CM Paula Company v. Logan

355 F. Supp. 189, 177 U.S.P.Q. (BNA) 559, 1973 U.S. Dist. LEXIS 14674
CourtDistrict Court, N.D. Texas
DecidedMarch 5, 1973
DocketCiv. A. 4-2118
StatusPublished
Cited by8 cases

This text of 355 F. Supp. 189 (CM Paula Company v. Logan) is published on Counsel Stack Legal Research, covering District Court, N.D. Texas primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
CM Paula Company v. Logan, 355 F. Supp. 189, 177 U.S.P.Q. (BNA) 559, 1973 U.S. Dist. LEXIS 14674 (N.D. Tex. 1973).

Opinion

*190 MEMORANDUM OPINION

MAHON, District Judge.

Plaintiff, Paula Company, is an Ohio Corporation “engaged in the business of creating, producing and marketing a wide and diverse line of products, including greeting cards, post cards, stationery, note pads, motto cards, plaques, posters, statuettes, candles, and sundry gift items, all of which embody original art work, designs and text material .” In its complaint, plaintiff alleges that the defendant, L. Gene Logan, has been in the past, and is presently infringing on copyrights that plaintiff has in various pictorial art works imprinted on stationery and greeting cards created, published, and marketed by the Paula Company. The allegations of copyright infringement are directed at defendant’s transferral of various copyright designs from Paula Company greeting cards and note pads to ceramic plaques produced and sold by defendant. The Paula Company describes the process employed by defendant as one that,

“involves the use of acrylic resin, emulsions, or similar compounds which act as a transfer medium to strip the printed indicia from the original surface on which it is printed, whereupon the image carrying film is applied to another article, such as the plaster base of a wall plaque. In effect, a decal picture is created.
“In a typical example of this type of transfer technique, the print to be transferred is first coated with a number of coatings of the resin emulsions to form a film, each such coating being permitted to dry or cure before the application of the next. After the applied coatings are thoroughly cured, the coated print is soaked in water to thoroughly wet the paper backing on which the picture was initially printed, whereupon the paper backing is peeled away, with the picture forming printing ink adhered to the resin film, which is insoluble in water. The rear surface of the film containing the transferred image is then coated with one or more additional layers of the resin emulsion, whereupon the film is adhered to a new support, such as a ceramic plaque, plate, or the like, which is also coated with the emulsion, and the film smoothed out and pressed into contact with the new support, usually with the use of a rubber roller. Various additional operations may be performed on the transferred film including an application of additional coatings of various substances to provide a glazed or crackled appearance, as well as to protect the underlying film.”

It is undisputed that the Paula Company products utilized by the defendant in the above process are purchased by Logan at retail prices.

Paula Company urges that the actions of Defendant Logan are in violation of § 1(a) of the Copyright Act which provides, “Any person entitled thereto, upon complying with the provisions of this title, shall have the exclusive right: (a) To print, reprint, publish, copy, and vend the copyrighted work[.]” 17 U.S. C. § 1 (1970).

Plaintiff further contends that the transfer process employed by defendant with regard to Paula Company artworks is proscribed by § 7 of the Act which states:

“Compilations or abridgments, adaptations, arrangements, dramatizations, translations, or other versions of the work in the public domain or of copyrighted works when produced with the consent of the proprietor of the copyright in such works, or works republished with new matter, shall be regarded as new work subject to copyright under the provisions of this title; but the publication of any such new works shall not affect the force or validity of any subsisting copyright upon the matter employed or any part thereof, or be construed to imply an exclusive right to such use of the original works, or to secure or extend copyright in such original works.” 17 U.S.C. § 7 (1970).

*191 The Court notes at the outset that without copying there can be no infringement of copyright. 1 Further, plaintiff has the burden of establishing that there has been a copying 2 — a “reproduction or duplication” of a thing. 3

The process utilized by defendant that is now in question results in the use of the original image on a ceramic plaque; such process is not a “reproduction or duplication.”

The Court believes that plaintiff’s characterization of the print thus used as a decal is appropriate. 4 Each ceramic plaque sold by defendant with a Paula print affixed thereto requires the purchase and use of an individual piece of artwork marketed by the plaintiff. For example, should defendant desire to make one hundred ceramic plaques using the identical Paula print, defendant would be required to purchase one hundred separate Paula prints. The Court finds that the process here in question does not constitute copying. See Blazon, Inc. v. DeLuxe Game Corp., 268 F.Supp. 416, 434 (S.D.N.Y.1965).

The plaintiff contends that the sale of the ceramic plaques with the Paula Company artwork affixed thereto is an infringement of plaintiff’s exclusive right to vend as provided for in Section 1 of the Act.

Professor Nimmer writes:

“. . . [G]ranting the exclusive right to vend (and publish) is a necessary supplement to the prohibition on copying in order to make fully effective the copyright owner’s right to prevent public distribution of his work.
This rationale becomes inapplicable in the situation where the copyright owner first consents to the sale or other disposition of copies of his work. In such circumstances the copyright owner wishes still to prevent unauthorized copying, but it is no longer for the purpose of preventing distribution of the copies which he has released into the public channels consented to such disposition of his work. Therefore, the right to prevent unauthorized vending at that point (although still no doubt desired by the copyright owner) is no longer a necessary supplement for the purpose above described. In such circumstances, continued control over the vending of copies is not so much a supplement to the intangible copyright, but is rather primarily a device for controlling the disposition of the tangible personal property which embodies the copyrighted work. Therefore, at this point the policy favoring a copyright monopoly for authors gives way to the policy opposing restraints of trade and to restraints on alienation.
•X- -X- -X- -X- -X- -X
“It is clear that once the copyright proprietor consents to the sale of particular copies of his work, he may not thereafter exercise the right to vend with respect to such copies. Thus, in the usual situation the Sec. 27 exclusions mean that the right to vend may be exercised with respect to the initial sale of copies of the work, but may not prevent or restrict the resale of such copies.” 5 1 M. B. Nimmer,

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Cite This Page — Counsel Stack

Bluebook (online)
355 F. Supp. 189, 177 U.S.P.Q. (BNA) 559, 1973 U.S. Dist. LEXIS 14674, Counsel Stack Legal Research, https://law.counselstack.com/opinion/cm-paula-company-v-logan-txnd-1973.