Cockrell v. Davis

23 So. 2d 256, 198 Miss. 660, 1945 Miss. LEXIS 238
CourtMississippi Supreme Court
DecidedSeptember 24, 1945
DocketNo. 35904.
StatusPublished
Cited by8 cases

This text of 23 So. 2d 256 (Cockrell v. Davis) is published on Counsel Stack Legal Research, covering Mississippi Supreme Court primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Cockrell v. Davis, 23 So. 2d 256, 198 Miss. 660, 1945 Miss. LEXIS 238 (Mich. 1945).

Opinion

L. A. Smith, Sr., J.,

delivered the opinion of the court.

This case was appealed from a final decree of the Chancery Court of Hinds County, granting appellee an injunction by which appellant was restrained from the use of the name “Jimmie Davis” in any manner:

1. In connection with the writing of music;

2. The introduction of songs;

3. The endorsement of musical products and other things in any way connected with music;

4. The recordation and broadcasting of songs;

5. The recordation, or broadcasting by radio or television, or otherwise, of music by bands, orchestras or any combination of persons playing musical instruments;

6. Acting or appearing in motion pictures, stage productions or other public performances;

7. In connection with any musical program or performance of any kind in public;

but the defendant was not enjoined “from using his full name, James Davis Cockrell, or Jimmie Davis Cockrell.”

The original bill charged that complainant’s name, “Jimmie Davis,” through his activities in the musical world, over the air, on the stage, in personal appearances, and musical recordations, and long continued publicized association with himself, “has taken on a new or sec *664 ondary meaning which is entirely different from the primary meaning* of the word as a man’s name merely, and which has the legal effect and force of a trade name.”

The appellee founded and organized a musical hand, which accompanies his singing with music whenever he performs, which group is known as “Jimmie Davis and his Band.” The defendant is also leader of a group.of-musicians, making public appearances, over the air, night clubs, and-dances, using the names “Jimmie Davis and his Band,” “Jimmie Davis and his Orchestra,” and “Jimmie Davis and his Novoliers.”

It is charged in the original bill that the persistent use by appellant (defendant below) of the name Jimmie Davis in connection with his public performances is a continuous trespass upon appellee’s prior rights to the use of the name, and that appellee’s (complainant below) only relief from continued infringement is an injunction to restrain appellant from such use of the name,' and that otherwise appellee will suffer irreparable injury and has no adequate remedy at law to protect his right to the exclusive use of the name “Jimmie Davis” in music.

The appellant demurred that there was no equity on the face of the bill; and filed a motion to dissolve the temporary injunction granted appellee by the chancellor. In the motion (which was also an answer to the original bill) to dissolve, the defense of appellant was that appellee’s name is James Harold Davis; that while appellee used the name “Jimmie Davis” in his musical activities, it is denied that the name “has come to he understood by the public as designating complainant herein any more, or as much as designating* defendant. Defendant denies that the name ‘Jimmie Davis’ has taken on a new or secondary meaning entirely different from the primary meaning* of the word as a man’s name merely, and denies said name has the force and effect of a trade name.” The motion and answer averred that appellant’s name is James Davis Cockrell, and he has a right therefore to *665 use the name “Jimmie Davis” in his own musical activities as “Jimmie Davis and his Band” or “Jimmie Davis and his Novoliers”; denied infringement on appellee’s rights or capitalization upon the- established reputation of appellee. Appellant also averred that he plays swing or dance music, while appellee plays Hill Billy music, and that there is no competition between the two; that the public is not deceived, nor has he attempted to mislead the public. It was also denied that appellee has been damaged by the operational use by appellant of the name “Jimmie Davis” in musical activities.

No action appears from the record to have been taken on the demurrer, but the chancery court heard proof on the issues involved, overruled the motion to dissolve and permanently enjoined appellant from the use of the name “Jimmie Davis” as set out supra.

It was agreed that appellee, Jimmie Davis, is now Governor of Louisiana; that Radio Station KWKH.of Shreveport, Louisiana, is readily heard in Mississippi, and particularly in Jackson, and that if one Wyatt Sharp were called as a witness for appellant, he would testify that he is a professional musician, and that a large number of professional musicians operate under an assumed name.

Further, the proof showed that appellee’s name is Jimmie Davis, which name he signs to his cheeks and his documents, and is the one by which he goes and by which he is known. It appears, however, in his birth certificate as James Houston Davis. He began his musical career by broadcasting in 1928. He was early asked by Victor Company to come to New York City and make records for them. He did and a few months later returned and made more records, all under name of “Jimmie Davis.” This use of the name has continued from then ever since. He made records for Victor six years, and was one of the first artists Decca had, and has now been with them six or seven years. He has produced approximately four hundred records, sold all over the United States, Canada, *666 England, Australia and South America, and possibly other places. Such records were sold in Jackson, Mississippi, and throughout the United States.

Appellee has always-had a band since the beginning of his musical career, most of the members of which have been with him since he started in 1928. He and his band broadcast from Shreveport; he has been interviewed regarding his musical work in Hollywood, where he also appeared as a guest artist. He has also been interviewed as a singer in Chicago, New York, Memphis, Dallas, Fort Worth and Houston, and has appeared in Nashville, Tennessee on the Saturday Night “Grand Old Opera.” He has had some engagements in practically every state. Appellee has written over three hundred songs, including “You Are My Sunshine,” “It Makes No Difference Now,” and others. In connection with songs, appellee made song hits out of lyrics by others in permitting his name, on request, to appear on the title page, as featuring the same.

In Shreveport he plays over the radio, for civic clubs, churches and drives for bonds and other worthwhile causes, and also for occasional dances. He played at the World’s Fair as a guest artist. His musical activities have been very profitable to him.

Some four or five months before the trial, he learned that he and his band had been confused with appellant and his band in Jackson by a “fan,” who, learning by some form of advertisement that “Jimmie Davis and his Band” were playing at a certain road house, travelled a considerable distance to hear appellee, only disappointedly to discover that it was appellant and his band, and-not appellee and his band. The advertisement used the title “Jimmie Davis” in the name of the musical group. Appellee also had letters with reference to the confusion of the bands, and other people, in Jackson, were confused as to the recordations of his music.

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Cite This Page — Counsel Stack

Bluebook (online)
23 So. 2d 256, 198 Miss. 660, 1945 Miss. LEXIS 238, Counsel Stack Legal Research, https://law.counselstack.com/opinion/cockrell-v-davis-miss-1945.