Columbia Amusement Co. v. Rye

155 S.W.2d 727, 288 Ky. 179, 1941 Ky. LEXIS 58
CourtCourt of Appeals of Kentucky (pre-1976)
DecidedOctober 17, 1941
StatusPublished
Cited by17 cases

This text of 155 S.W.2d 727 (Columbia Amusement Co. v. Rye) is published on Counsel Stack Legal Research, covering Court of Appeals of Kentucky (pre-1976) primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Columbia Amusement Co. v. Rye, 155 S.W.2d 727, 288 Ky. 179, 1941 Ky. LEXIS 58 (Ky. 1941).

Opinion

Opinion op the Court by

Judge Tilpord

Reversing-

The balcony of the Arcade Motion Picture Theatre at Paducah had been remodeled, and the seats constituting the first row of the upper section placed upon • a step or platform seven inches above the floor level of the aisle immediately in front of it. This aisle, thirty-seven inches in width, separates the upper and lower sections, and is known as a cross aisle since it connects the ascending aisles by which patrons reach the row in the upper or lower sections which they desire to occupy. In front of the cross aisle, and separating the two sections of the balcony, is a barrier or wall eighteen inches in height surmounted by an eight inch railing, but no railing or barricade of any kind separates the seats of the front row of the upper section from the cross aisle in front of and below them. The width of the step or platform on which the front row of seats is placed, is thirty-five inches; the distance between the legs of the seats and the edge of the platform, twenty-one inches; and the distance from the edge of the seats to the edge of the platform, thirteen inches. Thus it is readily conceivable that one attempting to leave his seat in the front row of the upper section of the balcony, unconscious of the elevation of the platform above the aisle, might inadvertently step over the edge of the platform into the aisle and be thrown to the floor. This is what *182 appellee, a sixty-seven year old woman, claims happened to her during the afternoon of May 5, 1939, when, in the middle of the main feature, she attempted to leave her seat and depart. She sued appellant, the owner and operator of the theatre, and recovered $5,000 damages for the injuries sustained; hut before discussing the legal questions involved, it is necessary to supplement the foregoing brief description of the arrangement of the seats and cross aisle with an explanation of the lighting methods employed, since the alleged deficiency in both constituted the negligence which appellee claims Caused the accident.

In the riser of the first step of each ascending aisle is located 'a small 10 watt light referred to in the testimony as an “aisle light”. Other aisle lights are located at the bases of seats in the ascending aisles, and the testimony clearly establishes that the lighting of the ascending aisles was more than sufficient. In addition, there were bracket wall lights, the color and intensity of which varied with the character of the film being shown. Had appellee been injured in ascending or descending the aisles, we would be compelled to hold that the accident could not be attributed to insufficient lighting. But there were no lights of any kind in the cross aisle which was dependent for its illumination upon the wall lights and the aisle lights imbedded in the riser of the first step of the ascending side aisles. During the showing of the feature film the wall lights were blue, the dimmest possible light, in order to obtain the maximum degree of darkness, and, admittedly, the aisle lights at each end were small and. cast their rays a distance of only a few feet. The distance between the ascending aisles, the length of the ¡front row, was twenty-five feet, and the seat which appellee occupied was near the middle of the row. Hence, we are unable to say that the illumination of the cross aisle was sufficient to have enabled appellee to see the step-off into the aisle when she arose to depart during the showing of the feature film. She says that she did not see the step-off either before taking or leaving her seat, and she is corroborated as to the insufficiency of the lighting by several witnesses who, shortly after she was injured, visited the theatre and occupied the seat which she 'had occupied. It may be true as contended by appellant that it was impossible for appellee to have taken her seat *183 without stepping from the aisle onto the platform. But it was her first visit to the theatre since the balcony had been remodeled; she had entered during the showing of the feature film when the theatre was at its darkest, and had been shown to her seat by the usher with a flashlight; and it is e'asily conceivable that though she stepped up on the platform in taking her seat, the fact that the platform was elevated above the aisle did not make an impression upon her, at least not one which would endure throughout the entire performance and convict her of contributory negligence as a matter of law. No reason is shown why hooded lights could not have been placed in the riser of the platform bordering the cross aisle, or why a guard rail could not have been placed along the edge of the platform. And thus we are confronted with the necessity of accepting as conclusive the uncontradicted. testimony of the architect who designed the balcony, the lighting expert, and others, that the lighting of the balcony was more than sufficient considering the need-of darkness during the display of films, and that the balcony was of standard and approved construction, or of holding that the combination of the elevated platform without a guard rail separating it from the aisle and the absence of floor or aisle lights in the cross aisle, created a situation, the prevent-ability and danger of which, laymen were competent to decide. We prefer to adopt the latter course as more consistent with reason and the practical. administration of justice, since, after all, lights, platforms, railings, and seats in theatres are within the observation and experience of ordinary men and require no special study to determine whether their arrangement in a particular combination constitutes a hazard to the public.

In addition to the defense of “No Negligence”, which appellant’s counsel conceive was so conclusively established ias to have entitled appellant to a directed verdict, appellant’s counsel insist that the Trial Court should have sustained their client’s plea of “Assumed Bisk”, or at least submitted that question to the jury by giving the following tendered instruction:

“In attempting to leave the motion picture show of the defendant while the picture was being shown, and while the condition of the light was that ordinarily used in exhibiting motion pictures to enable the audience to get a reasonably clear view *184 of the picture on the screen, the plaintiff assumed the risk incident to such condition of lighting, and if you shall believe from the evidence that the injuries from which the plaintiff complains were caused by such condition of the lighting of the interior of the theatre, and not by reason of the negligence of the defendant, as set out in Instruction No. 1, then the law is for the defendant and you should so find.”

-It is true that the doctrine of assumed risk is not limited in its application to cases arising between master and servant (Adams’ Adm’r v. Callis & Hughes, 253 Ky. 382, 69 S. W. (2d) 711); and it is probably correct to say that a patron of a moving picture theatre of standard construction, entering or departing while the theatre is necessarily darkened, assumes the risk of the generally known danger of ascending or descending steps dimly lighted as contrasted with the degree of illumination ordinarily found in places where darkness is not required. Cases from other states supporting this view are cited by counsel in their able brief.

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Cite This Page — Counsel Stack

Bluebook (online)
155 S.W.2d 727, 288 Ky. 179, 1941 Ky. LEXIS 58, Counsel Stack Legal Research, https://law.counselstack.com/opinion/columbia-amusement-co-v-rye-kyctapphigh-1941.