Capitol Records, Inc. v. Mp3tunes, LLC

261 F.R.D. 44, 2009 U.S. Dist. LEXIS 73447, 2009 WL 2568431
District Court, S.D. New York·Decided August 13, 2009·No. No. 07 Civ. 9931(WHP)(FM)·Published·Cited by 12 cases

Opinion

MEMORANDUM DECISION AND ORDER

FRANK MAAS, United States Magistrate Judge.

I. Introduction

The plaintiffs in this action (“Plaintiffs”) include five entities (the “EMI Labels”) engaged, inter alia, in the business of producing and distributing sound recordings in the United States. In their complaint, the Plaintiffs contend that defendant MP3tunes, LLC (“MP3tunes”) has infringed their music copyrights through the operation of two web sites, www.sideload.com and www.mp3tunes. com. According to the complaint, www. sideload.com provides users with access to third-party web sites from which they can stream and listen to music. Users also can “sideload” music to a permanent “locker” assigned to them at the www.MP3tunes.com website.

II. Background

A. Relevant Procedural History

In the course of discovery in this action, MP3tunes has alleged that at least some of the third-party sites from which its users stream or download music are supplying authorized versions of the EMI Labels’ copyrighted music, thereby undercutting the Plaintiffs’ infringement claims. The Plaintiffs counter that even if a locker contains music that a user is entitled to have, MP3tunes has violated them copyrights by maintaining only one copy of each song on its server regardless of the number of users who download the song. In their view, the process by which MP3tunes “de-duplicates” identical copies of music is unlawful because it enables user “A” to access music stored by user “B.”

At an earlier stage of the proceedings, MP3tunes asserted as a counterclaim that the Plaintiffs had violated the Digital Millennium Copyright Act (“DMCA”), 17 U.S.C. § 512(c)(3), by sending a “takedown notice” that improperly sought to have MP3tunes remove from its site links to copyrighted works that the Plaintiffs themselves had made available for free downloading or which were otherwise lawfully available over the internet. (Docket Nos. 51, 52).

The counterclaim followed on the heels of a declaratory judgment action that MP3tunes previously had brought against the Plaintiffs in California. See Docket No. 63 Ex. 1 (Order Granting Defendants’ Motion to Dismiss, No. 07CV1844 (WQH) (S.D.Ca. Apr. 18, 2008)). In that action, MP3tunes cited two specific works that allegedly were non-infringing as the basis for its claim that the Plaintiffs’ takedown notice violated the DMCA. That notice listed 350 “representative” songs, but demanded that MP3tunes take down links to all of the Plaintiffs’ copyrighted works. (Id. at 12). The California action was dismissed on several grounds, including (i) MP3tunes’ failure to identify “a single track ... [as] definitely lawful, non-infringing, and wrongly included in the cease-and-desist letter,” (Id. at 12), and (ii) the lack of materiality of any lawful works mistakenly included in the Plaintiffs’ take-down notice in light of the breadth of the infringement that the Plaintiffs alleged, (id. at 13).

On March 3, 2009, Judge Pauley, to whom this case is assigned, dismissed MP3tunes’ [47] DMCA counterclaim because MP3tunes’ allegation that there were five additional allegedly lawful songs on the list annexed to the Plaintiffs’ takedown notice did not “transform the counterclaim in any meaningful way from the DMCA claim dismissed in the California action” and, therefore, was foreclosed under the doctrine of issue preclusion. (Docket No. 73 at 5). Judge Pauley also declined to allow MP3tunes to amend its counterclaim to include additional allegations regarding the Plaintiffs’ alleged distribution of their music for free over the internet, reasoning that this amounted to no more than an allegation that “some of the songs on the representative list might be non-infringing,” a claim he deemed “too speculative to meet the Twombly standard.”1 (Id. at 6).

B. Evolution of Present Discovery Disputes

While the Plaintiffs’ motion to dismiss the counterclaims was pending, Judge Pauley referred this case to me to resolve all of the parties’ discovery disputes. (See Docket No. 67).2 Thereafter, I held a conference on February 18, 2009, to address several issues concerning electronically-stored information (“ESI”). Prior to that conference, the Plaintiffs had requested MP3tunes to produce, inter alia, (i) “all [documents concerning the functionality, development, and operation of MP3tunes’ storage of [u]ser [f|iles; sideload feature; and streaming, play, download, and locker-sync features,” and (ii) all communications involving MP3tunes’ principal, Michael Robertson (“Robertson”), and three other persons concerning the “functionality, structure, operations, or source code of MP3tunes.” (Counsels’ Jnt. Letter to the Court, dated Jan. 27, 2009, at 5, 7 (quoting Pis.’ Doc. Request Nos. 14, 15)). MP3tunes objected to these requests as overbroad and unduly burdensome because they would require the company “to turn over each and every document and every byte of electronic data in MP3tunes’ possession.” (Id. at 6).

During the conference, I concurred that the Plaintiffs’ reference to the “operation” of the MP3tunes’ website made the request overbroad. (See 2/18/09 Tr. 15). I therefore urged the parties to develop agreed search terms which would focus on the macro level of MP3tunes’ software by requiring MP3tunes to produce documents relating to the design of its site. (See, e.g., id. at 15 (“Well, all documents concerning the design presumably would get you any that say we need to design this to do X because of Y.”)). The EMI Labels’ counsel responded, “[P]articularly given the fact that we have a transcript of this hearing, ... I’m comfortable with that.” (Id. at 15-16). Significantly, counsel for MP3tunes also expressed agreement with this proposed course of action. (See id. at 20 (“We are fine with developing search terms for e-mails if we strike the word operation, just about the design and development of the ... software.”) (emphasis added), 21 (“Our position is we object to the reference to operation and ... to streaming. And beyond that, we’re willing to work with the other side.”); see also id. at 22 (remarks of the Court: “[If] we come up with a universe of names, and search terms that relate to the design of these aspects of the MP3tunes website, maybe we can move the ball forward.”)).

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Capitol Records, Inc. v. Mp3tunes, LLC, 261 F.R.D. 44, 2009 U.S. Dist. LEXIS 73447, 2009 WL 2568431 (S.D.N.Y. 2009).

261 F.R.D. 44 (Capitol Records, Inc. v. Mp3tunes, LLC) — published by Counsel Stack Legal Research, free access to 12M+ legal documents.

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