Capital of Puerto Rico v. Casino Español

56 P.R. 758
CourtSupreme Court of Puerto Rico
DecidedMay 22, 1940
DocketNo. 7731
StatusPublished

This text of 56 P.R. 758 (Capital of Puerto Rico v. Casino Español) is published on Counsel Stack Legal Research, covering Supreme Court of Puerto Rico primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Capital of Puerto Rico v. Casino Español, 56 P.R. 758 (prsupreme 1940).

Opinion

MR. Chief Justice Del Toro

delivered the opinion of the court.

This is an action for the recovery of personal property. An oil portrait of Isabel II, Queen of Spain, by Federico Madrazo is sought to be recovered. Judgment was entered against the plaintiff, which has appealed and assigned two errors in its brief, to wit: (1) that the trial court erroneously weighed the evidence, and, (2) that it held that the action has prescribed.

The issue was raised by tlie Capital of Puerto Bico, as plaintiff, as follows:

The Capital of Puerto Bico is the successor of the Municipality of San Juan and as such the owner of the painting claimed. The latter is unlawfully in the possession of defendant. It is worth $30,000.

The Casino Español, defendant herein, denied that the plaintiff owned the painting and alleged, on the contrary, that it owns the same, having acquired it by donation made to it by Manuel Fernández Juncos in 1913.

As new matter defendant alleged that the action prosecuted by plaintiff had prescribed, pursuant to sections 1863, 1856 and 616 of the Civil Code (Comp. 1911), corresponding to sections 1862, 1855 and 549 of the same statute, 1930 ed.

[760]*760The case went to trial and the court rendered judgment on September 12, 1936, as already stated, against defendant, on the ground that the painting was in the lawful possession of defendant by virtue of the same having been donated to it by Manuel Fernández Juncos and the time elapsed. It was held that the action of plaintiff had prescribed.

Let us consider the evidence. The first witness introduced by plaintiff was Roberto H. Todd. Briefly, he testified that he had been Mayor of San Juan for many years and on several occasions, and prior to 1901 he had been municipal councillor. He did not see the said painting in the city hall. He was shown a book entitled “Inventory signed on September 25, 1873” with the following entry on p. 6: “An oil painting, full size, of Doña Isabel II, with gilt frame,” and stated that he supposed it belonged to the Municipality of San Juan. The book was introduced in evidence and admitted without objection.

Pie saw the painting in the home of Manuel Fernández Juncos, a well reputed Spaniard, highly respected by Puerto Ricans and Spaniards, who was Secretary of the Treasury during the Autonomic Administration. The painting hung in the hall with other paintings. He saw it again in the main hall of the Casino Español when the latter was in Fortaleza street. He noticed on it the following inscription: “Municipality of Puerto Rico and then the author’s name, Madrazo. The witness was at the time Mayor of San Juan and did not take any steps to claim the painting. Nothing to the contrary was stated by him to an inspector from the Auditor’s „ office. He communicated with Pérez Losada, the secretary of the Casino, who told him that the latter had acquired the painting by donation or purchase, he did not remember well, from Manuel Fernández Juncos. He made no further inquiries.

An affidavit of José Mauleón was then read, in which he stated that he began to work for the Municipality of San Juan of Puerto Rico, now the Capital of Puerto Rico, during [761]*761the incumbency as Military Mayor of Francisco del Valle Atiles and then saw in the session hall of the municipality the painting in question. That the pictures remained there until the change of sovereignty in 1899 but he does not know why they were not kept in the town hall as the property of the people.

Arsenio E. Rodriguez, an inspector from the office of the Auditor of Puerto Rico, took the stand and stated that he made as such inspector an investigation of the books of the Capital of Puerto Rico in connection, among other things, with the portrait of Queen Isabel II painted by Madrazo, and spoke with Mr. Todd as well as with Mariano Abril, Adolfo de Hostos and Mario Brau in regard to the matter; that he examined the inventory which includes as far as the year 1873, and filed his report.

Luis A. Castro, Secretary of the Capital, testified that the municipal archives date back to 1631 and after making an examination thereof he failed to find any document recording the sale by the municipality of the painting of Doña Isabel II. It is recorded that the picture was bought by public contributions from the residents of San Juan who donated the same to the municipality.

Such was the evidence introduced by the plaintiff. The defendant called to the stand Juan García Verdomar, 75 years old, born in Coruña, Spain. He came to this Island on December 3, 1885. He became an employee of the municipality from the middle of July, 1890, first as city policeman and then as orderly to the mayor. He kept his job until the incumbency of Mr. Todd as mayor when he retired. He saw in the session hall the portrait of the Queen. He remembers having seen in 1898, when the change of sovereignty took place, don Manuel Fernández Juncos in the municipality with other gentlemen walking about the corridors adjoining the session hall and talking “about the property belonging to Spain,” and he noticed that one of the gentlemen asked don [762]*762Manuel “What do you want that for?” to which he answered,, “Well, to make a museum.”

José Pérez Losada, secretary of the Casino Español ever' since 1909, testified that there were in the Casino two portraits of Queen Isabel II, painted by Madrazo, one of them of a very large size, life size, which was acquired by donation made by don Manuel Fernández Juncos, an exalted' member of the Spanish colony, recognized as a good friend not only of the Spaniards but of the Puerto Eicans as well.

A book was shown to the witness who recognized it as-the minutes book of the Casino from December 6, 1907, to March 1916. The defendant introduced as evidence the last paragraph of the minutes recorded on p. 249 concerning the-picture of Queen Isabel II. The same was admitted over the plaintiff’s objection.

The witness went on stating that ever since 1913, when the picture was donated to the Casino, it was hung in the hall next to the ballroom. When the Casino was moved to San José Street and then to Fortaleza Street, it was hung in the ballroom. At present it is hung in the reading room of the Casa de España. The portrait was retouched and varnished and placed in a new frame. The Casino has never-been disturbed in the possession thereof. The inscription on the portrait reads: “Ayuntamiento de Puerto Eico, 1866.”' (Municipality of Puerto Rico, 1866.)

He remembers having seen the portrait in the home of don Manuel Fernandez Juncos about 1899 or 1900 and Impersonally knows that don Manuel donated it to the Casino.. The latter has no building of its own. It is housed in the-Casa de España, another Spanish institution. The only instrument evidencing the donation is the minutes. The portrait might be worth $5,000.

Eamón Fernández Náter, a son of don Manuel, took the stand. He stated that the portrait in controversy was taken to his home October, 1898. Formerly it was kept in the municipality abandoned in a downstairs room together with [763]*763old furniture. It was taken to Ms home together with other articles from the municipality.

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Bluebook (online)
56 P.R. 758, Counsel Stack Legal Research, https://law.counselstack.com/opinion/capital-of-puerto-rico-v-casino-espanol-prsupreme-1940.