Com. v. Parker, A.

CourtSuperior Court of Pennsylvania
DecidedMay 22, 2024
Docket548 EDA 2023
StatusUnpublished

This text of Com. v. Parker, A. (Com. v. Parker, A.) is published on Counsel Stack Legal Research, covering Superior Court of Pennsylvania primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Com. v. Parker, A., (Pa. Ct. App. 2024).

Opinion

J-S04036-24

NON-PRECEDENTIAL DECISION - SEE SUPERIOR COURT O.P. 65.37

COMMONWEALTH OF PENNSYLVANIA : IN THE SUPERIOR COURT OF : PENNSYLVANIA : v. : : : ABBAS PARKER : : Appellant : No. 548 EDA 2023

Appeal from the Judgment of Sentence Entered October 25, 2022 In the Court of Common Pleas of Philadelphia County Criminal Division at No(s): CP-51-CR-0008483-2018

BEFORE: BOWES, J., STABILE, J., and LANE, J.

MEMORANDUM BY LANE, J.: FILED MAY 22, 2024

Abbas Parker (“Parker”) appeals from the judgment of sentence

imposed following his convictions for first-degree murder, conspiracy to

commit murder, possession of an instrument of crime, carrying a firearm

without a license, and carrying a firearm in public in Philadelphia.1 We affirm.

Parker and Sherman Williams (“the decedent”) were both rap musicians

who grew up in the same Philadelphia neighborhood and were familiar with

one another. In May 2017, Parker became angry about a “rap diss” that the

decedent released about Parker on the decedent’s Instagram page. On the

evening of September 11, 2017, the decedent was driving a scooter on North

22nd Street in Philadelphia when he was shot six times at close range,

resulting in his death. Responding police officers learned from an eyewitness

____________________________________________

1 See 18 Pa.C.S.A. §§ 2502, 903, 907(a), 6106(a)(1), 6108. J-S04036-24

that the shooter got into a white Jeep Cherokee and fled the scene after the

murder. The eyewitness provided the vehicle’s license plate number and,

upon investigation, police learned that it was registered to an individual at

3234 North Sydenham Street in Philadelphia. Officers went to that address,

observed the vehicle on the street, and obtained a search warrant for the

premises.

In their search of the premises, police recovered a cellphone. Police

then obtained a search warrant for the cellphone and determined that it was

owned by Parker. The search of the cellphone revealed that, in the days

leading up to the murder, Parker saved screenshots of the decedent’s

Instagram page, a photo of the decedent in front of his home, and the Redfin

page associated with the decedent’s home. Police recovered surveillance

video of the shooting from a nearby church and pole camera. A Philadelphia

homicide detective, Special Agent Brian Peters,2 was familiar with Parker and

identified him as the shooter from the surveillance videos. Police arrested

Parker and charged him with murder and related offenses. During the ensuing

investigation, police discovered that after the murder, Parker created two rap

music videos, “Bloodos” and “Notorious,” in which the lyrics recounted a

2 At the time of the murder, Special Agent Peters was the assigned detective

on the murder case; however, at the time of trial, he was a special agent in the Attorney General’s office.

-2- J-S04036-24

murder by shooting that was committed under circumstances similar to those

surrounding the decedent’s murder.

In February 2020, the Commonwealth filed a notice of its intent to

admit, inter alia, the evidence from Parker’s cellphone and the rap music

videos of Parker performing “Bloodos” and “Notorious.” In March 2020, Parker

filed a motion in limine seeking to prohibit Special Agent Peters from

identifying him in the surveillance videos. In September 2021, Parker filed a

motion to suppress the evidence recovered from his cellphone on the basis

that police lacked probable cause to obtain the warrant and the warrant was

overbroad.

The trial court held multiple hearings on the pretrial motions. Special

Agent Peters testified regarding his familiarity with Parker based on his

numerous interactions with him over the years. See N.T., 2/18/20, at 120-

23. Special Agent Peters further testified that he was able to identify Parker

in the surveillance videos based on his prior personal interactions with Parker

and his familiarity with Parker’s mannerisms and tattoos. See id. at 123, 127.

Based on this testimony, the trial court ruled that Special Agent Peters was

permitted to provide identification testimony that it was Parker in the

surveillance videos. See N.T., 3/13/20, at 4-5. The trial court also considered

Parker’s motion to suppress the evidence obtained from the search of his

cellphone and denied it, finding as a matter of law that there was probable

-3- J-S04036-24

cause for the search warrant and the warrant was sufficiently particular. See

N.T., 9/23/21, at 4-5.

The matter proceeded to a jury trial at which the trial court allowed the

Commonwealth to play the “Bloodos” video for the jury, with sound, and

allowed a portion of the “Notorious” video to be played, without sound, for the

purpose of showing Parker’s movements and mannerisms.3 See N.T.,

10/20/22, at 21-23. At the conclusion of trial, the jury found Parker guilty of

the above-referenced charges. The trial court immediately sentenced Parker

to mandatory life in prison without the possibility of parole for first-degree

murder.4 Parker filed a post-sentence motion, which the trial court denied.

Parker filed a timely notice of appeal, and both he and the trial court complied

with Pa.R.A.P. 1925.

Parker raises the following issues for our review:

1. Did the court below err in admitting the lyrics from [the] rap videos?

2. Did the court below err in not granting the motion to suppress evidence obtained from the search and seizure of [Parker’s] cell[]phone?

3 The trial court required the Commonwealth to redact all portions of the “Notorious” video which depicted guns, masks, violence, money, or other unlawful activity, so as to remove any potentially prejudicial material or sound from that video. See Trial Court Opinion, 5/2/23, at 4 n.5.

4 The trial court imposed an aggregate consecutive sentence of twenty-five years and six months to fifty-seven years in prison for Parker’s other convictions.

-4- J-S04036-24

3. Did the court below err in allowing [Special A]gent Peters to identify [Parker] from the pole camera and church video when those identifications were not based solely on personal observation of [Parker] but, rather, were the product of collective knowledge of the police department and other law enforcement agencies?

4. Did the prosecutor commit prosecutorial misconduct in her closing?

Parker’s Brief at unnumbered 6 (unnecessary capitalization omitted).

In his first issue, Parker challenges the trial court’s decision to admit the

lyrics from the rap video “Bloodos.” In reviewing a challenge to the

admissibility of evidence, our standard of review is well-settled and very

narrow:

Questions concerning the admissibility of evidence are within the sound discretion of the trial court and we will not reverse a trial court’s decision concerning admissibility of evidence absent an abuse of the trial court’s discretion. An abuse of discretion is not merely an error of judgment, but is rather the overriding or misapplication of the law, or the exercise of judgment that is manifestly unreasonable, or the result of bias, prejudice, ill-will or partiality, as shown by the evidence of record. If in reaching a conclusion the trial court overrides or misapplies the law, discretion is then abused and it is the duty of the appellate court to correct the error.

Commonwealth v. LeClair, 236 A.3d 71, 78 (Pa. Super. 2020) (citation

omitted).

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