Brownstein v. Aldan

District Court, Northern Mariana Islands·Decided July 23, 2018·No. 1:17-cv-00005·Unknown

Opinion

Clerk District Court IN THE UNITED STATES DISTRICT COURT JUL 23 2018 FOR THE NORTHERN MARIANA ISL 0 NO RN NAS ae Northern iatiana Islands By La (Deut Clerk) STEVEN BROWNSTEIN d/b/a STEVEN Case No. 1:17-CV-00005 BROWNSTEIN ENTERTAINMENT, Plaintiff, DECISION AND ORDER GRANTING PLAINTIFF’S MOTION TO DISMISS Vv. DEFENDANT ALDAN’S COUNTERCLAIM JASON H. ALDAN, FREDRICK HOLLOMAN, and DOES 1-10 INCLUSIVE, Defendants. 1. INTRODUCTION In this action, Defendant Jason H. Aldan has counterclaimed for abuse of process. (Answer to Second Amended Complaint and Counterclaim, ECF No. 30.)! Before the Court is Plaintiff Steven Brownstein’s Motion to Dismiss Defendant’s Counterclaim (ECF No. 31), supported by a Memorandum of Points and Authorities (““Memo.,” ECF No. 31-1). Defendant Aldan filed an Opposition (ECF No. 32), which was superseded by a First Amended Opposition (ECF No. 34),” and Brownstein filed a Reply (ECF No. 35). The motion came on for a hearing on July 19, 2018. Having carefully reviewed all the papers and considered the oral arguments of counsel, the Court GRANTS the motion and dismisses the counterclaim without prejudice, for the reasons stated herein. Il. BACKGROUND This case is about a deal gone bad to bring the reggae band UB40 to perform in Saipan. Although they are contained in one filing, the Answer to the First Amended Complaint (“Answer’’) and Verified Counterclaim Complaint (“Counterclaim”) have separate paragraph numbering. Therefore, for clarity in citations, the Court will refer separately to the Answer and the Counterclaim. 2 The First Amended Opposition merely corrected the erroneous case caption that appeared in the Opposition (ECF No. 32). References to “Opp.” are to the First Amended Opposition.

Brownstein claims against Defendant Fredrick Holloman for breach of contract, and against both Holloman and Aldan for fraud and unjust enrichment. a. Second Amended Complaint Brownstein is a Saipan concert promoter. (Second Amended Complaint (“SAC”), ECF No. 28, ¶¶ 1, 12.) Aldan works for CNMI Medical Referral in Hawaii (Answer ¶ 8) but also has

worked from time to time with Brownstein to bring entertainers to Saipan (SAC ¶ 12). According to Brownstein, Aldan offered to put a deal together to arrange for UB40 to come to Saipan. (Id.) Aldan introduced Brownstein to Fredrick Holloman, a California concert promoter based in San Diego. (Id. ¶ 13.) Brownstein and Holloman entered into a first contract on June 2, 2015, to bring UB40 to Saipan for performances in August. (Id. ¶ 14.) On June 5, Brownstein wired $78,000 to Holloman’s bank account in San Diego, in reliance (according to Brownstein) on “express representations of Aldan and Holloman” to guarantee UB40’s performances in Saipan and Guam. (Id. ¶ 16.) Holloman falsely represented to Brownstein that $65,000 from those funds would be used for the “sole purpose of Artist deposit.” (Id. ¶ 17, quoting Holloman.)

The artist deposit was never submitted to UB40’s management. (Id. ¶ 19.) On July 21, 2015, Aldan arranged a conference call about the project with Holloman, another Californian named Mark Lamica, and Brownstein. (Id. ¶ 18.) During the call, both Aldan and Holloman told Brownstein that a further $37,000 was needed to secure UB40’s performances. (Id.) Three days later, Brownstein wired the funds to Aldan’s bank account in Honolulu, and Aldan then wired them to Holloman in California. (Id. ¶ 21.) At the time of the call, Aldan and Holloman knew that the artist deposit had not been made, but they failed to disclose this material fact. (Id. ¶ 19.) Soon after the call, Holloman told Aldan that he was working on a backdoor deal to secure UB40’s performances without the knowledge of the band’s management. (Id. ¶ 20.) Neither Holloman nor Aldan disclosed that fact to Brownstein. (Id.) Lamica told Brownstein that Aldan had taken a cut from the funds that were expressly allocated for the UB40 performance. (Id. ¶ 22.) In phone calls and emails over the next few months with Holloman, Aldan, and Lamica, representations were made – it’s not stated by whom – that the artist deposit had been made and

UB40 would appear as scheduled. (Id. ¶ 23.) In reliance, Brownstein expended thousands of dollars on promoting the concert and selling tickets. (Id. ¶ 24.) On February 21, 2016, UB40 announced on social media that the Saipan and Guam performances were canceled, and instructed fans to contact Brownstein for a refund. (Id. ¶ 25.) On May 6, 2016, Brownstein sent a letter to Holloman demanding reimbursement of $115,000. (Id. ¶ 27.) Brownstein asked Aldan for an accounting of the wired funds, and Aldan refused. (Id. ¶ 28.) b. The Counterclaim Aldan counterclaims for abuse of process. He asserts that Brownstein is using this lawsuit

to make Aldan “a scapegoat for the backlash, bad press, and embarrassment that Steven Brownstein Entertainment has encountered” when fans were stuck with purchased tickets to canceled concerts. (Counterclaim ¶ 85.) The real culprit is Holloman, but since Brownstein can’t find Holloman, he “has placed the onus on Aldan to answer for Brownstein’s and Holloman’s failed efforts to provide entertainment to Saipan and Guam.” (Id. ¶ 86.) Back in May 2015, Aldan agreed to help Brownstein seek information on how to book UB40. (Id. ¶ 28.) Also that month, on May 22, Brownstein contacted Neil O’Brien Entertainment to inquire about booking UB40. (Id. ¶ 29.) Aldan, meanwhile, contacted Dale Dorsett of Dredcarpet Productions, who said he was a partner with Holloman. (Id. ¶ 30.) Aldan arranged a conference call with Brownstein, Dorsett, and Holloman. (Id. ¶ 32.) After the call, on June 2, Holloman sent a proposed contract (the first contract) to Aldan, who emailed it to Brownstein. (Id. ¶ 33.) On June 4, Aldan emailed Holloman a video drop script for UB40. (Id. ¶ 37.) On June 10, 2015, Aldan reached out to UB40’s management because Brownstein had not seen any video drops or advertisement on UB40’s website. (Id. ¶ 39.) David O’Brien, of Neil

O’Brien Entertainment, responded that management was unaware of the Guam and Saipan UB40 shows. (Id. ¶ 40.) Paul Hunter, UB40’s tour manager, also advised he had no such knowledge. (Id. ¶ 41.) The next day, June 11, Aldan told Hunter that Brownstein (the investor) had booked UB40 through Holloman and requested confirmation that the money wires had been received. (Id. ¶ 42.) Aldan then contacted Holloman, who told him the arrangement was supposed to be a “backdoor deal” negotiated directly with UB40, without management’s knowledge. (Id. ¶¶ 43– 45.) Aldan then called Brownstein and told him what Holloman had said; Aldan told Brownstein it sounded fishy. (Id. ¶ 46.) A few days later, Holloman called Aldan and Brownstein and told them that their actions

were in breach of the first contract. (Id. 47.) Brownstein then took Aldan off the UB40 project and said he would “handle it from here.” (Id. ¶ 48, quoting Brownstein.) Other than forwarding the occasional message and the July 23 payment to Holloman, Aldan had no further involvement in the project. (Id.) On June 29, Aldan forwarded to Brownstein an email that a Quincy K, who works with Mark Lamica, had sent to Holloman detailing deal interference and unauthorized artist contact by Holloman and associates. (Id. ¶¶ 52–53.) In July 2015, Holloman, Lamica, and Aldan had a conference call about a different show that Aldan was promoting. (Id. ¶ 54.) During the call, the UB40 project came up and Lamica presented a new deal to save the UB40 show. (Id. ¶ 55.) On July 20, Brownstein and Holloman entered into a new, second contract that moved the UB40 performance dates to December 2015 and raised the compensation to $90,000 per performance. (Id. ¶¶ 56–57.) To cover the additional fees, Brownstein wired $37,000 from his bank account in Saipan to Aldan’s bank account in Honolulu, and Aldan then wired the money to

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