CALARCO v. COMISSIONER OF INTERNAL REVENUE

2004 T.C. Summary Opinion 94, 2004 Tax Ct. Summary LEXIS 69
CourtUnited States Tax Court
DecidedJuly 20, 2004
DocketNo. 1530-03S
StatusUnpublished

This text of 2004 T.C. Summary Opinion 94 (CALARCO v. COMISSIONER OF INTERNAL REVENUE) is published on Counsel Stack Legal Research, covering United States Tax Court primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
CALARCO v. COMISSIONER OF INTERNAL REVENUE, 2004 T.C. Summary Opinion 94, 2004 Tax Ct. Summary LEXIS 69 (tax 2004).

Opinion

N. JOSEPH CALARCO, Petitioner v. COMISSIONER OF INTERNAL REVENUE, Respondent
CALARCO v. COMISSIONER OF INTERNAL REVENUE
No. 1530-03S
United States Tax Court
T.C. Summary Opinion 2004-94; 2004 Tax Ct. Summary LEXIS 69;
July 20, 2004, Filed

*69 PURSUANT TO INTERNAL REVENUE CODE SECTION 7463(b), THIS OPINION MAY NOT BE TREATED AS PRECEDENT FOR ANY OTHER CASE.

N. Joseph Calarco, pro se.
Kimberly J. Webb, for respondent.
Holmes, Mark V.

Holmes, Mark V.

HOLMES, Judge:

"Taxation! Wherein? And what taxation?"

              Henry VIII act I, sc. 2.1

              Prologue

It is a truth little remarked on by scholars that tax law has been a fount of literature for 5,000 years. The oldest literary work still extant -- the Epic of Gilgamesh -- is a long narrative of a friendship begun during a protest against government exactions.2 In more recent times, some of our language's most*70 notable authors have used fiction to delve into tax policy: consider Shakespeare's criticism of the supply-side effects of a 16- percent tax rate;3 Swift's precocious suggestion of a system of voluntary self-assessment;4 and Dickens' trenchant observation on the problems of multijurisdictional taxing coordination:

*71    [The town's] people were poor, and many of them were sitting at

   their doors, shredding spare onions and the like for supper,

   while many were at the fountain, washing leaves, and grasses,

   and any such small yieldings of the earth that could be eaten.

   Expressive signs of what made them poor, were not wanting; the

   tax for the state, the tax for the church, the tax for the lord,

   tax local and tax general, were to be paid here and to be paid

   there, according to solemn inscription in the little village,

   until the wonder was, that there was any village left

   unswallowed.5

Taxation has also sparked creativity in newer literary genres. See It's a Privilege on Urinetown: The Musical (RCA Victor) (musical re excise tax); J. Kornbluth, Love and Taxes (staged monologue re income tax) (unpublished manuscript, 2003). Tax collecting jobs have helped finance*72 the careers of such notable revenue agents as Chaucer,6 Paine,7 and Hawthorne.8*73 And tax records are a famously important source of information for scholars of both ancient civilizations 9 and modern authors.10

This case follows in that long, but little-noted, tradition. Petitioner, N. Joseph Calarco, is a respected professor of theater at Wayne State University in Detroit. He also writes plays. On his 1997 tax return, he deducted his playwriting expenses as a Schedule C business loss. Respondent disallowed both the loss and several itemized deductions that petitioner took on his Schedule A. These disallowances created a deficiency of $ 3,869 to which respondent added an accuracy-related penalty of $ 774. Petitioner, following the lead of Henry VIII's first Queen Katherine,11 filed a timely petition in this Court.

*74            Act I. Background

Petitioner has at least four times filed petitions contesting respondent's disallowance of deductions that he claimed. The issues before the Court for those years were mostly whether specific deductions were allowable. In this case, respondent tries to sweep the stage of all his deductions by denying that petitioner's playwriting is a trade or business.

The parties were unable to negotiate a very extensive stipulation, and petitioner arrived at trial with an abundance of documentation for his 1997 expenditures. This threatened to force the Court into an item-by-item examination.12 To make review more efficient, the parties were ordered to file a supplemental stipulation.

Even with an extension, it became clear that the parties would be unable to agree, *75 so petitioner was ordered to file a supplemental statement of facts organizing and explaining his claimed expenses by category. Respondent was then ordered to file comments.

   We must address three issues:

   1) Was petitioner's playwriting an activity entered into for

   profit?

   2) If it was, did petitioner meet his burden in substantiating

   each expense and its relationship to his playwriting activities

   as required under the Code?

   3) Does petitioner owe an accuracy-related penalty?

           Act II. Discussion

A. Did Petitioner Carry on His Playwriting With a Profit Motive?

Respondent noted in his pretrial memorandum that petitioner is aggressive in claiming deductions:

   Year     Sch. C Receipts    Sch. C Expenses

   ____     _______________    _______________

   1993       $  0.00        $  27,924.00

   1996        0.00         23,353.00

   1997        0.00         24,703.00

   1998        0.00         33,093.00

   1999      *76   0.00         27,128.00

Petitioner argues that this is nothing more than a consequence of the long time it takes many artists to realize a return on their investment of time and money.

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