Basulto v. Netflix, Inc.

District Court, S.D. Florida·Decided June 24, 2023·No. 1:22-cv-21796·Unknown

Opinion

UNITED STATES DISTRICT COURT SOUTHERN DISTRICT OF FLORIDA MIAMI DIVISION

CASE NO. 22-21796-CIV-MORENO/GOODMAN

JOSE BASULTO, and BROTHERS TO THE RESCUE, INC.,

Plaintiffs,

v.

NETFLIX, INC., a Delaware corporation, Defendants. ____________________________________________/

ORDER ON NETFLIX’S EXPEDITED MOTION TO STRIKE PLAINTIFFS’ AMENDED OPPOSITION TO SUMMARY JUDGMENT MOTION

“Give him an inch and he’ll take a mile” - Well-known proverb1 The hugely-popular children’s book If You Give a Mouse a Cookie involves a boy who gives a mouse a cookie. The mouse then asks for milk, and a series of requests begins. The mouse makes request after request, and the boy grants all the mouse’s wishes: a glass of milk, a straw (to drink the milk), a mirror (to avoid a milk moustache), nail scissors (to trim his hair in the mirror), a broom (to sweep up the hair trimmings), a nap, a story (to

1 The proverb is hundreds of years old. It is derived from a phrase found in John Heywood’s 1546 work, A dialogue conteinyng the number in effect of all the prouerbes in the Englishe tongue: “Give him an inch and he’ll take an ell.” An ell was a unit of measurement for cloth that was about 45 inches in length. https://grammarist.com/proverb/give-him- an-inch-and-he’ll-take-a-mile/ (last visited June 23, 2023). be read to him), a picture (to be drawn), a refrigerator (to hang the picture on) -- and then a glass of milk (because looking at the refrigerator made the mouse thirsty).

One theme of the story is that every event has consequences. There is always a cause and an effect. Every action causes a reaction. Decisions about litigation tactics are no exception to this fundamental rule. Another theme is that the recipient of a favor or

benefit may well seek additional rewards. The lessons children learn from If You Give a Mouse a Cookie2 apply equally to tactics used in lawsuits. All of which brings us to Defendant Netflix’s Expedited Motion to Strike Plaintiffs’

Amended Opposition to Netflix’s Motion for Summary Judgment. [ECF No. 205]. The motion seeks to strike four things in this defamation lawsuit arising from Netflix’s publication on its streaming platform the film, The Wasp Network : (1) Plaintiffs’ Amended Opposition to Netflix’s summary judgment motion; (2) Plaintiffs’ amended statement of

material facts supporting their amended opposition; (3) the declaration of Andre Dreyfuss, one of Plaintiffs’ attorneys; and (4) Plaintiff Jose Basulto’s declaration in support of the amended opposition. [ECF Nos. 202, 201, 199 and 200]. Plaintiffs filed an

expedited opposition and Netflix filed an expedited reply. [ECF Nos. 210, 212 ].

2 The author, Laura Numeroff, wrote several other books with similar scenarios, all focusing on the notion of inevitable consequences and animals who continue to ask for things after receiving other things: If You Give a Moose a Muffin, If You Give a Pig a Pancake, If You Give a Pig a Party, If You Give a Cat a Cupcake, If You Give a Dog a Donut, and others. Essentially, Netflix contends that Plaintiffs have taken advantage of a recent discovery ruling (which permitted an additional two hours of deposition testimony on

limited topics from a Netflix corporate representative) to unfairly submit materially revised materials: the amended opposition brief, statement of undisputed facts, new declarations from Dreyfuss and Basulto and related exhibits. According to Netflix,

Plaintiffs abused their ability to submit a revised memorandum to the limited extent it concerned the new and additional deposition testimony by fundamentally re-conceiving their arguments.3

Netflix contends that most of the changes to Plaintiffs’ summary judgment motion opposition papers “have nothing to do with the additional testimony by Netflix’s corporate deponent.” [ECF No. 205, pp. 2-3]. According to Netflix, Plaintiffs cited the new deposition transcript only six times (concerning four topics) in their Amended Summary

Judgment Papers. But, Netflix argues, Plaintiffs’ other amendments, which it says “predominate” in the Amended Summary Judgment Papers, include: (1) Basulto making new statements

in his amended declaration which have nothing to do with the continued deposition; (2)

3 The Undersigned will, at times, refer to the limited deposition as the “Second Deposition.” Likewise, the Undersigned will also use “Initial Summary Judgment Papers” for Plaintiffs’ first Opposition to Netflix’s summary judgment motion and for Plaintiffs First Statement of Facts. “Amended Summary Judgment Papers” refers to Plaintiffs’ second, amended version of these two documents. Because the amended versions of the declarations of Basulto and Dreyfuss were submitted in connection with the Amended Summary Judgment Papers, they are included in that shorthand name. the submission of new evidence unrelated to the continued deposition, submitted through attorney Dreyfuss’ amended declaration; (3) new descriptions of additional,

purportedly defamatory film content not alleged in Plaintiffs’ Complaint (and which Netflix had no opportunity to explore during Plaintiffs’ depositions; (4) newly-expressed disputes of fact which Plaintiffs had previously conceded were undisputed in their Initial

Summary Judgment Papers; and (5) a materially-revised opposition brief, containing new arguments and case law which do not rely on Second Deposition testimony. Stripped to its basics, Netflix’s argument is that Plaintiffs have taken unfair

advantage of a discovery ruling which authorized a limited, continued corporate representative deposition and an amended opposition limited to changes tethered to the Second Deposition testimony. Phrased differently, Netflix contends that Plaintiffs are improperly seeking to get a second bite at the summary judgment apple by trying to

sneak in a dramatically revised (and presumably better) opposition under the rationale that the Amended Summary Judgment Papers are simply updates prompted by the additional deposition testimony.

To demonstrate that Plaintiffs did far more than merely update their papers with references to the two hours’ worth of new testimony from the Second Deposition, Netflix submitted tracked changes versions of the Amended Summary Judgment papers. These exhibits of tracked changes [ECF Nos. 205-1 and 205-2] demonstrate that Plaintiffs

significantly altered their Initial Summary Judgment Papers with myriad changes which have nothing to do with the Second Deposition testimony upon which any revisions should have been based. Not only did Plaintiffs take a second bite at the apple; they took

several hefty chomps. In their opposition response [ECF No. 210], Plaintiffs raise several arguments: (1) they complain that the Order allowing them to file amended submissions after taking a

two-hour limited Rule 30(b)(6) deposition unfairly gave Netflix additional time to file a Reply; (2) the Order permitting Plaintiffs to file amended submissions did not expressly prohibit them from making other changes to the submissions (besides those arising

directly from the deposition); (3) the changes in the submissions flagged by Netflix are “actually not changes at all,” but are “merely instances of paragraphs being rearranged and/or some stylistic changes” [ECF No. 210, p. 2]; (4) most of the so-called changes actually do relate to the continued deposition; (5) the apparent changes are mostly

scenarios where “an argument that was asserted in Plaintiffs’ original Opposition . . . is now merely being asserted in a different area in Plaintiff’s amended papers;” (6) the “few new, substantive changes which do not relate” to the resumed deposition are “minimal

and deminimus” (id.

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