Boucicault v. Hart

3 F. Cas. 983, 13 Blatchf. 47, 8 Chi. Leg. News 257, 22 Int. Rev. Rec. 150, 1875 U.S. App. LEXIS 1275
U.S. Circuit Court for the District of Southern New York·Decided June 25, 1875·Published·Cited by 6 cases

Opinion

HUNT, Circuit Justice.

The facts, as alleged in the bill, are as follows: The complainant, Dion Boueicault, a citizen of the United States, and a resident of the state of New York, before October 26th, 1874, composed and wrote a dramatic composition called the “Shaughraun,” of which he is sole proprietor. On the 26th of October, 1874, he mailed to the librarian of congress a printed copy of the title of this play, and: received from the said librarian the usual certificate setting forth the said filing of the title of said dramatic composition, “the right whereof he” (said Boueicault) “claims as-author and proprietor, in conformity with the laws of the United States respecting copyrights.” He complied in all respects with all the provisions of the Revised Statutes of the United States as to copyrights. On the 24th of November, 1874, Boueicault caused said play to be performed before persons licensed by him to witness the same, at Wal-laces Theatre, for the especial benefit of said Boueicault, and such performances have continued there for his benefit and profit, and said drama has never been performed otherwise or elsewhere with his consent. Boueicault never printed said play for circulation or publication or sale, and the play is still in manuscript, and has never been published, circulated or sold, or copied, or used, in any way, with the permission of Boueicault, unless in the said performance of said play at Wallack’s Theatre, for Bouci-cault’s benefit. The defendant Hart is owner of a theatre on Broadway, called the Theatre Gomique. He possessed himself, surreptitiously, without the consent of Bou-cicault, of the manuscript of the “Shaugh-raun,” thus made himself acquained with its contents, and printed and published the manuscript, or a material part thereof, under the name of the “Skibbeah,” a play which professed to be “arranged” by one G. L. Stout. This play has twelve scenes, and eight of them are copied from Bouci-cault’s play of the “Shaughraun.” Defendant has printed and published said “Skib-beah,” and publicly announced his intention to sell copies of the same, containing these [984] eight scenes of Boucicault’s play, without the license or consent of Boucicault. Defendant did also, on the 26th of January, 1875, and continuously since then, up to the granting of an injunction in this suit, publicly represent this “Skibbeah” at his Thea-tre Comique, on Broadway. Boucicault, at that time, remonstrated with the defendant, in writing, against his representing this play. The “Skibbeah,” as far as these eight scenes are concerned, is merely a copy of Boueicault’s “Shaughraun.” It is, in plot, situation, stage business, language, costumes, scenery, incidents, and series and sequence of events, identical with Boucicault’s play of the “Shaughraun.” ' The four scenes which are not taken from the “Shaughraun” are taken from a play of which one Reeve is author, called “Pyke O’Callaghan,” and these four scenes are merely introductory and accessory to the other eight scenes, which contain the material part of the said “Skibbeah,” and are a mere copy of Bouci-cault’s “Shaughraun.” The bill prays for an injunction restraining the defendant from performing and representing the said play, or from printing or publishing any copy of the same, and for other relief.

To this bill the defendant demurs upon the following grounds, viz.: Por that it appears, on the face of the bill, that the said drama called “Shaughraun” has been for a greater period than ten days prior to the commencement of this suit, publicly performed, and caused to be publicly performed, by the complainant, upon the stage of a theatre; and it does not appear by said amended bill that two printed copies of said drama, or any copies thereof, were filed in the ofiiee of the librarian of congress, or sent by mail to said librarian of congress, at Washington, District of Columbia, within ten days after the public performance thereof, or at any other time; and for that it is alleged, in said amended bill, that the complainant has never published, or caused to be published, the said drama called “Shaughraun;” and for that it does not appear, by said amended bill, that the complainant has ever given any notice that he has complied with the requirements of the acts of congress respecting copyrights; and for that it does not appear, by said amended bill, that the complainant has ever given any notice that the said drama is secured by copyright.

It is admitted, by these pleadings, that the plaintiff is the author of the literary work in question. It is also admitted, that the defendant, without the consent, and against the remonstrance, of the complainant, made use of said work for his own benefit, by performing the same at his theatre, and by printing and publishing copies thereof. The defendant insists, that in so doing, he has violated no law of the land; in other words, that the complainant has not taken the measures necessary to secure to himself the exclusive right to the performance or the j publication of the drama called the “Shaugh-raun.” The complainant relies upon the deposit of a printed copy of the title with the librarian of congress, as the act upon which the grant of copyright depends, and, having performed the act, insists that his copyright is complete. The defendant takes the position, that, no copies of the work being filed with the librarian, there is no right to sue; and that, to entitle an author to copyright, the author must deposit the book, as well as the title, with the librarian. This is the first question to be considered.

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Boucicault v. Hart, 3 F. Cas. 983, 13 Blatchf. 47, 8 Chi. Leg. News 257, 22 Int. Rev. Rec. 150, 1875 U.S. App. LEXIS 1275 (circtsdny 1875).

3 F. Cas. 983 (Boucicault v. Hart) — published by Counsel Stack Legal Research, free access to 12M+ legal documents.

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