Cinema Associates, Ltd. v. City of Oakwood

417 F. Supp. 146, 1976 U.S. Dist. LEXIS 14497
CourtDistrict Court, S.D. Ohio
DecidedJune 22, 1976
DocketCiv. C-3-75-323
StatusPublished
Cited by1 cases

This text of 417 F. Supp. 146 (Cinema Associates, Ltd. v. City of Oakwood) is published on Counsel Stack Legal Research, covering District Court, S.D. Ohio primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Cinema Associates, Ltd. v. City of Oakwood, 417 F. Supp. 146, 1976 U.S. Dist. LEXIS 14497 (S.D. Ohio 1976).

Opinion

ORDER

CARL B. RUBIN, District Judge.

This matter is before the Court on a stipulation of facts and memoranda filed by counsel. In accordance with Rule 52 of the Federal Rules of Civil Procedure, the Court does submit herewith its findings of fact and conclusions of law.

I

FINDINGS OF FACT

1. Plaintiff Cinema Associates, Ltd., is an Ohio corporation engaged in the business of exhibiting motion pictures. Such plaintiff operates a motion picture theatre known as Cinema South within the confines of defendant the City of Oakwood. Robert Mills, plaintiff herein, is an employee of the plaintiff Cinema Associates, Ltd., and is manager of Cinema South. Defendant City of Oakwood is a municipal corporation located within Montgomery County, Ohio and chartered under the laws of the State of Ohio.

2. Among the motion pictures that have been exhibited by plaintiff is one known as “Last Tango In Paris”, produced by United Artists Corporation. On December 17, 1975, pursuant to criminal complaint of one Richard Ulbrich and pursuant to a search warrant issued by the Oakwood Municipal Court thereunder, a copy of the motion picture “The Last Tango In Paris” was seized and is presently held as evidence on the aforesaid criminal complaint.

3. A Judicial District known as the Southern District of Ohio has been established by Act of Congress (28 U.S.C. § 115). It consists of 48 counties, all located in the southern portion of the State of Ohio. By such Act of Congress “Seats of Court” have been established at Cincinnati, Ohio, Columbus, Ohio, Dayton, Ohio, and Steubenville, Ohio. Montgomery County, Ohio, is one of the counties included in the Southern District of Ohio.

4. In the case of United Artists Corporation v. Simon L. Leis, Civil No. C-1-74-244, The Honorable Timothy S. Hogan, Chief Judge of the United States District Court for the Southern District of Ohio, on July 10, 1974, declared “Last Tango In Paris” not obscene as a matter of law.

II

OPINION

The significant issue before this Court turns upon the effect of the decision in United Artists Corporation v. Simon L. Leis, Jr., supra, and the collateral determination of what constitutes a “community” for purposes of giving territorial effect to such decision.

“Last Tango In Paris” is not in evidence in this matter. It has not been viewed and no opinion as to its artistic merit or lack of it or its “redeeming social value” or lack of it is herein expressed. This opinion is limited to the single proposition that where a determination of obscenity or lack of it within a Judicial District has been made, it establishes the “community standards” and is binding throughout such District.

The manner in which this Court has reached the above conclusion requires a detailed analysis of the regulation of obscenity in terms of a “community standard”.

*148 The concept of “contemporary community standards” was first articulated by Judge Learned Hand in United States v. Kennerley, 209 F. 119 (S.D.N.Y.1913). Expressing his dissatisfaction with the then prevailing “most susceptible person” test of Regina v. Hicklin, L.R. 3Q B (1868), Judge Hand wrote:

Yet, if the time is not yet when men think innocent all that which is honestly germane to a pure subject, however little it may mince its words, still I scarcely think that they would forbid all which might corrupt the most corruptible, or that society is prepared to accept for its own limitations those which may perhaps be necessary to the weakest of its members. If there be no abstract definition, such as I have suggested, should not the word “obscene” be allowed to indicate the present critical point in the compromise between candor and shame at which the community may have arrived here and now? If letters must, like other kinds of conduct, be subject to the social sense of what is right, it would seem that a jury should in each case establish the standard much as they do in cases of negligence. To put thought in leash to the average conscience of the time is perhaps tolerable, but to fetter it by the necessities of the lowest and least capable seems a fatal policy, (emphasis added)
Nor it is an objection, I think, that such an interpretation gives to the words of the statute a varying meaning from time to time.. Such words as these do not embalm the precise morals of an age or place; while they presuppose that some things will always be shocking to the public taste, the vague subject-matter is left to the gradual development of general notions about what is decent.

The Supreme Court adopted the Kennerley community standards rationale without elaboration as part of the fundamental obscenity test in Roth v. United States, 354 U.S. 476, 77 S.Ct. 1304, 1 L.Ed.2d 1498. 1 Regrettably, Roth did not define the extent of the community. There has been widespread disagreement concerning its geographical scope. 2

Miller v. California, 413 U.S. 15, 93 S.Ct. 2607, 37 L.Ed.2d 419, and related cases 3 sought to correct the limitations of Roth first by vesting greater and essentially unreviewable discretion in the trier of fact to define the community against whose standard the prurient interest and patent offensiveness of a work is to be measured, Miller, supra at 31-34, 93 S.Ct. 2607; Second, by holding that only descriptions or depictions of sexual conduct specifically defined by state or federal law could be subject to a finding of obscenity (Id. at 24-27, 93 S.Ct. 2607); and finally by discarding the “utterly without redeeming social vaiue” test adopted by the plurality opinion in Memoirs v. Massachusetts, 383 U.S. 413, 86 S.Ct. 975, 16 L.Ed.2d 1 (1966). Miller limited the *149 First Amendment privilege to works which, taken as a whole, have serious literary, artistic, political or scientific value, Miller, supra, 413 U.S. at 24, 93 S.Ct. 2607.

Miller ended any speculation, at least in state obscenity cases, that the community standard is to be determined with reference to a national community. Quoting with approval from Chief Justice Warren’s dissent in Jaeobellis, the majority explained:

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Bluebook (online)
417 F. Supp. 146, 1976 U.S. Dist. LEXIS 14497, Counsel Stack Legal Research, https://law.counselstack.com/opinion/cinema-associates-ltd-v-city-of-oakwood-ohsd-1976.