Cassard Romano Co. v. United States

19 C.C.P.A. 191, 1931 CCPA LEXIS 302
CourtCourt of Customs and Patent Appeals
DecidedNovember 2, 1931
DocketNo. 3453
StatusPublished

This text of 19 C.C.P.A. 191 (Cassard Romano Co. v. United States) is published on Counsel Stack Legal Research, covering Court of Customs and Patent Appeals primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Cassard Romano Co. v. United States, 19 C.C.P.A. 191, 1931 CCPA LEXIS 302 (ccpa 1931).

Opinions

Lenroot, Judge,

delivered the opinion of the court:

This is an appeal from a judgment of the United States Customs Court overruling the protest of appellants and holding certain articles to be properly dutiable under paragraph 399 of the Tariff Act of 1922, and not under paragraph 1449 as claimed by appellants.

Upon the trial in the court below appellants abandoned a number of items covered by the protest, and in the brief of appellants certain other items are abandoned, leaving for consideration by us only the articles represented by Exhibits 1,2, and 3, each of which is a metal figure of a woman upon a marble base, each exhibit being about eight inches in height.

There is no proof in the record that the articles here in question are works of art as that phrase has been construed by this court in passing upon tariff provisions where such phrase occurs, and appellants concede this. It is unnecessary, therefore, to describe the exhibits introduced in greater detail.

Appellants do, however, contend that the articles in question are statuary and that under a proper construction of paragraph 1449 they should be classified thereunder, even though they are not works of art. Said paragraph 1449 reads as follows:

Par. 1449. Works of art, including paintings in oil or water colors, pastels, pen and ink drawings, and copies, replicas, or reproductions of any of the same; statuary, sculptures, or copies, replicas, or reproductions thereof; and etchings and engravings; all the foregoing, not specially provided for, 20 per centum ad valorem.

[193]*193The provision of paragraph 399 under which the articles were classified reads as follows:

Par. 399. Articles or wares not specially provided for, * * * if composed wholly or in chief value of iron, steel, lead, copper, brass, nickel, pewter, zinc, aluminum, or other metal, but not plated with platinum, gold, or silver, or colored with gold lacquer, whether partly or wholly manufactured, 40 per centum ad valorem.

Paragraph 376 of the Tariff Act of 1913 reads as follows:

Par. 376. Works of art, including paintings in oil or water-colors, pastels, pen and ink drawings, or copies, replicas or reproductions of any of the same, statuary, sculptures, or copies, replicas or reproductions thereof, and etchings and engravings, not specially provided for in this section, 16 per centum ad valorem.

It will be observed that the only differences between said paragraph 376 of the Tariff Act of 1913 and paragraph 1449 of the Tariff Act of 1922 are the substitution in said paragraph 1449 of the word "and” for the word “or” after the words “pen and ink drawings,” the addition of the words “all the foregoing” after the words “etchings and engravings,” the omission from paragraph 1449 of the words “in this section,” and the substitution of semicolons for commas following the words "or reproductions of any of the same,” following the words “or reproductions thereof,” and following the words “etchings and engravings.”

Tins court, in the cases of United States v. Downing & Co., 6 Ct. Cust. Appls. 545, T. D. 36197; United States v. Olivotti & Co., 7 Ct. Cust. Appls. 46, T. D. 36309, and Petry Co. v. United States, 11 Ct. Cust. Appls. 525, T. D. 39666, construed said paragraph 376 of the Tariff Act of 1913 and held in effect that under that paragraph all of its provisions were governed by the opening words “works of art,” and that no article eo nomine named under that paragraph could be classified thereunder unless it be a work of art.

Appellants do not here challenge the correctness of those decisions but contend that by the changes made in said paragraph 1449 of the Tariff Act of 1922 it is now subject to a different construction from that given paragraph 376 of the Tariff Act of 1913 and that statuary should be classified under paragraph 1449 without reference to the opening words of the paragraph, “works of art.”

The question before us, therefore, is as to whether the changes made in said paragraph 1449 warrant a different construction of that paragraph than was given paragraph 376 of the Tariff Act of 1913.

The contention of appellants is stated in their brief as follows:

The sole question, therefore, to be decided in this case is whether paragraph 1449 of the act of 1922 is to be construed like paragraph 376 of the act of 1913 as excluding sculpture and statuary if it is not technically “works of art” as previously limited. It is contended that Congress in changing the wording of para[194]*194graph 1449 clearly indicated that the provisions for statuary, sculptures, or copies, replicas, or reproductions thereof, was no longer to be limited to such statuary or sculpture as was the product of a professional artist. Otherwise why did it change the language of paragraph 376 of the act of 1913 in enacting the new provision in the act of 1922? The only inference that can be logically given to the change in the language in the present act is that the term “works of art,” the opening words of paragraph 1449, is intended to limit only the articles named after the word “including,” to wit — •
paintings in oil or water-colors, pastels, pen and ink drawings, and copies, replicas or reproductions of any of the same.
Congress changed the word “or” after “pen and ink drawings” to the word “and,” showing that it intended to conclude that subject. Congress then inserted a semicolon in place of the comma in the previous act. This semicolon separates the next phrase from the phrase governed by the words “works of art.” The second phrase includes the word “statuary.” Statuary, therefore, is an eo nomine provision unlimited in the paragraph and manifestly covers all statuary whether works of art or not. Another semicolon was inserted in place of th'e comma after the words “reproductions thereof.”
Then the words “all the foregoing” were inserted after the word “engravings” which is also followed by a semicolon instead of a comma as in the previous act. If Congress had intended to make “works of art” the subject of the paragraph i would not have used the words “all the foregoing.” That phrase is usually inserted in a provision when the paragraph covers many separate and distinct kinds of merchandise.

With, regard to whether there is any change in language in said paragraph 1449 warranting a different construction than had been given to its predecessor, said paragraph 376 of the Tariff Act of 1913, this court, in the case of Frei Art Glass Co. v. United States, 15 Ct. Cust. Appls. 132, T. D. 42214, said:

Paragraph 376 of the Tariff Act of October 3, 1913, was repeated in substantially the same language in paragraph 1449 of the Tariff Act of 1922. While the opinion in the Petry ease had not been handed down prior to the passage of the said act of 1922, the Congress must be held to have known of the limitation placed upon the meaning of the statutory term “works of art” by this court and the Supreme Court before that time. Having made no substantial change of language, we must •presume the Congress assented to the interpretation. United States v. Brown & Co., 13 Ct. Cust. Appls. 3; United States v. Basket Imp. Co., 13 Ct. Cust. Appls. 98; United States v. Beierle,

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Bluebook (online)
19 C.C.P.A. 191, 1931 CCPA LEXIS 302, Counsel Stack Legal Research, https://law.counselstack.com/opinion/cassard-romano-co-v-united-states-ccpa-1931.