Constantino Basile v. Sony Pictures Entertainment

CourtCourt of Appeals for the Ninth Circuit
DecidedFebruary 27, 2017
Docket14-56418
StatusUnpublished

This text of Constantino Basile v. Sony Pictures Entertainment (Constantino Basile v. Sony Pictures Entertainment) is published on Counsel Stack Legal Research, covering Court of Appeals for the Ninth Circuit primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Constantino Basile v. Sony Pictures Entertainment, (9th Cir. 2017).

Opinion

NOT FOR PUBLICATION FILED UNITED STATES COURT OF APPEALS FEB 27 2017 MOLLY C. DWYER, CLERK U.S. COURT OF APPEALS FOR THE NINTH CIRCUIT

CONSTANTINO BASILE, No. 14-56418

Plaintiff-Appellant, D.C. No. 2:14-cv-04264-DMG- JPR v.

SONY PICTURES ENTERTAINMENT MEMORANDUM* INC., a Delaware corporation; et al.,

Defendants-Appellees.

Appeal from the United States District Court for the Central District of California Dolly M. Gee, District Judge, Presiding

Submitted February 14, 2017**

Before: GOODWIN, FARRIS, and FERNANDEZ, Circuit Judges.

Constantino Basile appeals pro se from the district court’s order dismissing

his action alleging that defendants’ movie Men in Black 3 infringed upon his

copyrighted works “Crisis on Jupiter” and “The World of Jupiter.” We have

* This disposition is not appropriate for publication and is not precedent except as provided by Ninth Circuit Rule 36-3. ** The panel unanimously concludes this case is suitable for decision without oral argument. See Fed. R. App. P. 34(a)(2). jurisdiction under 28 U.S.C. § 1291. We review de novo the district court’s

dismissal under Federal Rule of Civil Procedure 12(b)(6), Hebbe v. Pliler, 627

F.3d 338, 341 (9th Cir. 2010), and we affirm.

The district court properly dismissed Basile’s copyright infringement action

because there is no substantial similarity, as a matter of law, between protected

elements of Basile’s copyrighted works and comparable elements of defendants’

film, and any similarities in the general concepts are unprotected. See Funky

Films, Inc. v. Time Warner Entm’t Co., L.P., 462 F.3d 1072, 1076-78 (9th Cir.

2006) (absent direct copying, a plaintiff must show substantial similarity to prevail

on a copyright infringement claim); Cavalier v. Random House, Inc., 297 F.3d

815, 823 (9th Cir. 2002) (“Scenes-a-faire, or situations and incidents that flow

necessarily or naturally from a basic plot premise, cannot sustain a finding of

infringement.”); Berkic v. Crichton, 761 F.2d 1289, 1292-94 (9th Cir. 1985)

(setting forth factors to determine substantial similarity).

Contrary to Basile’s contention, the district court did not abuse its discretion

in failing to consider evidence irrelevant to the dispositive legal issue of whether

there was substantial similarity between the works. See Aceves v. Allstate Ins. Co.,

68 F.3d 1160, 1164-66 (9th Cir. 1995) (setting forth standard of review and

2 discussing relevance).

All pending motions and requests are denied.

AFFIRMED.

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