Melhart” and “threatened to not set up for the concert and demanded

$40,000, which Las Palmas then paid by check.” Appellants eventually cancelled the

show. Las Palmas claims it then made a second $80,000 payment so that appellants

would reschedule the show. Subsequently, appellants refused to reschedule. Appellants

3 state that “the Agreement did not provide for a ‘make-up’ date or any additional

performance of the show.”

Las Palmas filed suit against appellants on June 27, 2013 alleging causes of action

for theft/conversion, fraud, conspiracy, and unjust enrichment. Appellants filed a motion

to compel arbitration pursuant to the Agreement. After briefing and a hearing, the trial

court denied appellants’ motion to compel arbitration. In its order denying arbitration, the

trial court “found that Appellants failed to establish a valid arbitration agreement with Las

Palmas” and that “(1) [the Las Palmas appellees] were not signatories to a valid contract

upon which Appellants base their arbitration claim, and (2) they never agreed to any

written contract with Appellants, or specifically to any arbitration clause.” According to

Las Palmas, the trial court found that (1) appellants “failed to establish that Las Palmas’s

claims fell within that agreement’s scope,” (2) Las Palmas had not assumed the

Agreement that Ramirez alone signed, and (3) Las Palmas was not relying on the

Agreement for its lawsuit. The trial court concluded that “the exceptions for binding non-

signatories to arbitration, specifically assumption and equitable estoppel were not

applicable.”

Appellants disagree and state, “The only basis by which there was any right to

present the Willie Nelson’s Country Throwdown Festival Concert Tour performance in

Mission, Texas, arose from the terms of the Agreement that Las Palmas ‘took over’ and

from which it now seeks alleged damages.” This appeal ensued.

II. STANDARD OF REVIEW AND APPLICABLE LAW

We apply an abuse of discretion standard to the trial court’s denial of appellants’

motions to compel arbitration. Okorafor v. Uncle Sam & Assocs., 295 S.W.3d 27, 38

4 (Tex. App.—Houston [1st Dist.] 2009, pet. denied). A trial court abuses its discretion

when it acts arbitrarily or unreasonably and without reference to any guiding rules or

principles. Id.

When the trial court’s ruling depends on the resolution of underlying facts, we must

defer to the trial court on its resolution of those facts and any credibility determinations

that may have affected those resolutions. Id. Furthermore, we may not substitute our

judgment for the trial court on those matters. Id. However, we must apply a de novo

standard of review to the trial court’s legal conclusions because a trial court has no

discretion in determining what the law is, which law governs, or how to apply the law. Id.

Whether a valid arbitration agreement exists is a question of law and is reviewed

de novo. In re C & H News Co., 133 S.W.3d 642, 645 (Tex. App.—Corpus Christi 2003,

orig. proceeding); Tenet Healthcare Ltd. v. Cooper, 960 S.W.2d 386, 388 (Tex. App.—

Houston [14th Dist.] 1998, pet. dism’d w.o.j.). The party seeking arbitration has the initial

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Creative Artists Agency, LLC, Twisted Roads Touring, LLC, 4FINI, Inc., Brett Saliba, Sarah Siquieros F/K/A Sarah Baer, and Kevin Lyman v. Las Palmas Race Park, LLC Las Palmas Downs, Inc. and Front Porch Entertainment, Counsel Stack Legal Research, https://law.counselstack.com/opinion/creative-artists-agency-llc-twisted-roads-touring-llc-4fini-inc-texapp-2015.