Broadcast Arts Productions, Inc. v. Screen Actors Guild, Inc.

673 F. Supp. 701, 127 L.R.R.M. (BNA) 2545, 1987 U.S. Dist. LEXIS 10891
CourtDistrict Court, S.D. New York
DecidedNovember 20, 1987
Docket87 Civ. 7627 (PKL)
StatusPublished
Cited by7 cases

This text of 673 F. Supp. 701 (Broadcast Arts Productions, Inc. v. Screen Actors Guild, Inc.) is published on Counsel Stack Legal Research, covering District Court, S.D. New York primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Broadcast Arts Productions, Inc. v. Screen Actors Guild, Inc., 673 F. Supp. 701, 127 L.R.R.M. (BNA) 2545, 1987 U.S. Dist. LEXIS 10891 (S.D.N.Y. 1987).

Opinion

OPINION AND ORDER

LEISURE, District Judge:

On October 27, 1987, Hon. Milton Pollack, United States District Judge of this Court, ordered that the parties in this action show cause on November 10, 1987, why a preliminary injunction should not be issued, pursuant to Fed.R.Civ.P. 65(a), enjoining defendant from proceeding with an arbitration commenced by defendant against plaintiff before the American Arbitration Association, pursuant to a Demand for Arbitration dated October 5, 1987, and/or why an order should not be issued staying the arbitration. Judge Pollack further issued a temporary restraining order staying the arbitration proceedings “until further court order”. Pursuant to Fed.R. Civ.P. 65(b), that temporary restraining order was effective for a maximum of ten business days, through November 10, 1987. Defendants filed a cross-motion seeking, inter alia, an order compelling plaintiffs to arbitrate.

This case was originally assigned to Judge Louis L. Stanton 1 , who recused himself on November 10, 1987. This matter was then reassigned to this Court, and a hearing was held on November 17, 1987. During the hearing, this Court, pursuant to Fed.R.Civ.P. 65(b), extended the temporary restraining order for 10 more days, through November 20, 1987.

FINDINGS OF FACT

Defendant, the Screen Actors Guild (the “Guild”), is a labor organization incorporated in California, with offices at 1700 Broadway, New York, New York. The Guild represents performers in the film, television and commercial industries under various collective bargaining agreements. Program producers wishing to employ Guild performers must agree to be bound *703 by the Guild’s master multi-employer collective bargaining agreement; this collective bargaining agreement can in turn be modified by any side letters between a particular employer and the Guild.

In September 1986, plaintiffs Broadcast Arts Productions Inc., Stephen Oakes, and Peter Rosenthal (collectively “BAP”), signed a Guild collective bargaining agreement (the “Labor Agreement”), effective through June 30,1989. 2 Among other matters, the Labor Agreement covers performers employed by BAP in the production of the first thirteen episodes of a television program entitled “Pee Wee’s Playhouse.” The Labor Agreement expressly requires BAP to make specified residual wage payments to the Guild, on the performers’ behalf, for each rerun of a television program; imposes specified late fees for failure to make timely residual payments; and sets forth welfare and pension contributions to be made by BAP on the performers’ behalf.

BAP and the Guild each signed a statement, dated September 12, 1986, duly affixed with a Screen Actors Guild stamp (see Affidavit of Barry N. Saltzman, Esq., Exhibit 1), which provides:

It is agreed that the provisions with respect to arbitration severally contained in each of the following agreements; The Producers-Screen Actors Guild Codified Basic Agreement of 1967 and all supplements and amendments thereafter governing that Agreement and the Screen Actors Guild Television Agreement, shall be stricken from each of the said agreements and that in lieu thereof the following shall be substituted in each of said agreements and become part thereof: “Any and all disputes of every kind and nature whatsoever between any Producer and the Guild or between any Producer and any individual player arising out of or in relation to this agreement, or arising out of or in relation to any individual contract of employment or engagement entered into between any Producer and player, including any dispute as to whether any Producer became a party to this Agreement and any dispute as to whether a Producer entered into an individual contract of employment or engagement with a player shall be submitted to arbitration under the rules then prevailing of the Voluntary Labor Arbitration Tribunal of the American Arbitration Association, it being the agreement of the parties that such arbitration shall proceed under and be governed by the applicable laws of the State of New York, and that the award duly made as the result of such arbitration shall be final and binding and that judgement [sic] may be entered thereon in any court having jurisdiction. The costs of any such arbitration, except counsel and witnesses’ fees, shall be borne equally by the parties.”

BAP claims that the program “Pee Wee’s Playhouse” was produced by both BAP and another entity called Pee Wee Pictures, Inc. (“Pictures”). However, the Guild claims it never was and is not now a party to any agreement, arrangement or contract between BAP and Pictures. Nor was Pictures a party to the Labor Agreement entered into by BAP and the Guild.

The Guild asserts that it became aware, sometime around early 1987, that the first thirteen episodes of “Pee Wee’s Playhouse” had been rerun several times, but that BAP had not made the residual payments to the Guild required by the Labor Agreement. The Guild served BAP with a statement of claim on April 3, 1987, but no residual payments for the reruns have ever been made by BAP.

Several months later, additional episodes of “Pee Wee’s Playhouse” were to be produced, apparently by Pictures. The Guild, however, declined to allow its members to *704 work on a television production where certain earlier episode reruns remained the subject of unpaid residuals. On or about July 1,1987, Pictures and the Guild entered into an agreement (the “Guild/Pictures Agreement”) (Affidavit of Barry N. Saltzman, Esq., Exhibit 2), under the terms of which Pictures agreed to advance to the Guild residual payments and benefit contributions that the Guild claimed were owed by BAP on the first thirteen episodes. BAP and the Guild disagree as to whether the advances by Pictures covered the full amount of monies owed by BAP to the Guild.

The Guild/Pictures Agreement appears to require the Guild to pursue arbitration against BAP to collect any unpaid residuals and other fees owed to the Guild; the Guild Pictures Agreement also appears to provide that all sums collected by the Guild in such arbitration must be paid to Pictures until Pictures has been repaid for its advances to the Guild. Paragraph 4 of the Guild/Pictures Agreement provides:

SAG [the Guild] shall promptly file and diligently prosecute a grievance and arbitration against Arts to recover the First Two Residuals, the First Two LP/LD’s, the Third Residuals and, if SAG so elects, any costs of collection which SAG is entitled to recover (but SAG shall not seek to recover any other sums with respect to the First Two Residuals, the Third Residuals or the late payment thereof). If SAG obtains a favorable arbitration award (the “Award”), SAG shall diligently pursue the full and prompt collection thereof (including without limitation the entry of judgment thereon and the attachment of assets).

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673 F. Supp. 701, 127 L.R.R.M. (BNA) 2545, 1987 U.S. Dist. LEXIS 10891, Counsel Stack Legal Research, https://law.counselstack.com/opinion/broadcast-arts-productions-inc-v-screen-actors-guild-inc-nysd-1987.