Bronx Conservatory of Music, Inc. v. Bronx School for Music, Inc.

CourtDistrict Court, S.D. New York
DecidedJanuary 4, 2024
Docket1:21-cv-01732
StatusUnknown

This text of Bronx Conservatory of Music, Inc. v. Bronx School for Music, Inc. (Bronx Conservatory of Music, Inc. v. Bronx School for Music, Inc.) is published on Counsel Stack Legal Research, covering District Court, S.D. New York primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Bronx Conservatory of Music, Inc. v. Bronx School for Music, Inc., (S.D.N.Y. 2024).

Opinion

UNITED STATES DISTRICT COURT USDC SDNY SOUTHERN DISTRICT OF NEW YORK DOCUMENT THE BRONX CONSERVATORY OF MUSIC, ELECTRONICALLY FILED DATE FILED: 1/4/2024 Plaintiff, -against- 21 Civ. 1732 (AT) PHILIP KWOKA and THE BRONX SCHOOL FOR MUSIC, INC., ORDER Defendants. ANALISA TORRES, District Judge: This case arises out of Defendant Philip Kwoka’s decision to leave the Bronx Conservatory of Music (the “Conservatory”), where he served as executive director, and establish a youth arts program of his own: the similarly named Bronx School for Music (the “School”). The Conservatory brings this action against Kwoka and the School (collectively, “Defendants’), alleging misappropriation of trade secrets and unfair competition under federal and New York law, among other claims. Compl., ECF No. 1. Before the Court is Defendants’ motion for summary judgment, ECF No. 81, and the Conservatory’s motion for leave to file a sur-reply, ECF No. 90. For the reasons stated below, the Conservatory’s motion is DENIED, and Defendants’ motion is GRANTED IN PART. BACKGROUND! The Conservatory is a nonprofit organization founded in 1991 “with the goal of offering the finest musical instruction to local students in the Bronx, a largely underserved community.” Compl.

' The facts in this section are taken from the parties’ Rule 56.1 statements, responses, and declarations, unless otherwise noted. Disputed facts are so noted. Citations to a paragraph in a Rule 56.1 statement also include the opposing party’s response. “[W]here there are no citations[,] or where the cited materials do not support the factual assertions in the [s]tatements, the Court is free to disregard the assertion.” Holtz v. Rockefeller & Co., 258 F.3d 62, 73 (2d Cir. 2001) (alteration omitted). On a motion for summary judgment, the facts must be read in the light most favorable to the non-moving party. Id. at 69.

¶ 7. Douglas Meyer is the Conservatory’s president and music director. Defs. 56.1 ¶ 2, ECF No. 79- 1. Kwoka, a classically trained pianist, became the executive director of the Conservatory in October 2015. Id. ¶ 8. During his tenure, Kwoka “grew the size of [the] student body,” “solicited

new donors and benefactors,” and “secured press coverage” for the Conservatory. Pl. Opp. at 26, ECF No. 87. He resigned in June 2020 after failing to reach agreement about an employment contract, and spent the summer training his replacement. Defs. 56.1 ¶¶ 50, 55. On November 25, 2020, Kwoka incorporated the School. Id. ¶ 57.2 Over the next month, Kwoka sent emails to “his personal contacts, his former students and/or students referred by other parents, faculty member[s,] and community friends,” informing them about the new School. Pl. 56.1 ¶¶ 19–23, ECF No. 85-1. The Conservatory alleges that Kwoka’s recruitment efforts were successful, “lur[ing] . . . away” Conservatory faculty and students to teach and take lessons, respectively, at the School. Compl. ¶¶ 21–22; see also ECF No. 81-21 (listing 28 School students who previously studied at the Conservatory). The Conservatory further alleges that Kwoka

misappropriated the Conservatory’s “extensive lists of students, prospective students, faculty, prospective faculty, donors, and prospective donors” for his outreach, which it contends are protected trade secrets. Compl. ¶ 9. On February 26, 2021, the Conservatory filed this action, alleging eight causes of action: (1) violation of the Defend Trade Secrets Act (DTSA), 18 U.S.C. § 1831 et seq.; (2) misappropriation of trade secrets under New York law; (3) copyright infringement under the Copyright Act of 1976, 17 U.S.C. § 501 et seq.; (4) unfair competition under the Lanham Act, 15 U.S.C. § 1125(a); (5) unfair competition under New York law; (6) breach of fiduciary duty; (7) conversion; and (8) unjust

2 Defendants’ Rule 56.1 statement contains two paragraphs numbered 57, neither of which the Conservatory contests. The Court here refers to the one that begins on page 17. enrichment. Compl. ¶¶ 26–62. Defendants filed an answer and counterclaims, ECF No. 26, and the Court granted the Conservatory’s motion for judgment on the pleadings on the counterclaims, ECF Nos. 66, 78. Defendants now move for summary judgment on all of the Conservatory’s claims. ECF No.

81. DISCUSSION

I. Motion to File a Sur-Reply As an initial matter, the Conservatory requests leave to file a sur-reply. Sur-Reply Mot., ECF No. 90; see Defs. Reply, ECF No. 89. Motions for leave to file a sur-reply “are subject to the sound discretion of the [C]ourt.” Bates v. Deva Concepts LLC, No. 20 Civ. 9056, 2022 WL 2106494, at *3 (S.D.N.Y. June 10, 2022) (citation omitted). Courts do not often permit sur-replies “because such a procedure has the potential for placing a court in the position of refereeing an endless volley of briefs.” Preston Hollow Cap. LLC v. Nuveen Asset Mgmt. LLC, 343 F.R.D. 460, 465 (S.D.N.Y. 2023) (citation omitted). Still, sur-replies may be permitted “when an opposing party raises arguments for the first time in a reply.” Id. at 466. The Conservatory contends that the sur-reply addresses new evidence attached to and issues raised in Defendants’ reply. Sur-Reply Mot. at 1–2; see also ECF No. 90-1 (proposed sur-reply). It argues that the reply presents new “factual allegations regarding some Google Sheets . . . and other matters,” as well as new arguments about whether a movant can refer to facts not within their Rule 56.1 statement and the credibility of Meyer’s testimony.3 ECF No. 90-1 at 2–3. However, Defendants’ defense of its Rule 56.1 statement directly addresses an argument raised in the Conservatory’s response. See Pl. Opp. at 4–6, ECF No. 87; Defs. Reply at 4. And

3 For their part, Defendants offer a lengthy letter rebuttal to the sur-reply, although they “do not object to the [C]ourt’s acceptance” of the brief. ECF No. 93 at 1. assuming without deciding that Defendants’ arguments about the Google Sheets and Meyer’s credibility are “new,” the Court finds that they do not materially impact the outcome of the summary- judgment motion. The Court, therefore, shall “disregard argument[s] raised for the first time in reply papers,” and DENIES the parties’ requests to file any further briefs. Am. Hotel Int'l Grp., Inc. v.

OneBeacon Ins. Co., 611 F. Supp. 2d 373, 375 (S.D.N.Y. 2009), aff’d, 374 F. App’x 71 (2d Cir. 2010). II. Defendants’ Motion for Summary Judgment A. Legal Standard The Court “shall grant summary judgment if the movant shows that there is no genuine dispute as to any material fact and the movant is entitled to judgment as a matter of law.” Fed. R. Civ. P. 56(a). The moving party bears the initial burden of pointing to evidence in the record, “including depositions, documents[,] . . . [and] affidavits or declarations,” Fed. R. Civ. P. 56(c)(1)(A), “which it believes demonstrate[s] the absence of a genuine issue of material fact,” Celotex Corp. v. Catrett, 477 U.S. 317, 323 (1986). The movant may support an assertion that there is no genuine

dispute by “showing . . .

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Bluebook (online)
Bronx Conservatory of Music, Inc. v. Bronx School for Music, Inc., Counsel Stack Legal Research, https://law.counselstack.com/opinion/bronx-conservatory-of-music-inc-v-bronx-school-for-music-inc-nysd-2024.