Buckley v. Music Corp. of America

2 F.R.D. 328, 54 U.S.P.Q. (BNA) 70, 1942 U.S. Dist. LEXIS 1704
CourtDistrict Court, D. Delaware
DecidedMay 12, 1942
DocketNo. 178
StatusPublished
Cited by2 cases

This text of 2 F.R.D. 328 (Buckley v. Music Corp. of America) is published on Counsel Stack Legal Research, covering District Court, D. Delaware primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Buckley v. Music Corp. of America, 2 F.R.D. 328, 54 U.S.P.Q. (BNA) 70, 1942 U.S. Dist. LEXIS 1704 (D. Del. 1942).

Opinion

KALODNER, District Judge.

The plaintiff originally filed a complaint in a civil action, to which the defendants filed various motions. These were disposed of by Judge Nields, Judge of the District Court of the United States for the District of Delaware, 1 F.R.D. 602. The plaintiff thereupon filed an amended complaint.

To the latter, the defendant Music Corporation of America (hereinafter referred to as MCA) filed these consolidated motions to dismiss, to strike, and for a bill of particulars; and the defendants General Mills Corporation and National Broadcasting Co., Inc., filed a motion for a bill of particulars.

Briefly, the amended complaint avers that in January, 1939, the plaintiff originated, created, and wrote a literary and dramatic composition, in form generally referred to as a radio program continuity; that the script consisted of a sample or basic script embodying an idea, etc., for a series of radio programs; that the composition was in manuscript form and had never been published, sold, or in any way dedicated to the public, nor copies made, and that plaintiff always has been and still is its sole and exclusive proprietor.

The amended complaint further alleges that the plaintiff submitted the composition to the defendant MCA in an endeavor to negotiate some commercial use for it, and that thereafter the defendants, in pursuance of an arrangement among themselves, and without authority or permission of the plaintiff, broadcast radio programs, utilizing and copying material in the script submitted by the plaintiff, to their benefit and to his detriment.

The amended complaint contains four counts: the first two are against all defendants, and the last two are against the defendant MCA only.

The motions for bills of particulars were made by all the defendants and will be considered last. The motion to dismiss, and the motion to strike, were made by the defendant MCA only, and will be considered first and in the order named.

I am not impressed by the defendant MCA’s argument upon the motion to dismiss. The reasons advanced in support of the motion seem directed rather to alleged technical faults in pleading, lack of particularity, and vagueness of language, than to those substantive faults that might rob a claim of validity.

For instance, it is complained that the averment of the fact that “defendants arranged between themselves for presentation of a radio series * * *" is not an allegation of fact, because the word “arranged” is not sufficiently informative; and that an allegation that the defendants used and copied the basic scheme of the plaintiff “avoids” stating just what the defendant MCA did.

Such objections, even under the more rigorous rules of pleading previously [332]*332in force, are only directed to form, and not to substance. I find nothing in the defendant MCA’s argument to convince me that the plaintiff has failed to state a cause of action. In fact, I think he has clearly stated a cause of action. Particulars may be lacking, and the plaintiff may be required to supply them upon proper application, but such matters do not affect substance.

As was well stated in the recent case of Orange Theatre Corp. v. Rayherstz Amusement Corp. et al., 2 F.R.D. 278, 280:

“The theory of the new rules of civil procedure is that the quick presentation of defenses or objections should be encouraged, and when the defendants in question decided to do by motion what the stipulation gave them the right to do in the responsive pleadings, they were proceeding in a manner consistent with the spirit of said rules, and the court looks to the substance rather, than to the form." (Emphasis supplied.)

I have undertaken no demonstration that the facts alleged give rise to a valid cause of action, for the reason that nothing in MCA’s argument constitutes such an attack as to require the demonstration.

It is also worthy of note that Judge Nields denied the former motion to dismiss. I now deny the present motion to dismiss.

I pass now to the consideration of the motion to strike.

There are four counts in the amended complaint, and MCA has moved to strike the last three.

The first two counts are against all defendants; the third and fourth counts are against MCA alone.

The first count by its allegations makes out a cause of action against all defendants for infringement of a common-law copyright. It is not based upon any contractual or quasi contractual ground.

The second count also makes out a cause of action against all defendants, and is grounded upon quasi contract — the theory being that a quasi contractual obligation is fastened upon all defendants by their use of the plaintiff’s work, which unjustly enriched the defendants without compensation to the plaintiff.

The first count sounds in tort, and the. second in assumpsit. There is no duplication here: MCA’s motion to strike the second count relies solely on duplication, hence it should not be stricken (no other reason for striking appearing to the court). Different theories of recovery are presented in each of the two counts.

The third count is brought against the defendant MCA alone, and is based upon an alleged expressed contract between the plaintiff and MCA. Paragraph sixteen of the amended complaint avers that there was an understanding and agreement between the plaintiff and MCA to the effect that, if the latter used the “radio program work” submitted by the plaintiff, defendant “would make or arrange reasonable compensation to the plaintiff for the use thereof”.

The third count of the amended complaint is based on grounds identical with those on which the fifth count of the original complaint was based. Judge Nields, upon motion, struck that count from the original complaint. It was not proper, under the circumstances, to include in an amended complaint a count stricken from the original complaint by order of court.

The gravamen of the fourth count in the amended complaint is the defendant MCA’s appropriation to its own use of the plaintiff’s creation. Substantially the same claim was set forth as the basis for the final count in the original complaint. This final count was also stricken from the original complaint by Judge Nields. It should accordingly be stricken from the amended complaint.

Defendant MCA’s motion to strike is therefore denied as to the second count in the amended complaint (denominated in the amended complaint as a second cause of action against all of the defendants), and is granted as to the third and fourth counts in the amended complaint (denominated therein respectively as the first and second causes of action against the defendant Music Corporation of America).

I address myself now to the motions for the bills of particulars — first to that of the defendants General Mills Corporation and National Broadcasting Company, Inc.

Paragraph 1(a) of that motion asks for a copy of the script referred to in paragraph Second of the amended complaint. The plaintiff has agreed to furnish such a copy. That part of the motion, therefore, is granted.

[333]*333Paragraph 1(b) of the same motion requests that the plaintiff specify in what respects it is claimed that the idea, plan and scheme referred to in paragraph Second was original in January, 1939.

This request I refuse.

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43 F.R.D. 275 (S.D. New York, 1967)

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Bluebook (online)
2 F.R.D. 328, 54 U.S.P.Q. (BNA) 70, 1942 U.S. Dist. LEXIS 1704, Counsel Stack Legal Research, https://law.counselstack.com/opinion/buckley-v-music-corp-of-america-ded-1942.