Capitol Records, Inc. v. Erickson

2 Cal. App. 3d 526, 82 Cal. Rptr. 798, 40 A.L.R. 3d 553, 164 U.S.P.Q. (BNA) 465, 1969 Cal. App. LEXIS 1435
CourtCalifornia Court of Appeal
DecidedDecember 11, 1969
DocketCiv. 34107
StatusPublished
Cited by25 cases

This text of 2 Cal. App. 3d 526 (Capitol Records, Inc. v. Erickson) is published on Counsel Stack Legal Research, covering California Court of Appeal primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Capitol Records, Inc. v. Erickson, 2 Cal. App. 3d 526, 82 Cal. Rptr. 798, 40 A.L.R. 3d 553, 164 U.S.P.Q. (BNA) 465, 1969 Cal. App. LEXIS 1435 (Cal. Ct. App. 1969).

Opinion

Opinion

WOOD, P. J.

Defendants (Phoenix, hereinafter) appeal from an order granting a preliminary injunction 1 restraining Phoenix, pending the hearing and determination of the action, from transferring to magnetic tape any *528 performances embodied in phonographic recordings produced and sold by plaintiff recording company (Capitol, hereinafter).

Phoenix contends that the court erred in granting the injunction.

For the purposes of the preliminary injunction, there is no dispute as to the facts. Phoenix is admittedly in the business of selling prerecorded stereophonic tape cartridges, which it produces as follows: Phoenix purchases on the open market records and tapes of musical performances which have been produced, recorded, and sold by Capitol. Phoenix then makes “master” recordings from the records and tapes which it purchased, and uses the master recordings to produce tape cartridges which it sells to the general public. 2 On the front of each cartridge package Phoenix affixes a label which bears the title of the recorded performance and the names of the performing artists; and, on the back of the cartridge package, it affixes a label bearing the following word's: “No relationship of any kind exists between Phoenix and the original recording company nor between this recording and the original recording artist. This tape is not produced under a license of any kind from the original company nor the recording artist(s) and neither the original recording company nor artist(s) receives a fee or royalty of any kind from Phoenix. Permission to produce this tape has not been sought nor obtained from any party whatsoever.”

It is admitted that Phoenix does not seek or obtain permission of Capitol, or permission of the recording artists, to reproduce the records or tapes; and that Phoenix does not pay any fee or royalty to Capitol, or to the recording artist, or to the welfare and pension funds of the musicians’ union. Phoenix does set aside a “Composers’ Trust Account” to which Phoenix contributes two cents “per tune,” and from which Phoenix pays the statutory two-cent royalty required to be paid to the copyright proprietor of the musical composition recorded on the tapes sold by Phoenix.

Some of the evidence 3 in support of the application for the preliminary injunction was in substance as follows:

For many years Capitol has been engaged in the manufacture and sale of records in which the performances of noted recording artists are embodied, and Capitol is a leading manufacturer of such records in the United States and has attained a worldwide reputation as a manufacturer of records of the highest artistic and technical quality. The records manufactured by *529 Capitol are in the form of discs and prerecorded magnetic tapes. The tapes are often sold in the form of tape cartridges, which have recently received substantial acceptance by the public for use in homes and automobiles. In the past ten years, the sales volume of tapes has increased substantially. Since 1965, Capitol has expended in excess of $10,000,000 in recording “master recordings,” and has expended in excess of $35,000,000 to advertise and exploit its records. A master recording is the original recorded performance and it is used to manufacture the discs and tapes which are sold. Among other recordings, Capitol made master recordings of 11 performances by a vocal group known as “The Lettermen,” and from those recordings Capitol produced an album entitled “Coin’ Out of My Head.” The Lettermen granted to Capitol the sole and exclusive right to manufacture and sell records embodying the performances by The Letter-men, and the sole and exclusive right to use the name “Lettermen” in connection with the sale of such records. The cost of producing said album, exclusive of costs for studio time, engineers, and materials, was $25,000. The album was distributed for sale in March 1968 and, as of July 1968, Capitol had derived $500,000 gross receipts from sales of the album. A weekly publication entitled “Cash Box” is a leading publication in the recording industry. It publishes a weekly survey of record sales in the form, of a chart entitled “Top 100 Albums,” that lists the albums which, according to statistics, are currently the best selling albums. The chart lists, for each album, the name of the performing artist, the title of the performance, and the name of the manufacturer. Commencing in May 1968 the album “Coin’ Out of My Head” appeared on the chart for 16 weeks, and it was in fourteenth position on the chart at its “highest point.” Said album also appeared on the “Top 20 LP’s” chart of “Billboard,” another publication in the recording industry. From one of Capitol’s albums of “Coin’ Out of My Head,” Phoenix produced tape cartridges which bore the title “Coin’ Out of My Head,” and the name of the recording artists, “The Lettermen.” Said cartridges also bore the aforementioned label to the effect that there was no relationship between Phoenix and the original recording company, etc. Phoenix circulated advertisements to wholesale and retail dealers offering to sell tape cartridges of such album and other albums on Billboard’s “Top 20 LP’s.” In May 1968 a representative (Mr. Hamlin) of Phoenix contacted a national distributor of tape cartridges for automobiles and told said distributor that Phoenix was in the business of duplicating records and tape cartridges manufactured by other manufacturers and that Phoenix would sell the duplicated product for less than the price charged by the original manufacturers. Mr. Hamlin offered to sell tape cartridges of “Coin’ Out of My Head” by “The Lettermen” at a substantial discount. The distributor recognized the “title” as that of a successful album manufactured by *530 Capitol; and Mr. Hamlin said that it was the intention of Phoenix “to test the law” and that it would be helpful if a national distributor handled the products of Phoenix. The distributor refused to purchase any of the tape cartridges because he desired to acquire “only such product as had been legitimately manufactured and paid for” and which could be acquired “through the normal and customary channels of trade.” The distributor stated that the only reason he would consider purchasing Phoenix tape cartridges was his fear that the “pirated tape cartridges” offered by Phoenix might be sold to his competitors at prices substantially under the prices which he would pay for the “legitimate product.”

There was also some evidence to the effect that on its tape cartridges of the Lettermen album Phoenix altered the order of the 11 performances of The Lettermen which comprised the album as produced and sold by Capitol; 4 and that (in opinion of a recording engineer) the quality of the Phoenix tapes was “dubbed off” (reproduced) from a record sold commercially, and the cartridges were of inferior quality, technically and audibly, and were not of the standard of quality maintained by Capitol, which maintains one of the highest technical standards in the recording industry.

Appellant contends that the court erred in granting the preliminary injunction.

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2 Cal. App. 3d 526, 82 Cal. Rptr. 798, 40 A.L.R. 3d 553, 164 U.S.P.Q. (BNA) 465, 1969 Cal. App. LEXIS 1435, Counsel Stack Legal Research, https://law.counselstack.com/opinion/capitol-records-inc-v-erickson-calctapp-1969.