Brokerarte Capital Partners, LLC v. Detroit Institute of Arts

CourtDistrict Court, E.D. Michigan
DecidedJanuary 20, 2023
Docket2:23-cv-10066
StatusUnknown

This text of Brokerarte Capital Partners, LLC v. Detroit Institute of Arts (Brokerarte Capital Partners, LLC v. Detroit Institute of Arts) is published on Counsel Stack Legal Research, covering District Court, E.D. Michigan primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Brokerarte Capital Partners, LLC v. Detroit Institute of Arts, (E.D. Mich. 2023).

Opinion

UNITED STATES DISTRICT COURT EASTERN DISTRICT OF MICHIGAN SOUTHERN DIVISION

BROKERARTE CAPITAL PARTNERS, LLC,

Plaintiff, Case No. 23-CV-10066 vs. HON. GEORGE CARAM STEEH THE DETROIT INSTITUTE OF ARTS,

Defendant. _____________________________/

OPINION AND ORDER DENYING PLAINTIFF’S MOTION FOR TEMPORARY RESTRAINING ORDER AND POSSESSION PENDING FINAL JUDGMENT (ECF NO. 2), DISSOLVING ORDER PENDING HEARING (ECF NO. 5) AND DISMISSING CASE

Plaintiff Brokerarte Capital Partners, LLC (“Brokerarte”) initiated this claim and delivery action, MCLA §600.2920, with a Verified Complaint alleging that it is the rightful owner of a Van Gogh painting entitled “Liseuse De Romans” a/k/a "The Novel Reader" a/k/a "The Reading Lady" (“the Painting”). The Painting is currently on loan by an unknown non-party to the defendant, the Detroit Institute of Arts (“DIA”), for inclusion in the Van Gogh in America exhibition. The matter is before the Court on plaintiff’s motion for temporary restraining order and possession pending final judgment (ECF No. 2). Both parties submitted briefs and the Court heard oral argument on January 19, 2023. The defendant relies on a federal statute granting

immunity from the relief sought by plaintiff. For the reasons set forth in this opinion and order, the Court concludes that it is precluded from granting the relief sought by plaintiff in the pending motion as well as in the

Complaint. Therefore, plaintiff’s motion is denied, the Order Pending Hearing previously entered by the Court is dissolved, and the case will be dismissed. BACKGROUND

Brokerarte is a limited liability company organized under the laws of Florida. Brokerarte’s sole member is Gustavo Soter, a citizen of Brazil. Plaintiff buys, sells, and collects artwork, including paintings by world-

renowned artists, and advises on art collections. Plaintiff attaches a Bill of Sale to its Verified Complaint showing that it purchased the Painting for $3.7 million on May 3, 2017. Plaintiff never took possession of the Painting, but after the purchase arranged for it to be stored in Brazil by a third party.

Plaintiff describes that for the first couple of years after purchasing the Painting, it had regular communications with the third party who was storing the Painting. After some time, plaintiff lost contact with the third

party and was unaware of the location of the Painting. Plaintiff recently learned that the Painting is in the DIA’s possession as part of the Van Gogh in America exhibition. The exhibition ends January 22, 2023, after which

plaintiff believes that the DIA will return the Painting to the person or entity that lent it to the museum (“the Lender”). The Lender has only been identified by the DIA as a private collection located in Sao Paulo, Brazil.

Plaintiff does not allege any misconduct or wrongdoing by the DIA, but requests that the DIA be ordered to hold the Painting pending resolution of the lawsuit, or deliver the Painting to plaintiff as the rightful owner, pending a final judgment.

The DIA conceived of the Van Gogh in America exhibition in 2016 as a way of celebrating its status as the first public museum in this country to purchase a Van Gogh painting. (Decl. Dr. Jill Shaw, ¶ 4). Over the next six

years, the DIA assembled seventy-three Van Gogh works from around the world, which together with works from its own collection, created an exhibition designed to “tell the story of how US art lovers discovered Vincent’s work in the early 20th century.” Id. at ¶ 6; Martin Bailey, Van

Gogh in America: Detroit’s exhibition set to be a revelation, Adventures with Van Gogh Blog, The Art Newspaper (Sept. 29, 2022). In connection with loan agreements for twenty-seven of the works of

art imported from foreign lenders, the DIA applied to the US State Department for immunity pursuant to the Immunity from Seizure Act. The Painting was included in the DIA’s application. (Decl. Dr. Jill Shaw, ¶¶ 8, 9;

Schedule of Works Lent from Abroad, ECF No 12-7, PageID.109). Prior to submitting its immunity application, the DIA confirmed with the Art Loss Register that the Painting had not been reported as lost or stolen. Id. at ¶

10. The Director of the United States Information Agency, acting as the President’s designee,1 considered the DIA’s application and determined that “certain objects being imported from abroad pursuant to agreements with their foreign owners or custodians for temporary display in the

exhibition “Van Gogh in America” at the Detroit Institute of Arts . . . are of cultural significance, and further that their temporary exhibition or display within the United States . . . is in the national interest.” The Notice of

Determinations was published in the Federal Register on July 14, 2022. Federal Register Vol. 87, No. 134, Public Notice No. 11783. LEGAL STANDARD The Michigan Court Rules allow for the filing of a verified motion for

possession pending final judgment, a prompt hearing, and a variety of interim relief to be granted by the Court should the circumstances so

1 The President delegated this authority to the Director of the USIA by Executive Order 12047, 43 Fed.Reg. 13359 (1978), as amended by Executive Order 12388, 47 Fed.Reg. 46245 (1982). warrant. MCR 3.105(E). Prior to the hearing in this case, on January 11, 2023, the Court ordered that the DIA “refrain from damaging, destroying,

concealing, disposing, moving, or using [the Painting] as to substantially impair its value . . . .” MCR 3.105(E)(2)(a) (Order Pending Hearing, ECF No. 5).

A motion for possession pending final judgment "is comparable to a motion for a preliminary injunction pursuant to Fed. R. Civ. P. 65, and federal courts in this district often consider standards of both rules when faced with such a motion." Sutton Leasing, Inc. v. Veterans Rideshare, Inc.,

468 F. Supp. 3d 921, 929–30 (E.D. Mich. 2020). The Court should therefore consider: "(1) the likelihood of the plaintiff's success on the merits; (2) whether the injunction will save the plaintiff from irreparable

injury; (3) whether the injunction would harm others; and (4) whether the public interest would be served by the injunction." Id. at 930 (citing In re DeLorean Motor Co., 755 F.2d 1223, 1228 (6th Cir. 1985)). These four factors constitute a balancing test, "not prerequisites that must be met." Id.

ANALYSIS Plaintiff’s lawsuit alleges a single count for claim and delivery, asserting that as the Painting’s lawful owner it has a right to possession.

MCLA §600.2920. In the pending motion, plaintiff asks the Court to order the DIA to deliver possession of the Painting to plaintiff or to refrain from moving it or impairing its value during the pendency of the case.

Defendant responds that plaintiff cannot succeed on the merits of its claim because a federal statute prevents the Court from granting the relief requested. In 1965, Congress enacted the Immunity from Seizure Act

(“Act”), 22 U.S.C. § 2459, “[t]o assist and encourage cultural exchange” with other countries and their residents. H.R. Rep. No. 1070, 89th Cong., 1st Sess. 2 (1965). To achieve this purpose, the Act “render[s] immune from seizure under judicial process certain objects of cultural significance

imported into the United States for temporary display or exhibition . . . .” Public Law 89-259. Several requirements must be satisfied before the protections of the

Act will apply.

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