Canisius v. Morgenstern

35 N.E.3d 385, 87 Mass. App. Ct. 759
CourtMassachusetts Appeals Court
DecidedAugust 6, 2015
DocketAC 14-P-341
StatusPublished
Cited by4 cases

This text of 35 N.E.3d 385 (Canisius v. Morgenstern) is published on Counsel Stack Legal Research, covering Massachusetts Appeals Court primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Canisius v. Morgenstern, 35 N.E.3d 385, 87 Mass. App. Ct. 759 (Mass. Ct. App. 2015).

Opinion

Rapoza, C.J.

Peter Canisius, Jr. (Peter), the former husband of Erin Joy Morgenstern (Erin), appeals from a judgment of divorce of the Probate and Family Court. He argues that the judge erred in treating Erin’s vested contractual rights to future payments resulting from the best-selling novel, The Night Circus, which she authored, as too speculative for inclusion in the divisible marital estate. He also argues that the judge erred by finding that the parties’ contributions to the marital estate were unequal, and making an unequal division of the marital estate based on that erroneous finding.

*760 We fail to discern error in the judge’s determination that the parties’ contributions to the marital estate were not equal. We agree with Peter, however, that the judge committed an error of law by-excluding from the marital estate subject to division under G. L. c. 208, § 34, Erin’s contractual rights to future payments arising from her novel. Our review of this issue is de novo. As explained more fully, infra, we vacate the judgment, in part, and remand the matter to the Probate and Family Court for further proceedings consistent with this opinion.

1. Background. Peter and Erin began to live together in August, 2004, some two years prior to their marriage. Early on, they established a pattern that continued throughout their cohabitation and marriage: Erin handled the cooking for the couple while Peter performed the cleaning duties. During this early period, Erin was unhappy with her employment situation and wished to pursue artistic endeavors. After discussing the issue with Peter, the parties decided that they would no longer share equally their living expenses (as they had been) until Erin’s income from the arts would allow her to do so. By June, 2005, Erin had ceased working outside of the creative arts, and by February, 2006, Peter had begun to pay for virtually all of the parties’ expenses. The parties were married on October 13, 2006.

During the marriage, the parties lived a “simple lifestyle” on a limited budget. Peter, a chemical engineer, worked long hours to pay the parties’ expenses, including those expenses directly related to Erin’s creative pursuits. He also paid off Erin’s then existing student loan debt. Erin, for her part, engaged in writing as well as the creation of various pieces of art. Certain of Erin’s writing projects ultimately evolved into the novel, The Night Circus. 2

In May, 2010, Erin obtained an agent (who provided her with numerous suggestions to improve her novel) and, in November, 2010, the agent negotiated a contract with Doubleday, a division of Random House, Inc., for the disposition of the publishing rights to The Night Circus. Other rights, including the right to make a movie, were optioned to Summit Entertainment (Summit) in December, 2010. 3 Although Summit has retained a screen *761 writer and producer for the movie project, the film has no timetable for production. In 2011, Erin transferred the copyright to The Night Circus to Night Circus LLC, which she owns. Erin received substantial initial payments from both Doubleday and Summit.

As The Night Circus began to find success, the parties’ marriage, which had experienced some tension, continued to deteriorate and, in July, 2011, the parties separated. Subsequent to the parties’ separation, Erin engaged in significant publicity and promotional work for the novel which, the judge found, was important to the success of the book. Erin continues to build her “brand” by marketing herself “through blurbs and other means, including social media.”

By the time of trial on Peter’s complaint for divorce, The Night Circus had grossed over $3 million in royalties and between November, 2010, and October 9, 2013 (the last day of trial), Erin received net income derived from The Night Circus of $2,853,281. 4 Nonetheless, the judge found that the gross amount of royalties was decreasing as sales were decreasing. The judge also stated that Erin’s future earnings from The Night Circus are unpredictable. “It may become a highly successful movie, theater production etc., which will provide a large income stream for [Erin] for years to come, or it may not, and [Erin] may have to rely on the past financial success of The Night Circus to support her for a lifetime.” 5

*762 Peter earns approximately $95,000 per year as an engineer. Both parties have retirement plans. They do not own any real property. Neither party sought alimony from the other at trial.

2. The judge’s decision. The judge found that once The Night Circus was accepted in final form by Doubleday, the contract with Doubleday had “value and the full economic value of the contract is dependent only upon how many books are sold worldwide. The Night Circus is marital property.” Nevertheless, the judge stated in his “Conclusions of Law” that “[t]he Court may properly conclude on the evidence that the present value of future income of intellectual property is too speculative to consider, as was the case with patents on artificial skin. See Yannas v. Frondistou-Yannas, 395 Mass. 704, 714 (1985).” Continuing, the judge stated in his “Rationale”:

“Wife is the author of The Night Circus which has been hugely financially successful due to her talent. The financial success of the work was also enhanced by her efforts and abilities in promoting the book. The book is the sole creation of Wife. Husband admitted that not a word of the book is his creation. However, the court notes that it seems clear from the evidence that this work is not solely created by the author but rather created by the author and a team of others. In this case, the team was her agent, the agent’s staff, her editor, her critique partner, beta readers and the Husband. The value Husband added, if any, to this editorial process compared to other members of the team was minimal. However, Husband’s editorial contributions to this book are not his sole value to this book. Husband’s contribution to The Night Circus began well before a word of this book was written or even conceived by Wife. Husband worked full-time and significant overtime to allow the Wife to pursue her dream of pursuing a successful career in the arts without the concern for putting a roof over her head or food on the table. In a sense, Wife was not a starving artist due to Husband[’s] efforts to fully provide for both of their needs. Husband also served as an emotional support and companion to Wfe during the research and writing process and his reading of drafts and offering some feedback or encouragement in difficult times certainly impacted Wife’s on-going efforts to produce a marketable manuscript. It would not be equitable in any sense of the word to deny Husband a portion of the fruits of this marriage, which in this case is The Night Circus.
*763

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Cite This Page — Counsel Stack

Bluebook (online)
35 N.E.3d 385, 87 Mass. App. Ct. 759, Counsel Stack Legal Research, https://law.counselstack.com/opinion/canisius-v-morgenstern-massappct-2015.