Blue Man Vegas, LLC v. National Labor Relations Board

529 F.3d 417, 381 U.S. App. D.C. 362, 184 L.R.R.M. (BNA) 2321, 2008 U.S. App. LEXIS 12343
CourtCourt of Appeals for the D.C. Circuit
DecidedJune 10, 2008
Docket06-1328, 06-1341
StatusPublished
Cited by24 cases

This text of 529 F.3d 417 (Blue Man Vegas, LLC v. National Labor Relations Board) is published on Counsel Stack Legal Research, covering Court of Appeals for the D.C. Circuit primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Blue Man Vegas, LLC v. National Labor Relations Board, 529 F.3d 417, 381 U.S. App. D.C. 362, 184 L.R.R.M. (BNA) 2321, 2008 U.S. App. LEXIS 12343 (D.C. Cir. 2008).

Opinion

Opinion for the Court filed by Circuit Judge GINSBURG.

GINSBURG, Circuit Judge:

Blue Man Vegas, LLC (BMV) petitions for review of the National Labor Relations Board’s decision that it engaged in unfair labor practices by refusing to bargain with the International Alliance of Theatrical Stage Employees, Moving Picture Technicians, Artists & Allied Crafts of the United States, Its Territories & Canada, AFL-CIO (the Union), elected to represent certain of its employees. BMV argues the Board erred in holding the bargaining unit proposed by the Union was appropriate. We deny Blue Man’s petition and grant the Board’s cross-application for enforcement.

I. Background

BMV manages and produces the Las Vegas production of the Blue Man Grou/p, a theatrical show in which men wearing blue grease paint on their faces and heads and dressed entirely in black perform a series of skits and dance routines involving music, props, and videos. On stage with the “Blue Men” are seven musicians. The Blue Men'and the musicians are assisted by a stage crew comprising seven departments: audio; carpentry; electrics; properties (props); video; wardrobe; and musical instrument technicians (MITs), who maintain the musical instruments, many of which are unique to Blue Man Group productions. There are also a handful of so-called “swings,” who BMV explains are “trained in numerous departments to provide coverage ... as needed due to vacation or illness.” During a performance, each of the seven stage crews performs its own “cue tracks,” which are series of carefully planned actions. For example, a carpentry crew’s cue tracks might involve placing and moving scenic backdrops at specified times.

From 2000 through most of 2005, BMV performed at the Luxor Hotel and Casino. During that time, BMV employed the MITs directly, but the Luxor employed the members of the other stage crews, as to whom it entered into a collective bargaining agreement with the Union. As a result, there were differences in the terms and conditions of employment of the MITs and of the other crews. The MITs reported to BMV’s Production Manager, John Mclnnis, whereas the other stage crews reported to the Luxor; the MITs were paid a salary whereas the others were paid an hourly wage; and the MITs’ pre-per-formance sign-in sheet was separate from the sign-in sheet for the others.

In September 2005, BMV left the Luxor and reopened a month later at the Venetian Hotel and Casino. Incident to the move, BMV decided to employ the entire stage crew directly. To handle its many new stage crew employees, BMV erected a new management structure. A department head would supervise the employees in each of the six departments that previously reported to the Luxor, and the “technical supervisor” would supervise the six new department heads and report to Mclnnis.

Although the employees in all seven stage crew departments were now employed directly by BMV, several differences between the MITs and the other crews were carried over from the Luxor to the Venetian. First, whereas the others *420 were separated from Melnnis, the production manager, by two levels of supervision (a department head and the technical supervisor), the MITs continued to report directly to Melnnis. Second, the two MITs who had been with BMV at the Luxor were still paid a salary, whereas the members of the other crews were paid a wage, as they had been at the Luxor. (The four MITs hired after BMV left the Luxor were paid a wage, however.) Finally, the MITs’ sign-in sheet remained separate from the sign-in sheet for the other crews.

In March 2006, the Union petitioned the Board for a representation election in a unit comprising all stage crew employees except the MITs. BMV objected that the MITs should be included in the bargaining unit. After a hearing, the Board’s Regional Director (RD) determined, pursuant to § 9(b) of the National Labor Relations Act, 29 U.S.C. § 159(b), that the unit proposed by the Union was an appropriate unit and ordered a representation election. The RD found significant the differences between the MITs and the other stage crews that stemmed from the prior unit’s bargaining history, namely, those relating to supervision, form of payment, and sign-in sheets. He also found significant a number of differences that cannot be attributed to BMV’s time at the Luxor: The MITs have separate substitutes during days off and vacations, “skills separate from the other stage crew members,” and different cue tracks; they “do not ‘swing’ to other stage crew positions”; and they “work in different areas” and “interact[ ]” primarily “with musicians, not stage crew members.” The Board denied BMV’s petition for review of the RD’s decision.

The Union won the ensuing representation election by a vote of 20-14 and the RD duly certified the Union as the exclusive bargaining representative. About a month later, the RD issued a complaint against BMV alleging it had refused to bargain with the Union, in violation of § 8(a)(1) and (5) of the NLRA, 29 U.S.C. § 158(a)(1) & (5). BMV argued it was not required to bargain because the exclusion of the MITs rendered the unit inappropriate. Finding BMV had raised or could have raised all issues relating to representation in the prior unit determination hearing and BMV did not proffer any previously unavailable evidence, the Board granted summary judgment for the General Counsel. BMV then petitioned for review in this court and the Board cross-applied for enforcement of its decision.

II. Analysis

BMV challenges the Board’s decision that its refusal to bargain was an unfair labor practice on the ground that the unit was not appropriate. See Terrace Gardens Plaza v. NLRB, 91 F.3d 222, 225 (D.C.Cir.1996) (“Judicial review [of an order directing a representation election] is available only if the employer refuses to bargain and is found, in a final order of the Board, to have violated § 8(a)(5)” of the NLRA). “This court will uphold an NLRB bargaining unit determination unless it is arbitrary or not supported by substantial evidence in the record.” Country Ford Trucks, Inc. v. NLRB, 229 F.3d 1184, 1189 (D.C.Cir.2000).

BMV advances three arguments: The Board applied the wrong standard to determine whether the proposed unit was appropriate; the unit determination was not supported by substantial evidence; and the exclusion of the MITs from the proposed unit created a “disfavored residual unit.” None is persuasive.

A. The Unit Determination Standard

BMV’s primary argument is that the Board applied a standard for the unit de *421 termination that conflicts with the NLRA and has been, for that reason, rejected by the Fourth Circuit. BMV’s position, although superficially plausible, is based upon a misapprehension of the framework governing unit determinations.

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Bluebook (online)
529 F.3d 417, 381 U.S. App. D.C. 362, 184 L.R.R.M. (BNA) 2321, 2008 U.S. App. LEXIS 12343, Counsel Stack Legal Research, https://law.counselstack.com/opinion/blue-man-vegas-llc-v-national-labor-relations-board-cadc-2008.