Bill v. Superior Court

137 Cal. App. 3d 1002, 187 Cal. Rptr. 625, 8 Media L. Rep. (BNA) 2622, 1982 Cal. App. LEXIS 2195
CourtCalifornia Court of Appeal
DecidedDecember 9, 1982
DocketA017025
StatusPublished
Cited by21 cases

This text of 137 Cal. App. 3d 1002 (Bill v. Superior Court) is published on Counsel Stack Legal Research, covering California Court of Appeal primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Bill v. Superior Court, 137 Cal. App. 3d 1002, 187 Cal. Rptr. 625, 8 Media L. Rep. (BNA) 2622, 1982 Cal. App. LEXIS 2195 (Cal. Ct. App. 1982).

Opinion

Opinion

GRODIN, P. J.

Petitioners have sought an extraordinary writ to compel the trial court to vacate its order denying their motion for summary judgment, and to enter a contrary order. For reasons we shall explain, we consider this to be one of the exceptional cases in which relief at the pleading stage of a pending action is warranted. (See Babb v. Superior Court (1971) 3 Cal.3d 841, 851 [92 Cal.Rptr. 179, 479 P.2d 379]; Stencel Aero Engineering Corp. v. Superior Court (1976) 56 Cal.App.3d 978, 984 [128 Cal.Rptr. 691]; G. D. Searle & Co. v. Superior Court (1975) 49 Cal.App.3d 22, 24 [122 Cal.Rptr. 218].)

On March 24, 1979, Jocelyn Vargas attended a movie, “Boulevard Nights,” at the Alhambra Theatre on Polk Street in San Francisco. After leaving the *1005 theater, as she and her friends were walking down the street to catch a bus, she was shot by someone who, it is alleged, was a “member of the general public prone to violence . . . who had been attracted to said Alhambra Theatre by the showing of said violent movie . . . .” Through her mother, as guardian, she has sued various defendants, including petitioners, who are alleged to be the producers of the movie. Her mother, alleging damage for medical treatment and loss of services, is also a plaintiff. Their complaint, as relevant here, is that petitioners “knew, or should have known, that said movie was a violent movie and would attract certain members of the public to view said movie who were prone to violence and who carried weapons . . . [and] would, or were likely to cause grave bodily injury upon other members of the general public at or near the showing of said movie,” but that petitioners “negligently failed to warn” Jocelyn of these facts, and “negligently failed to take sufficient steps to protect patrons,” such as herself, “at and near said Alhambra Theatre.” In a second cause of action, plaintiffs allege in addition that petitioners “willfully allowed the showing of said movie to the general public, knowing and thereby impliedly representing to members of the general public . . . that said movie could be viewed in safety,” that they “intended that patrons, such as Jocelyn Vargas, should rely on their representations,” and she did so rely, to her detriment.

Petitioners are the executive producer of the film (Tony Bill), the producer (Bill Benenson), the director (Michael Pressman), and Eastside Productions, Inc., a corporate entity whose stock is totally owned by Tony Bill and Bill Benenson, and which provided the services of petitioners to Warner Brothers, Inc., for the making of the film. The contract between Eastside and Warner Brothers provides that all advertising and publicity rights in the film and in the production of the film vest exclusively in Warner Brothers. It also provides for a sharing of certain profits from the film between Warner Brothers and petitioners.

There was evidence before the court on the motion for summary judgment that, notwithstanding the terms of the contract, petitioners Bill and Benenson collaborated with Warner Brothers in the preparation of “trailers” for the film, and in certain advertising for the film. Plaintiffs do not suggest, however, and there was no evidence, that the trailers or the advertisements themselves contributed to the danger of violence at theaters where the movie was shown.

There was also evidence that, prior to the opening of the film in Los Angeles, petitioner Pressman discussed with Benenson that “Warner Bros, should consider having security at some of the theaters,” and that Benenson did suggest to Warner Brothers that there be a guard or guards outside the theater in Los Angeles. Pressman testified that this suggestion was made because some of the press was linking “Boulevard Nights” with another film, “The Warriors” *1006 (which had opened earlier), as both being “gang movies,” the inference being that some violence attended the showing of “The Warriors.”

Finally, the trial court had before it a declaration from Jocelyn Vargas in which she stated that petitioners “represented to me and other members of the general public that this movie could be attended in safety,” that she was not “warned or made aware of the likelihood or even the possibility that violence might occur at or near theatres showing this movie,” and that if she had been warned she would never have gone. The nature or form of the asserted representation is not described. Plaintiffs do not contend that there existed an express representation, but rather that a representation that the movie could be attended in safety might be implied from advertisements inviting attendance.

Discussion

I.

Petitioners, in support of their argument that they were entitled to summary judgment as a matter of law, rely heavily upon Olivia N. v. National Broadcasting Co. (1981) 126 Cal.App.3d 488 [178 Cal.Rptr. 888]. In that case the plaintiff, who had been sexually assaulted with a bottle, sued the National Broadcasting Company and the Chronicle Broadcasting Company, claiming that the assailants had been incited to that action by a television broadcast of the film “Bom Innocent,” in which a similar scene was depicted. The trial court, after viewing the film, granted defendants’ motion for nonsuit, and Division Four of this court affirmed. In an opinion, authored by Justice Christian, the court stated: “Appellant does not seek to impose a prior restraint on speech; rather, she asserts civil liability premised on traditional negligence concepts. But the chilling effect of permitting negligence actions for a television broadcast is obvious. ‘The fear of damage awards . . . may be markedly more inhibiting than the fear of prosecution under a criminal statute.’ (New York Times Co. v. Sullivan [1964] 376 U.S. 254, 277 . . . .) Realistically, television networks would become significantly more inhibited in the selection of controversial materials if liability were to be imposed on a simple negligence theory. . . . The deterrent effect of subjecting the television networks to negligence liability because of their programming choices would lead to self-censorship which would dampen the vigor and limit the variety of public debate. [¶] Although the First Amendment is not absolute, the television broadcast of ‘Born Innocent’ does not, on the basis of the opening statement of appellant’s attorney, fall within the scope of unprotected speech. Appellant concedes that the film did not advocate or encourage violent acts and did not constitute an ‘incitement’ within the meaning of Brandenburg v. Ohio [1969] 395 U.S. 444, 447-448 .... In *1007 citement is the proper test here. . . . Thus [the broadcast] is constitutionally protected.” (126 Cal.App.3d at pp. 494-495.) 1

Plaintiffs would distinguish Olivia N.

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Bluebook (online)
137 Cal. App. 3d 1002, 187 Cal. Rptr. 625, 8 Media L. Rep. (BNA) 2622, 1982 Cal. App. LEXIS 2195, Counsel Stack Legal Research, https://law.counselstack.com/opinion/bill-v-superior-court-calctapp-1982.