Cameron v. International Alliance of Theatrical Stage Employes & Moving Picture Operators of the United States & Canada, Local Union No. 384

176 A. 692, 118 N.J. Eq. 11, 97 A.L.R. 594, 1935 N.J. LEXIS 613
Supreme Court of New Jersey·Decided January 24, 1935·Published·Cited by 64 cases

Opinion

The opinion of the court was delivered by

Hehek, J.

The primary object of the dismissed bill of complaint was the annulment of the provisions of the constitution and by-laws of the defendant trade union, a voluntary association, and a so'-called contract classifying the members thereof as “seniors” and “juniors.” Auxiliary injunctive relief was prayed.

The complainants, seven in number, each hold a junior membership. Their insistence is that, in the special circumstances here presented, the contract in question constitutes an “abuse of power,” and therefore contravenes sound public *14 policy, and is void. These are the asserted special circumstances: (1) The local union has “substantially an eighty per cent, monopoly of employment of. that trade in” its territorial jurisdiction (the county of Hudson), and are seeking “a complete monopoly;” (2) the senior members alone fix the scale of wages and conditions of employment binding upon all its members; (3) the seniors control the allotment of employment among its members; (4) the seniors select representatives for all its members, empowered to bargain collectively with employers under the National Industrial Recovery act; (5) the juniors are excluded from voice and vote and participation in the local’s management, yet their per capita assessment is substantially greater; the juniors are required to pay $454 per annum, as compared with $80 for the seniors; and (6) while classified as “juniors,” they are no less competent than the seniors, and, in fact, are not learners, but skilled operators, who receive the same rate of compensation as the seniors. Specifically, complainants maintain that, in the main, these provisions of the constitution, laws and the claimed contract, particularly that granting a preference in jobs to the seniors, bargain away the juniors’ “constitutional and inalienable right to' earn a living.”

These are the circumstances asserted in justification or excuse: The local came into being on March 15th, 1915, under a charter granted by the International Alliance of Theatrical Stage Employes and Moving Picture Machine Operators of the United States and Canada. It is composed of men pursuing the trade of motion picture machine operators. It is governed by the constitution and by-laws of the international body, so far as applicable, and by a constitution and by-laws of its own adoption. Complainants and thirty-five others were granted a “junior” membership on March 4th, 1930. It is said that the following are the considerations justifying this classification: In 1928, the synchronization of pictorial action and voice, and sound became a reality, and this wrought radical changes in that indusfc^. At least two operators were required for the operation of the sound or “talking” picture projector — one sufficed for the silent pic *15 ture machine. These men were required to master a new operating technique. The advent of the sound picture, so it is claimed, produced a shortage of skilled projecting machine operators. The local could not supply the demand for adequately trained operators, made by the exhibitors with whom it had “closed-shop” contracts. It then had eighty members skilled only in the operation of the silent picture projector. It became necessary to impart the requisite technical knowledge to them, and to instruct a like number who were wholly unfamiliar with the mechanics of the trade. These latter were given a “permit” to work in the theatres with which the union had a contract, until such time, so the union insists, “as the examining board of the local was convinced that these men were qualified and sufficiently experienced in their trade.” These permit-holders acquired practical experience under the tutelage and guidance of the union operators, and, in consideration thereof, paid to the local union ten per cent, of their earnings. On March 4th, 1930, they numbered thirty-five. They worked under the supervision of the union, who was responsible, under its contract with the exhibitor, for damage done to the latter’s equipment and machinery. The permit-holders were in no sense members of the union, and consequently had no standing with the parent international body. The result was that when itinerant members of the latter body entered the local’s territory, they had a status that entitled them to the jobs held by the permit-holders. This resulted in considerable loss to the latter, and was likewise a source of irritation and annoyance to the exhibitors. So it was concluded that, for the mutual benefit and advantage of all concerned, the permit-holders would be given a union status; hence, the contract in question. The union terms the relationship thus acquired a “limited standing as apprentice,” and insists that the primary purpose was to confer upon the permit-holders a status recognized by the international body, which would secure their jobs against the demands of outside members of the latter body. It is vigorously maintained that, in the circumstances, it was only fair and equitable that the union members should reserve a pref *16 erence in employment, and to effect this purpose, mainly, the challenged contract came into being. It is said, and with an apparent basis in fact, that the sound pictures were inaugurated with deep misgivings, and that, at the time, it was freely prophesied by men of long experience in the industry that the principle would eventually prove impractical and infeasible as a commercial proposition. It is urged that the sole design of the scheme in question was to safeguard their established position against the consequence of failure of the sound pictures, especially the radical reduction in the number of available places in the event of an enforced return to the silent picture.

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Cameron v. International Alliance of Theatrical Stage Employes & Moving Picture Operators of the United States & Canada, Local Union No. 384, 176 A. 692, 118 N.J. Eq. 11, 97 A.L.R. 594, 1935 N.J. LEXIS 613 (N.J. 1935).

176 A. 692 (Cameron v. International Alliance of Theatrical Stage Employes & Moving Picture Operators of the United States & Canada, Local Union No. 384) — published by Counsel Stack Legal Research, free access to 12M+ legal documents.

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