Broadcast Music, Inc. v. Columbia Broadcasting System, Inc.

55 F.R.D. 292, 1972 Trade Cas. (CCH) 73,924
CourtDistrict Court, S.D. New York
DecidedMarch 23, 1972
DocketNo. 70 Civ. 444
StatusPublished
Cited by3 cases

This text of 55 F.R.D. 292 (Broadcast Music, Inc. v. Columbia Broadcasting System, Inc.) is published on Counsel Stack Legal Research, covering District Court, S.D. New York primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Broadcast Music, Inc. v. Columbia Broadcasting System, Inc., 55 F.R.D. 292, 1972 Trade Cas. (CCH) 73,924 (S.D.N.Y. 1972).

Opinion

LASKER, District Judge.

In this action brought by Broadcast Music, Inc. (“BMI”) charging violations of the antitrust laws, breach of contract, and fraud, defendants National Broadcasting Company (“NBC”) and American Broadcasting Companies, Inc. (“ABC”) move for summary judgment pursuant to Rule 56, F.R.Civ.P. ABC also moves that,'in the event its motion for summary judgment is granted, the state law contract claim against it be dismissed. Alternatively, ABC moves that if its application for summary judgment is denied, the antitrust claim be severed for trial and discovery be limited to that cause of action in the first instance. For the reasons set forth below, both motions for summary judgment are denied. ABC’s motion to sever the antitrust claim and to limit discovery as to that count is granted.

The Parties

BMI is a corporation in the business of granting nonexclusive licenses for the non-dramatic public performance for profit (“public performance licenses”) of copyrighted musical compositions in its repertory. It acquires the right to grant such licenses from the owners of the copyright, and licenses broadcasting stations, networks, and other users of music.

ASCAP is an unincorporated association which, in competition with BMI, is a licensing agent, granting broadcast users nonexclusive licenses of musical compositions contained in its repertory.

CBS, NBC and ABC are licensees or “users” of BMI’s repertory.

Background

ASCAP was organized in 1914. From 1914 until 1940 ASCAP held a monopoly in the business of granting public performance licenses for music. In 1939, certain broadcasters, including CBS and NBC, organized BMI as a competitor of ASCAP. CBS and NBC sold their stock in BMI in 1959, and since that time have not had any proprietary interest in plaintiff. ASCAP and BMI are virtually exclusive competitors.

In 1941, the government sued ASCAP for violations of the antitrust laws. As a result of that litigation, a consent decree was entered in 1941 and amended in 1950. Under the amended judgment ASCAP is required to offer licenses for which ASCAP receives a fee based upon a fixed percentage of the licensee’s revenues for a yearly period or upon a percentage of revenues from a particular program, depending on the type of license desired by the user. If ASCAP and the prospective licensee are unable to agree on a fee, the decree provides that the licensee may apply to this Court for the determination of a “reasonable fee.” The decree also authorizes the Court to fix an interim fee to be paid [294]*294during the pendency of proceedings to set a reasonable fee.

Between 1962 and 1969 each of the networks operated on an interim fee basis with ASCAP. In March of 1969, CBS reached agreement with ASCAP on a fixed fee to be paid for the period 1962-1969. Judge Ryan of this Court approved the agreement, which called for substantial payment above the interim fee. Similar agreements between ASCAP on the one hand and NBC and ABC on the other were approved in April 1969 and May 1970, respectively.

The Complaint

The thrust of BMI’s antitrust claim is its contention that the “extraordinary” payments which CBS, NBC and ABC agreed in 1969 to pay to ASCAP were-part of a conspiracy to drive BMI out of business.1 It is alleged that ASCAP’s purpose - in entering into the conspiracy was to regain its former monopoly by using the payment from the networks to lure away BMI affiliates and thereby obtain greater royalties from users of music; and that the motive of CBS, NBC and ABC was to decrease the total amount of royalties to be paid by them to ASCAP, respectively, for licenses in the future.2

The second counts against NBC, CBS and ABC are for breaches of contract growing out of the networks’ alleged failure to pay the amounts of license fees provided for in their respective agreements with BMI.3 The third counts (against NBC and CBS only) claim fraud in connection with certain alleged assurances given BMI by NBC and CBS as to the rate bases upon which BMI would be paid.

NBC’S Motion for Summary Judgment

NBC contends that the proof of record establishes as a matter of law that its motive in making the “extraordinary” payment to ASCAP was legitimate. According to NBC, the evidence establishes that the reasons it made the payment were: (1) Although it believed it had already overpaid ASCAP, after CBS, its principal competitor, had agreed to pay additional amounts to ASCAP in March 1969, it would have been “clearly unrealistic” for NBC one month later to take the position that its payments to AS-CAP under the interim fee should be adjusted downward. (2) Its contract with ASCAP subjected it to large breach of contract claims by ASCAP not assertable under the BMI contract.4 (3) The payments to ASCAP were approved by [295]*295Judge Ryan and found to be “reasonable.”

NBC takes the position that these justifications for the payments preclude any finding by the Court that there was an illegal purpose on the part of NBC.

ABC’s Motion for Summary Judgment

ABC also claims that the “extraordinary” payments to ASCAP were motivated solely by innocent business reasons.

First, ABC contends that the record of the proceedings in United States v. ASCAP, Civil 13-95 (S.D.N.Y.), establishes that there was legitimate basis for the payments by ABC to ASCAP and that the payments “were anything but voluntary and in fact were the culmination of several years of bitter negotiations concerning the establishment of a ‘reasonable license fee.’ ”

Second, ABC argues that BMI’s contention that any payments made to AS-CAP should have resulted in proportionate payments to BMI (since, BMI claims, ABC’s contracts with BMI and ASCAP are parallel, and ABC’s failure to make proportionate payments to BMI is evidence of ABC’s participation in the conspiracy to put BMI out of business) is simply wrong. ABC contends that its contracts with ASCAP and BMI were actually quite different and that, accordingly, no implication of illegal motive can be inferred from ABC’s different treatment of the two.

Third, ABC asserts that it “certainly would have known” that ASCAP could not use the lump sum payment to lure away BMI affiliates because (a) such action would permit intervention by the government under the Amended Final Judgment in United States v. ASCAP, and (b) the ASCAP consent decree “required” ASCAP to distribute the monies received from license fees to the ASCAP members where compositions had been performed in the years in question.

Fourth, ABC argues that it would have had no motive to enter into the conspiracy because it could not have placed any reliance on assurances by ASCAP to keep license fees below the total which ASCAP and BMI would have charged if BMI had remained in existence.

Fifth, ABC maintains that its payment to ASCAP could not have been part of a conspiracy because ABC did not agree to pay ASCAP until May 1970, three months after BMI filed its antitrust complaint in this action against NBC and CBS, but prior to BMI’s bringing suit against ABC itself.

Discussion

NBC’s and ABC’s motions for summary judgment are predicated on the same proposition—that on the record before us the only

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55 F.R.D. 292, 1972 Trade Cas. (CCH) 73,924, Counsel Stack Legal Research, https://law.counselstack.com/opinion/broadcast-music-inc-v-columbia-broadcasting-system-inc-nysd-1972.