Bertini v. Apple Inc.

63 F.4th 1373
CourtCourt of Appeals for the Federal Circuit
DecidedApril 4, 2023
Docket21-2301
StatusPublished

This text of 63 F.4th 1373 (Bertini v. Apple Inc.) is published on Counsel Stack Legal Research, covering Court of Appeals for the Federal Circuit primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Bertini v. Apple Inc., 63 F.4th 1373 (Fed. Cir. 2023).

Opinion

Case: 21-2301 Document: 75 Page: 1 Filed: 04/04/2023

United States Court of Appeals for the Federal Circuit ______________________

CHARLES BERTINI, Appellant

v.

APPLE INC., Appellee ______________________

2021-2301 ______________________

Appeal from the United States Patent and Trademark Office, Trademark Trial and Appeal Board in No. 91229891. ______________________

Decided: April 4, 2023 ______________________

JAMES BERTINI, Denver, CO, argued for appellant.

ADAM HOWARD CHARNES, Kilpatrick Townsend & Stockton LLP, Dallas, TX, argued for appellee. Also repre- sented by WILLIAM BRYNER, Winston-Salem, NC; THEODORE H. DAVIS, JR., Atlanta, GA; JOHN D. MAYBERRY, SARA K. STADLER, New York, NY; JOSEPH E. PETERSEN, Menlo Park, CA. ______________________

Before MOORE, Chief Judge, TARANTO and CHEN, Circuit Judges. Case: 21-2301 Document: 75 Page: 2 Filed: 04/04/2023

MOORE, Chief Judge. Charles Bertini appeals from a final decision of the Trademark Trial and Appeal Board dismissing his opposi- tion to Apple Inc.’s application to register the mark APPLE MUSIC. For the following reasons, we reverse. BACKGROUND Apple filed Trademark Application No. 86/659,444 to register the standard character mark APPLE MUSIC for several services in International Class 41, including, inter alia, production and distribution of sound recordings and arranging, organizing, conducting, and presenting live mu- sical performances. Bertini, a professional jazz musician, filed a notice of opposition to Apple’s application. Bertini has used the mark APPLE JAZZ in connection with festi- vals and concerts since June 13, 1985. In the mid-1990s, Bertini began using APPLE JAZZ to issue and distribute sound recordings under his record label. Bertini opposed Apple’s registration of APPLE MUSIC on the ground that it would likely cause confusion with Bertini’s common law trademark APPLE JAZZ. See 15 U.S.C. § 1052(d). The Board issued a final decision dismissing Bertini’s opposition. Bertini v. Apple, Inc., 2021 WL 1575580 (T.T.A.B. Apr. 16, 2021) (Board Decision). The Board found Bertini’s common law mark APPLE JAZZ is inherently dis- tinctive and that Bertini may claim a priority date of June 13, 1985 for APPLE JAZZ in connection with “[a]rranging, organizing, conducting, and presenting concerts [and] live musical performances.” Id. at *9–12. These findings are undisputed on appeal. The parties also agreed there was a likelihood consumers would confuse Bertini’s use of APPLE JAZZ with Apple’s use of APPLE MUSIC. Id. at *8. The parties only dispute priority of use. Id. Apple began using the mark APPLE MUSIC on June 8, 2015, when it launched its music streaming service, nearly thirty years after Bertini’s 1985 priority date. Apple Case: 21-2301 Document: 75 Page: 3 Filed: 04/04/2023

BERTINI v. APPLE INC. 3

argued, however, it was entitled to an earlier priority date of August 1968 based on trademark rights it purchased from Apple Corps, the Beatles’ record company. Apple pur- chased Apple Corps’ Registration No. 2034964 in 2007. The ’964 registration covers the mark APPLE for “[g]ramophone records featuring music” and “audio com- pact discs featuring music” and claims a date of first use of August 1968. The Board found Apple Corps continuously used its APPLE mark on gramophone records, and other recording formats, since August 1968. Id. at *13–17. It further found Apple was entitled to tack its 2015 use of APPLE MUSIC onto Apple Corps’ 1968 use of APPLE and thus had priority over Bertini. Id. at *18–21. The Board accordingly dis- missed Bertini’s opposition and denied Bertini’s subse- quent motion for reconsideration. Id. at *21. Bertini appeals. We have jurisdiction under 28 U.S.C. § 1295(a)(4)(B). DISCUSSION Bertini challenges the Board’s determination that Ap- ple’s use of APPLE MUSIC has priority over Bertini’s use of APPLE JAZZ. We hold Apple cannot tack its use of APPLE MUSIC for live musical performances onto Apple Corps’ use of APPLE for gramophone records and that its application to register APPLE MUSIC must therefore be denied. Accordingly, we reverse. I We review the Board’s legal conclusions de novo and its factual findings for substantial evidence. In re Pacer Tech., 338 F.3d 1348, 1349 (Fed. Cir. 2003). The tacking inquiry is a question of fact. Hana Fin., Inc. v. Hana Bank, 574 U.S. 418, 422–23 (2015). Case: 21-2301 Document: 75 Page: 4 Filed: 04/04/2023

II Trademark rights arise from the use of a mark in com- merce. Hana, 574 U.S. at 419. The party who first uses a distinctive mark in connection with particular goods or ser- vices has priority over other users. Id. “Recognizing that trademark users ought to be permitted to make certain modifications to their marks over time without losing pri- ority,” trademark owners may, in limited circumstances, “clothe a new mark with the priority position of an older mark.” Id. at 419–20. This doctrine is known as “tacking.” Id. at 420. We permit tacking because, without it, “a trademark owner’s priority in his mark would be reduced each time he made the slightest alteration to the mark, which would dis- courage him from altering the mark in response to chang- ing consumer preferences, evolving aesthetic developments, or new advertising and marketing styles.” Brookfield Commc’ns, Inc. v. W. Coast Ent. Corp., 174 F.3d 1036, 1048 (9th Cir. 1999). Trademark owners often mod- ernize and update their trademarks in response to a chang- ing marketplace. See Sunstar, Inc. v. Alberto-Culver Co., 586 F.3d 487, 496 (7th Cir. 2009) (recognizing the need for trademark owners and their licensees to make “modest changes in the appearance or wording of the trademark” to respond to “unpredictable fluctuations in consumer re- sponse”). The standard for a trademark owner to invoke tacking is strict. Van Dyne-Crotty, Inc. v. Wear-Guard Corp., 926 F.2d 1156, 1160 (Fed. Cir. 1991), abrogated on other grounds by Hana, 574 U.S. 418. The party seeking to tack bears the burden to show the old mark and the new mark “‘create the same, continuing commercial impression’ so that consumers ‘consider both as the same mark.’” Hana, 574 U.S. at 422 (quoting Van Dyne-Crotty, 926 F.2d at 1159). In other words, the marks must be “legal Case: 21-2301 Document: 75 Page: 5 Filed: 04/04/2023

BERTINI v. APPLE INC. 5

equivalents.” 1 Id. This standard requires showing more than a likelihood of confusion between the two marks. Van Dyne-Crotty, 926 F.2d at 1159. The commercial impression of a trademark is “the meaning or idea it conveys or the mental reaction it evokes,” including the information it conveys with respect to source. Hana Fin., Inc. v. Hana Bank, 735 F.3d 1158, 1164 (9th Cir. 2013) (quoting Gideon Mark & Jacob Jacoby, Continuing Commercial Impression: Applications and Measurement, 10 MARQ. INTELL. PROP. L. REV. 433, 434 (2006)), aff’d, 574 U.S. 418; see also Spice Is- lands, Inc. v. Frank Tea & Spice Co., 505 F.2d 1293

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