Coble v. Lake Norman Charter School, Inc.

CourtDistrict Court, W.D. North Carolina
DecidedNovember 6, 2020
Docket3:20-cv-00596
StatusUnknown

This text of Coble v. Lake Norman Charter School, Inc. (Coble v. Lake Norman Charter School, Inc.) is published on Counsel Stack Legal Research, covering District Court, W.D. North Carolina primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Coble v. Lake Norman Charter School, Inc., (W.D.N.C. 2020).

Opinion

UNITED STATES DISTRICT COURT WESTERN DISTRICT OF NORTH CAROLINA CHARLOTTE DIVISION DOCKET NO. 3:20-cv-596

JOHNNY H. COBLE JR. AND ROBIN COBLE, ) both on behalf of their minor child “J.H.C.”, ) ) Plaintiff, ) ) vs. ) TEMPORARY RESTRAINING ) ORDER ) LAKE NORMAN CHARTER SCHOOL, INC., et ) al., ) ) Defendants. )

THIS MATTER is before the Court on Plaintiffs’ Motion for Temporary Restraining Order (Doc. No. 3), Amended Motion for Temporary Restraining Order, (Doc. No. 4), and Motion to Expedite Review of Plaintiffs’ Motion for TRO/Preliminary Injunction (Doc. No. 5). Plaintiffs filed their Complaint in this action against Defendants on October 27, 2020, seeking, inter alia, a temporary restraining order to prevent Defendants from including The Poet X in its ninth-grade language arts curriculum. Plaintiffs have alleged that by teaching this novel Defendants violate the Religion Clauses of the United States Constitution. The Court has expedited consideration of this request given the time-sensitive nature of Plaintiffs’ motion, the recent nature of the alleged violation, and the gravity of potential harm outlined in the pleadings. Upon considering the arguments presented by both parties, this Court denies Plaintiffs’ request for a TRO. Plaintiffs may proceed with this case after this denial. Today, the Court simply finds that Plaintiffs have not presented evidence sufficient to satisfy the four factors of

-1- the Winter test to grant the “extraordinary remedy” of a preliminary injunction. Of those four factors, the Court especially emphasizes that Plaintiffs have not presented sufficient evidence that their claim is likely to succeed on the merits. The Court does not doubt the sincerity of Plaintiffs’ religious objections, and the Court is troubled by Defendants’ decision to teach a book that is so controversial that they have an established opt-out procedure in place to deal with

“several students who have chosen not to read The Poet X this fall.” (Doc. No. 9). Defendants should be mindful that public schools are entrusted with the children of diverse families from diverse religious backgrounds. As such, Defendants have a vital responsibility to ensure that their school is not a divisive environment. See Edwards v. Aguillard, 482 U.S. 578, 583–84 (1987). However, the Court does not intervene today to stop The Poet X from being taught because the law does not support such an action as will be explained below. I. BACKGROUND Defendants will begin teaching The Poet X by Elizabeth Acevedo on Monday, November 9, 2020. The book won the 2018 National Book Award for Young Adults. Spoken-word artist

Acevedo’s verse novel is an arresting portrait of a young poet coming into her own. In nearly every poem, the text grapples with at least one question about adolescence, family, gender, race, religion, or sexuality that will have readers thinking about these questions in their own lives. The book tells the story of fifteen-year-old Xiomara, whose name means “one who is ready for war,” as she grows up in a poor, urban neighborhood of Harlem. The self-described “brown and big and angry” Dominican girl furiously confronts catcalling boys, chafes under her Catholic parents’ restrictive rules, endures verbal and physical abuse from her mother, and both adores and resents her “genius” twin brother, who seems to be everything she’s not. She finds

-2- moments of peace by writing in her poetry journal, joining a spoken-word poetry club, and exploring a blossoming romance with Aman, her science partner. The core tension in the book is between Xiomara and her mother. The book begins its ascent to a climax when devout Mami discovers that Xiomara and Aman were seen kissing on a train. Mami’s fury at Xiomara’s secret relationship is eclipsed only by the devastation that occurs when Mami finds and reads

Xiomara’s candid journal, which includes poems about her anger at her mother, boredom at church, and desire for Aman. Mami burns the journal of poems, and Xiomara flees home. The next day at school, her English teacher comforts her but stresses that she must return home and talk with her Mami. On her way to confront her mother, Xiomara seeks the help of the kind and understanding Catholic priest who has been teaching her confirmation class. The priest agrees to help her speak to her mother. In the final pages of the book, the priest mediates heartfelt discussions between Xiomara and her Mami and among the rest of her family. Her family, friends, the priest, and her English teacher all attend her first slam poetry competition and throw a party to celebrate her. At the end of the book, she doesn’t know if she will ever be as religious

as her Mami, but her “priest tells [her] it’s OKAY to ask questions . . . even if they seem bizarre.” She learns who she is and what she wants. And she knows that she wants to be a slam poet. In the process of telling this story, the book contains several lines of poetry that seem to disparage religion, such as: - The Virgin Mary was “an impregnated virgin who was probably scared shitless.” - The “parable” of Eve is “bullshit.” “[T]he Story of Genesis is Mad Stupid”

-3- - Everything in the Bible is nothing more than “metaphor” “Jesus feels like … a friend I just don’t think I need anymore.” While these quotes disparage religion, Xiomara does not feel negatively toward religion as a whole and admires her best friend’s faith, her brother’s faith, and the kindness of the priest teaching her confirmation class. In fact, she appears to embrace faith again by the end of the

novel, even if her faith is not the same as her Mami’s. Furthermore, in an email about why it decided to include The Poet X in the high school reading curriculum, Defendants wrote that the book will help students grapple with their “own identity in relation to the world” as “teachers guide the students with intelligent academic discussion” of the text. (Doc. No. 1-1). At the end of the email, the school explains why this book fits in with the purpose of a literature class: [P]reparing our students for success beyond high school goes well outside of strictly academic readiness and extends to introducing them to different thoughts and ideas, oftentimes through literature; books allow our students to access a world different from theirs and “meet” people, of varied backgrounds, races, ethnicities, experiences, social-economic circumstance and more. To send our graduates off into a world without this preparation can lead to the same ending as sending them off ill-equipped academically. What students can learn through literature and subsequent conversations with informed peers and teachers, is invaluable as they grow to be critical thinkers and well-rounded members of our society.

As this email makes clear, the school believes that teaching this book will create a space for critical discussion about diverse worldviews. The purpose is not to attack Catholicism. Finally, Jennifer Hunt, an English Language Arts teacher at Norman Lake Charter School, submitted an affidavit in which she stated that in reading The Poet X, teachers “do not ask students to endorse or disapprove of Xiomara’s religious views or any other person’s view of religion.” (Doc. No. 9). Instead, the novel is used to teach the following topics:

-4- - Poesy (the art and mechanics of writing poetry) - A representation of slam poetry (which is often very different from other forms of poetry) - Characterization (dynamic, static, development) - Themes of identity, family relationship, independence, finding one’s voice, and stereotypes - Literary devises and analysis - Structure - Verse v. Prose - Writing - Slam poetry and public speaking Poetry comparison (using the works of Maya Angelou and Jacqueline Woodson) (Id.). Ms.

Free access — add to your briefcase to read the full text and ask questions with AI

Related

Engel v. Vitale
370 U.S. 421 (Supreme Court, 1962)
Abington School Dist. v. Schempp
374 U.S. 203 (Supreme Court, 1963)
Epperson v. Arkansas
393 U.S. 97 (Supreme Court, 1968)
Walz v. Tax Comm'n of City of New York
397 U.S. 664 (Supreme Court, 1970)
Lemon v. Kurtzman
403 U.S. 602 (Supreme Court, 1971)
Wisconsin v. Yoder
406 U.S. 205 (Supreme Court, 1972)
Harris v. McRae
448 U.S. 297 (Supreme Court, 1980)
Stone v. Graham
449 U.S. 39 (Supreme Court, 1981)
Lynch v. Donnelly
465 U.S. 668 (Supreme Court, 1984)
Edwards v. Aguillard
482 U.S. 578 (Supreme Court, 1987)
Vernon v. City of Los Angeles
27 F.3d 1385 (Ninth Circuit, 1994)
Mazurek v. Armstrong
520 U.S. 968 (Supreme Court, 1997)
Malnak v. Yogi
592 F.2d 197 (Third Circuit, 1979)
American Legion v. Am. Humanist Ass'n
588 U.S. 29 (Supreme Court, 2019)

Cite This Page — Counsel Stack

Bluebook (online)
Coble v. Lake Norman Charter School, Inc., Counsel Stack Legal Research, https://law.counselstack.com/opinion/coble-v-lake-norman-charter-school-inc-ncwd-2020.