Commercial Pictures Corp. v. Board of Regents of the University of New York

280 A.D. 260, 114 N.Y.S.2d 561, 1952 N.Y. App. Div. LEXIS 3448
CourtAppellate Division of the Supreme Court of the State of New York
DecidedJune 13, 1952
StatusPublished
Cited by6 cases

This text of 280 A.D. 260 (Commercial Pictures Corp. v. Board of Regents of the University of New York) is published on Counsel Stack Legal Research, covering Appellate Division of the Supreme Court of the State of New York primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Commercial Pictures Corp. v. Board of Regents of the University of New York, 280 A.D. 260, 114 N.Y.S.2d 561, 1952 N.Y. App. Div. LEXIS 3448 (N.Y. Ct. App. 1952).

Opinion

Bergan, J.

The Board of Regents having affirmed a determination of the Motion Picture Division of the State Education Department refusing to license exhibition of the French film La Ronde ”, the petitioner brings here a proceeding to review in pursuance of article 78 of the Civil Practice Act.

[261]*261New York’s statutory policy in licensing motion picture films for public exhibition is expressed in section 122 of the Education Law, which provides that licenses shall be granted unless, among other things, the film is ‘ immoral ” or is of such character that its exhibition would tend to corrupt morals ”.

The Supreme Court has very recently held that New York was without power to withhold a license by virtue of this section of the Education Law on the ground a film was deemed by the Regents to be sacrilegious (Joseph Burstyn, Inc., v. Wilson, 343 U. S. 495). We have no doubt, however, both from the area that was expressly left open in that case by the Supreme Court and from the generally accepted power of a State to deal by its municipal law with matters deemed offensive to public morals that the statute delegating the power of licensing to the Regents remains valid to that extent in a proper case.

On its review of the Education Department’s determination adverse to “ La Ronde ”, the Regents referred the question of evaluating the film to a committee of its own members who reported the opinion that the film presents a chain of sequences u each dealing with * * * amorous adventures ” of which Promiscuity is the central theme ”. The committee felt that Prostitution and sex indulgence is the end result ”.

The view expressed by the committee was that the presentation of the film in New York would be “ immoral ” and would tend to corrupt morals ’ ’. The Regents adopted this report and affirmed the refusal of the department to issue the license.

The film has been exhibited to us. ITpon the basis of our evaluation of it; upon what American and English critics think of it as a work of art; upon its reception among artists and journalists; and upon the public permission for exhibition granted in many large and diverse communities, we are asked to annul what the Regents have determined and direct a license be issued in New York.

It is argued that the film ran nearly two years in Paris, over a year in London which has quite rigid standards in this respect, and was voted the best film from any source by the British Academy. It was exhibited for relatively long periods in Los Angeles, San Francisco, Washington, St. Louis and Detroit. There have been high evaluations of it by reputable critics.

It could, however, be argued and believed by fair-minded men that this film is immoral and perhaps also that it would “ tend to corrupt ” public morals. If we say this we come to the end of our inquiry, even though we admit that other fair-[262]*262minded men could argue and believe that the film is not immoral from any mature aspect and that it would leave public morality profoundly uncorrupted.

Even if we had very strong and favorable impressions of the artistic acceptability and dramatic integrity of the film, and a majority of the court have some reservations, to say the least, about that, we would feel an absence of judicial power to impose those views on the Begents and to require by judicial mandate a license for the public exhibition of the film.

It is pleaded by the petitioner here that the Begents have been “ unreasonable ”, “ discriminatory ” and “ arbitrary ” in refusing to direct a license be issued, and thus the case brings up the wide and ranging difficulties and the delicate adjustments that inhere in a process by which reviewing judges look into and sometimes undo the work of administrative officers.

Satisfactory definitive terms to give sure footing to the tread of future cases have never been formulated. Bo one has been able clearly to mark out in advance the exact point where a judge will interfere, and separate it from the area in which he will not interfere, with what the administrator has done.

Loose adjectives like “ unreasonable ” and “ arbitrary ” and capricious ” and “ unwarranted ” have been used to describe the kind of administrative decision which brings about judicial interference, but, of course, the shortcoming of these words is that they mean quite different things to parties on the opposite side of a case.

What is not so clearly understood about the process of reviewing the work of administrators is that resort must be had to standards which the legal profession has learned as part of its disciplined study and its pragmatic experience and which can be formulated if at all only in the terms of a tradition.

Thus, when a judge hands down a ruling that an administrator has been “ unreasonable ” or arbitrary ”, he does so because, of course, in the first place he disagrees with what the administrator has done; but that is not all there is to it. He uses “ unreasonable ” and “ arbitrary ” not quite in the word sense in which they are to be found in general dictionaries but he uses them and a whole other group of words freighted with a meaning that generations of lawyers have added to them as part of the material which the profession used to give voice and expression to law.

If more scientific definition were contrived the task of the lawyer in advising his client what to do would be infinitely easier and prediction of judicial action would be something more [263]*263of an exact science. But a forecast based on an informed professional synthesis is itself a science and not only requires the dedication of intelligent experience and objective thinking to the task, but its practice is the most significant way in which the lawyer serves the community. A man does not need legal advice to know he violates a traffic law when he passes a red lig’ht but there are wide areas of law where his protection and safety lie in the judgment of the profession addressed to future judicial action.

Nowhere is the hardness of the ground of definition in the field of judicial review better illustrated than in the opinion of Mr. Justice Frankfurter in Universal Camera Corp. v. Labor Bd. (340 U. 8. 474 [1951]), a decision now frequently pressed on the attention of this and other courts which review administrative determinations and cited on this appeal to authorize a revocation of the Regents’ determination.

There the court had before it the question whether the power and duty of inquiry on judicial review of determinations of the National Labor Relations Board had been widened by congressional use of the term “ supported by substantial evidence on the record considered as a whole ” instead of the previous words “ supported by evidence ” (p. 477).

The problem presented revolved around the scope of inquiry under a specific Federal statute, but the definitive difficulties met by the court are characteristic of the trouble with terminology in judicial review generally. Several distinct attempts were made by the court at redefinition (pp. 488, 489). For instance, the requirement for canvassing ‘ the whole record ’ ” does not furnish a calculus of value ” by which the reviewing court can “ assess the evidence ” (p. 488).

Free access — add to your briefcase to read the full text and ask questions with AI

Related

R. K. O. Radio Pictures, Inc. v. Department of Education
162 Ohio St. (N.S.) 263 (Ohio Supreme Court, 1954)
American Civil Liberties Union v. City of Chicago
121 N.E.2d 585 (Illinois Supreme Court, 1954)
Broadway Angels, Inc. v. Wilson
282 A.D. 643 (Appellate Division of the Supreme Court of New York, 1953)
Commercial Pictures Corp. v. Board of Regents
113 N.E.2d 502 (New York Court of Appeals, 1953)
Morgan v. Conway
202 Misc. 10 (New York Supreme Court, 1952)

Cite This Page — Counsel Stack

Bluebook (online)
280 A.D. 260, 114 N.Y.S.2d 561, 1952 N.Y. App. Div. LEXIS 3448, Counsel Stack Legal Research, https://law.counselstack.com/opinion/commercial-pictures-corp-v-board-of-regents-of-the-university-of-new-york-nyappdiv-1952.