Beard v. Chase

CourtNew York Supreme Court
DecidedJune 19, 2017
Docket2017 NYSlipOp 50824(U)
StatusPublished

This text of Beard v. Chase (Beard v. Chase) is published on Counsel Stack Legal Research, covering New York Supreme Court primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Beard v. Chase, (N.Y. Super. Ct. 2017).

Opinion



Peter Beard and PETER BEARD STUDIO, LLC, Plaintiffs,

against

Bernie Chase, PHILIPPE HOERLE-GUGGENHEIM d/b/a HOERLE-GUGGENHEIM GALLERY, and JOHN DOE, INC. d/b/a HOERLE-GUGGENHEIM GALLERY, Defendants.




651504/2015

Appearances

Plaintiff

GROSSMAN LLP

405 Park Avenue — 10th Floor

New York, New York 10022

BY: Judd B. Grossman, Esq.

Defendant

Davidoff Hutcher & Citron LLP

605 Third Avenue

New York, New York 10158

BY: Joshua Krakowsky, Esq.

Larry Hutcher, Esq.
Charles E. Ramos, J.

This is an action to recover possession of three pieces of artwork entitled 765 Elephants, Under the Snows of Kilimanjaro, and Charging Bull Elephant (the "Works") by plaintiff Peter Beard ("Mr. Beard"), a highly acclaimed American photographer and artist, which were allegedly taken and offered for sale without Mr. Beard's knowledge or consent.

In motion sequence 004, Mr. Beard and plaintiff Peter Beard Studio, LLC ("Studio")(collectively, "Plaintiffs") move pursuant to CPLR 3212 for partial summary judgment on their first claim for declaratory judgment, second claim for conversion, and third claim for replevin.

For the reasons set forth below, this Court grants Plaintiffs' motion for partial summary judgment in its entirety.

Background


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The facts set forth herein are taken from the pleadings, affidavits and Rule 19-A Statements, and are assumed to be true for purposes of disposition.

Mr. Beard is a highly-regarded photographer and artist, and resides in New York, New York (Complaint, ¶¶ 1, 5).

The Studio is a Delaware limited-liability company located in New York, New York (Complaint, ¶ 6). In 2001, Mr. Beard and his wife, Nejma Beard ("Mrs. Beard"), created the Studio to protect and provide a market for Mr. Beard's artwork (Complaint, ¶ 15).

Mr. Beard is the sole owner of the Studio, and Mrs. Beard serves as the Studio's President (Complaint, ¶ 6). As President, Mrs. Beard was authorized to act as Mr. Beard's agent with respect to his business affairs (Complaint, ¶ 17) .

Defendant Philippe Hoerle-Guggenheim is a resident of New York, New York, and does business as defendant Hoerle-Guggenheim Gallery ("Gallery") (Complaint, ¶ 8).

Defendant Bernie Chase ("Mr. Chase") is a resident of La Jolla, California, and is a business partner of the Gallery, which is located at 527 West 23rd Street in New York, New York. Over the years, Mr. Chase has accrued a large collection of Mr. Beard's artwork (Complaint, ¶ 31).

Defendant John Doe, Inc. is allegedly a New York business corporation also doing business as the Gallery (together with the Gallery and Mr. Chase, "Defendants") (Complaint, ¶ 9).

In Fall 2013, Natalie White ("Ms. White") and Mr. Beard agreed to participate in two photo shoots in New York City involving large-format Polaroid camera and film (the "Shoots").

Many individuals participated in the Shoots, including Mr. Chase and his acquaintances (Beard Aff., ¶ 6). The Shoots were partially funded by Mr. Chase (Beard Aff., ¶ 7).

Simultaneously, Mr. Beard created the Works at various locations throughout the city, including Ms. White's Park Avenue apartment ("Park Avenue Apartment") and the Soho Grand Hotel ("Hotel").

Plaintiffs allege that after completing the Works, they were taken from the Park Avenue Apartment without Mr. Beard's knowledge or consent (Complaint, ¶ 25). Despite his efforts, Mr. Beard was unable to locate the Works (Complaint, ¶ 25).

In contrast, Defendants claim that they acquired the Works pursuant to two separate "handshake deals" (the "Agreements")(Hogan Aff., Ex. 5, pp. 206-07). It is undisputed that there is no written documentation of the Agreements (Def. Resp. To Pls. Rule 19A, ¶ 14).

Defendants allege that the first agreement occurred in mid-October 2013, wherein Mr. Chase agreed to pay $50,000 for the Under the Snows of Kilimanjaro and $30,000 for 765 Elephants (Chase Aff., ¶ 17).

Defendants allege that after coming to an agreement regarding the purchase of these artworks, they notified Ms. White and shook hands in her presence (Chase Aff., ¶ 18).

Defendants maintain that Mr. Beard directed Mr. Chase to pay the purchase price to Ms. White (Id., at ¶ 19). Subsequently, Ms. White provided Mr. Chase with a handwritten receipt, dated October 23, 2013 ("First Receipt") (Hogan Aff., Ex. 12). The First Receipt reads:

965 Elephants worked by Peter Beard & Large Elephant on Mount Kilimanjaro fully worked by Peter Beard, 2 pieces 80,0000 USD to be paid 10,000 a month, will be picked up upon payment in full. Natalie White 10-23-13. (Id.).

Defendants also allege that they purchased Mr. Beard's artwork, Paradise Lost, for $40,000 during the three-week period between October 29, 2013 and November 18, 2013 (Hogan Aff., Ex. 7, ¶ 31).Mr. Chase alleges that he was directed to pay $20,000 of the payment to Ms. White and $10,000 to Ingrid Levin, Mr. Beard's girlfriend ("Ms. Levin") (Chase Aff., ¶ 32).

In support of this transaction, Defendant produced a second receipt ("Second Receipt"), which is dated Summer 2014. The receipt provides:

Bernie bought 3 pieces of artwork from me for 100k pd. in full. Natalie White. 1 elephant kilo. 1 elephant herd. 1 elephant all finished and worked by PB. N. White. (Hogan Aff., Ex. 13).

Mr. Chase arranged for Mr. Beard to have a room at the Hotel so he could have a space to complete the Works and other pieces of art (Chase Aff., ¶ 37).

During October and November 2013, Mr. Chase alleged that he made various payments on behalf of Mr. Beard, including wiring payments to Ms. White, hotel rooms, medical bills for dentures and implants, and diamond bracelets (Chase Aff., ¶¶ 22, 27, 32-34).

On February 6, 2015, the Gallery hosted a celebration in honor of its opening ("February Showing"), and displayed a small collection of Mr. Beard's artwork (Complaint, ¶32). It is undisputed that Mr. Beard was not notified of the Gallery opening or that his artwork would be displayed (Complaint, ¶ 36).

Following the February Showing, Plaintiffs became aware that Defendants were displaying and offering the Works for sale (Complaint, ¶ 37).

On February 10, 2015, Plaintiffs' counsel contacted Defendant Chase's counsel regarding the return of the Works (Complaint, ¶ 38). On March 19, 2015, Plaintiffs' counsel wrote to Chase's counsel demanding the return of the Works (Complaint, ¶ 39).

On April 21, 2015, Anne Margot Verhallen ("Ms. Verhallen"), an employee of the Gallery, contacted an owner of a gallery in [*2]London ("London Gallery"), notifying her that she had "a lot of artwork by Peter Beard," attaching electronic images of Paradise Lost and Under the Snows of Kilimanjaro (Complaint, ¶ 43).

Subsequently, the owner of the London Gallery notified Mrs. Beard of her communication with Ms. Verhallen. The owner states as follows:

I did speak to the gallery in NY (I sent you the PDF) - what a bunch of morons = they don't even know what collage is!! - I have no idea how they got this material as some of it is new 2013/14). They could not answer questions I asked and have used erroneous titles Etc. Not good at all.

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Beard v. Chase, Counsel Stack Legal Research, https://law.counselstack.com/opinion/beard-v-chase-nysupct-2017.