Christou v. Beatport, LLC

849 F. Supp. 2d 1055, 2012 U.S. Dist. LEXIS 34307, 2012 WL 872574
CourtDistrict Court, D. Colorado
DecidedMarch 14, 2012
DocketCivil Action No. 10-cv-02912-RBJ-KMT
StatusPublished
Cited by2 cases

This text of 849 F. Supp. 2d 1055 (Christou v. Beatport, LLC) is published on Counsel Stack Legal Research, covering District Court, D. Colorado primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Christou v. Beatport, LLC, 849 F. Supp. 2d 1055, 2012 U.S. Dist. LEXIS 34307, 2012 WL 872574 (D. Colo. 2012).

Opinion

ORDER

R. BROOKE JACKSON, District Judge.

This matter comes before the Court on defendant Beatport L.L.C.’s Motion to Dismiss [CM/ECF document # 15]; defendant AM Only, Inc.’s Motion to Dismiss [# 25]; defendants Bradley Roulier and BMJ & J L.L.C.’s Motion to Dismiss [# 32], and Defendant Beatport L.L.C.’s Motion for Sanctions [# 30]. All of these motions have been fully briefed.

Facts

Beginning during the 1990’s, plaintiff Regas Christou founded several nightclubs in Denver, including R.M.C. Holdings, L.L.C. (“The Church”), Molon Lave, Inc. (“2 A.M.”), 1037 Broadway, Inc. (“Bar Standard” ilk/a “The Shelter”), City Hall L.L.C. (“City Hall”), 775 Lincoln St., Inc. (“Funky Buddha Lounge”), and 1055 Broadway, Inc. (“The Living Room”). Mr. Christou is also affiliated with Bouboulina, Inc. (“Vinyl”). These clubs are alleged to comprise the South of Colfax Nightlife district (“SOCO”). Complaint [# 1] at 3.

The SOCO clubs, especially The Church and Vinyl, emphasize “Electronic Dance Music” and live performance by DJs. Id. at ¶ 4. Mr. Christou has been instrumental in developing the Electronic Dance Music market in Denver. Id. at ¶ 16. Both The Church and Vinyl are nationally recognized clubs in the Electronic Dance Music scene. Id. ¶ 17.

Defendant Bradley Roulier is a co-founder and member of Beatport, LLC (“Beatport”) and founder and member of BMJ & J, L.L.C. d/b/a Beta Nightclub (“Beta”). Id. at ¶ 6. Starting in 1998, Mr. Roulier was employed by Mr. Christou as a talent buyer and assisted in booking top DJs to perform at SOCO venues. Id. at ¶ 18. While he was still employed by Mr. Christou, Mr. Roulier, along with several partners, conceived of the idea that would become Beatport. Id. at ¶ 19. In 2003, Beatport was founded as an online marketplace for downloading music that catered to consumers and producers of Electronic Dance Music. Id. at ¶ 19-20. Mr. Christou cosigned a $50,000 loan to start Beat-port in exchange for Mr. Roulier’s promise that Mr. Christou would later be given partial ownership of the company. Id. at ¶ 20. Mr. Christou also initially assisted in Beatport’s promotion by advertising Beat-port in SOCO’s print and online advertise[1063]*1063ments, distributing promotional flyers, and financing a promotional video. Id. at ¶ 23. Mr. Roulier never transferred any ownership interest to Mr. Christou. Id. at 33.

By 2005 Beatport was a commercial success, with over one million purchases and song downloads from the website. Id. at ¶ 24. The website claims that “Beatport is the most relevant online source of electronic music in the world.” Id. at ¶ 31. Beatport gained popularity and success by differentiating itself from other music marketplaces such as Apple’s iTunes. Id. at ¶ 26. Unlike other music download websites, Beatport offered music at higher bit rates and without Digital Rights Management (DRM) controls, which enabled DJ’s to re-mix and use music downloaded from Beatport during their live performances. Id. Beatport’s dominance in the Electronic Dance Music community meant that Beat-port became financially important for DJs. Id. at ¶ 25. Plaintiffs allege that favorable promotion, or the lack thereof, on Beatport can “make or break album sales.” Ibid.

Beatport entered into a partnership with German hardware manufacturer, Native Instruments GmbH, to provide the seamless integration of music downloads from Beatport and hardware used by DJs. Id. at ¶ 27. Plaintiffs believe that Native Instruments GmbH has subsequently acquired a majority interest in Beatport due to Beat-port’s importance to the Electronic Dance Music community. Id. at ¶ 29.

Mr. Roulier initially expressed interest in purchasing The Church from Mr. Christou, but instead he opened a competing nightclub in Denver. While still employed by Mr. Christou, and while still in negotiations regarding the purchase of The Church, Mr. Roulier opened the nightclub Beta in March 2008. Plaintiffs allege that Mr. Roulier and the other defendants leveraged their ownership of Beatport to coerce DJs to boycott SOCO’s venues and only perform at Beta’s Beatport lounge. Id. at ¶ 34. Plaintiffs allege that Beatport has the ability to remove all artists on a DJ’s label from its online marketplace if the DJ performs at a SOCO venue. Id. at ¶ 46.

Beatport allegedly began using its position to coerce DJ’s into performing only at Beta in 2008. Ibid. Because access and promotion on Beatport are critical to both a DJ’s and a label’s success, many DJs and agents were allegedly compelled to agree with Beatport and Beta’s demands. For example, plaintiffs allege that DJ Charissa Saverio (“DJ Rap”), just prior to formalizing an agreement with The Church, was Contacted by Mr. Roulier and told that if she wanted continued access and label support on Beatport she must play at Beta and not at The Church. Id. at ¶ 52. Mr. Roulier told DJ Rap’s booking agency, Bullit Booking, that “he would pull both of DJ Rap’s record labels entirely off Beat-port if DJ Rap played at SOCO’s clubs.” Id. DJ Rap canceled her performance at The Church and instead performed at Beta.

Plaintiffs quote an “owner of a major Electronic Dance Music record label” as saying that Beta and Mr. Roulier are “using their Beatport connections to make sure things happen.” Id. at ¶ 54. In an interview with the Denver Post, Mr. Roulier was quoted as saying “[w]ith [Beta’s] relationship with Beatport we think most of the DJs will want to play for us.” Id. at ¶ 55.

As a result plaintiffs allege that the SOCO clubs were squeezed out of the market. Plaintiffs brought the present action alleging nine claims for relief: (1) Unlawful tying in violation of 15 U.S.C. § 1 against Beatport, Beta and Mr. Roulier; (2) Monopolization in violation of 15 U.S.C. § 2 against Beta and Mr. Roulier; (3) Attempted monopolization in violation of 15 U.S.C. § 2 against Beta and Mr. [1064]*1064Roulier; (4) Conspiracy to Monopolize in violation of 15 U.S.C. § 2 against all defendants; 1 (5) Conspiracy to eliminate competition by unfair means in violation of 15 U.S.C. § 1 against all defendants; (6) Theft of trade secrets in violation of C.R.S. § 7-74-101 against Beatport, Beta, and Mr. Roulier; (7) Violation of the Racketeer Influenced and Corrupt Organization Act (RICO), 28 U.S.C. § 1962 against all defendants; (8) Intentional interference with prospective business expectancies against Mr. Roulier2; and (9) Civil conspiracy against all defendants.

Beatport filed a motion to dismiss pursuant to Fed.R.Civ.P. 12(b)(6) on January 12, 2011[# 15]. Plaintiffs responded [# 38] and Beatport replied [# 57].

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849 F. Supp. 2d 1055, 2012 U.S. Dist. LEXIS 34307, 2012 WL 872574, Counsel Stack Legal Research, https://law.counselstack.com/opinion/christou-v-beatport-llc-cod-2012.