Colborn v. Netflix Inc

CourtDistrict Court, E.D. Wisconsin
DecidedMay 26, 2021
Docket1:19-cv-00484
StatusUnknown

This text of Colborn v. Netflix Inc (Colborn v. Netflix Inc) is published on Counsel Stack Legal Research, covering District Court, E.D. Wisconsin primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Colborn v. Netflix Inc, (E.D. Wis. 2021).

Opinion

UNITED STATES DISTRICT COURT EASTERN DISTRICT OF WISCONSIN ______________________________________________________________________________

ANDREW L. COLBORN,

Plaintiff, Case No. 19-cv-0484-bhl v.

NETFLIX INC., et al.,

Defendants. ______________________________________________________________________________

DECISION AND ORDER ON DEFENDANTS’ MOTIONS TO DISMISS

In this defamation action, Plaintiff Andrew L. Colborn asserts claims against four defendants who were involved in the production and distribution of two documentary miniseries, Making a Murderer and Making a Murderer 2. The case has been long-stalled at the pleading stage, with a prompt resolution complicated by Colborn’s initial delay in filing suit (waiting until just before the statute of limitations expired on most of his claims), his further delay in attempting service, and his filing of amended and second amended complaints. Defendants have not aided matters with their extensive motion practice, which has flooded the Court with lengthy briefs raising disputed factual and legal issues against a still undeveloped record. At this point, all defendants have moved to dismiss Colborn’s claims, but on two different bases. Defendants Laura Ricciardi, Moira Demos, and Chrome Media LLC (Chrome) seek dismissal based on Colborn’s alleged failure to serve them timely with his initial and amended complaints. Defendant Netflix Inc., which was served timely, seeks dismissal of the latest (second amended) complaint as a matter of law, based on various First Amendment defenses. Because the record establishes that Colborn properly and timely served Ricciardi, Demos, and Chrome by publication, the Court will deny their motion to dismiss. The Court also denies Netflix’s motion to dismiss as to all but one of Colborn’s claims. While Colborn’s negligence claim is barred by the First Amendment, his defamation and intentional infliction of emotional distress claims are properly pleaded. The Court will not accept Netflix’s invitation to engage in fact finding at the pleading stage of the case. BACKGROUND On December 18, 2015, Netflix first aired what became an extraordinarily popular documentary series, Making a Murderer. The series relates the events surrounding multiple criminal and civil legal proceedings involving Steven Avery. As recounted in the documentary, in 1985, Avery was wrongfully convicted of raping a female jogger in Manitowoc County. After serving just over half of his 32-year prison sentence, Avery was released when DNA evidence showed another man had committed the assault. Avery then pursued civil claims against Manitowoc County and two elected officials (the former County Sheriff and District Attorney) involved with his wrongful conviction. Amidst that litigation, a third legal proceeding erupted when Avery was charged with the murder of Teresa Halbach, a young woman who went missing while on assignment photographing used cars for sale, including a vehicle for sale at Avery’s residence. A jury ultimately convicted Avery of Halbach’s murder. His appeals from that second conviction have been rejected and he remains in state prison. Making a Murderer and its 2018 sequel, Making a Murderer 2, purport to be documentaries depicting the events, including the “flaws, failings and triumphs,” surrounding these legal proceedings. Defendants insist that the original series and its sequel present both sides of these events, albeit in a dramatic and entertaining way. Colborn argues, however, that the presentation was biased and falsely depicts him as having framed Avery for the Halbach murder. As a result, he has been subjected to an onslaught of threats and criticism. Through this lawsuit, Colborn seeks redress from Defendants for the harm arising from this allegedly biased and false depiction. A. Colborn’s Efforts to Serve the Complaint. Colborn filed his initial complaint in Manitowoc County Circuit Court on December 17, 2018, nearly three years to the day after Netflix first broadcast Making a Murderer. The initial complaint names eight defendants, half of whom have since been dropped from the lawsuit. Colborn made no attempt to serve the initial complaint. On March 4, 2019, Colborn filed an amended complaint asserting claims against only four defendants: Netflix, Laura Ricciardi, Moira Demos, and Chrome. Netflix is a streaming service and co-producer of the Making a Murderer series. Ricciardi and Demos are the filmmakers and primary producers of the series. Chrome is a film production company owned by Ricciardi and Demos. For purposes of this decision and order, Ricciardi, Demos, and Chrome will be referred to as the Filmmaker Defendants. After filing the amended complaint, Colborn for the first time attempted service on the defendants. He had no trouble serving Netflix, which acknowledges receiving proper service on March 5, 2019. Serving the Filmmaker Defendants proved more complicated. On March 6, 2019, Colborn attempted personal service on Chrome through its registered agent, Tal Benari. Benari is employed at an accounting firm, R.C. Baral & Co., with offices at 15821 Ventura Boulevard in Encino, California, an address that Chrome also lists as its principal place of business. Benari was not present when the process service attempted service at the Encino, California business address on March 6 and again on March 7. Accordingly, the process server left copies of the original and amended summonses and complaints at the reception desk. Benari acknowledges receiving copies from the receptionist on either March 7 or 8. The process server also made three attempts (on March 8, 9, and 12) to serve Benari at his home address in Tarzana, California. The process server then tried again to serve Benari at his Encino office on March 15. Benari denies being personally served before May 2019. Colborn’s process server also attempted to serve both Ricciardi and Demos at Chrome’s Encino business address. Neither Ricciardi nor Demos was present at that address on March 6 and the receptionist told the process server they were not Chrome employees. The next day, the process server attempted unsuccessfully to serve them at their home in Los Angeles. Ricciardi and Demos confirm that serving them during this time period would have been difficult; both were traveling and away from home from March 4, 2019 (when the amended complaint was filed) through March 19, 2019. Ricciardi admits that when she finally returned home on March 19, 2019, she discovered two large envelopes addressed to her and Demos containing copies of the pleadings. At the time of these efforts, Colborn’s counsel was exploring alternative service possibilities.1 Counsel searched the internet for possible upcoming speaking appearances by Ricciardi and Demos. She also sought out possible filming locations and checked the dockets for

1 Colborn also retained a second, alternate firm, Excel Investigations, to serve the Filmmaker Defendants. Apparently, an Excel process server also attempted service on Benari, Ricciardi, and Demos at the Encino, California business address and at their respective home addresses. Colborn reports receiving inconsistent factual reports from Excel about the process server’s efforts and, not wishing to file an untruthful statement with the Court, disclaims reliance on any claims that that process server properly served anyone. (Dkt. 74.) The Court appreciates Colborn’s discretion. appellate proceedings involving the Avery case in hopes of finding a place where service might be accomplished. None of these alternate efforts proved fruitful. When these efforts failed, Colborn elected to attempt service by publication under Wisconsin law. Colborn filed a Publication Summons and Amended Publication Summons in the circuit court on March 11, 2019. (Dkt. 71 at ¶8.) The Amended Publication Summons was then published in the Los Angeles Times on March 13, 20, 27 and April 3, 2019. (Dkt.

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Bluebook (online)
Colborn v. Netflix Inc, Counsel Stack Legal Research, https://law.counselstack.com/opinion/colborn-v-netflix-inc-wied-2021.