Bass v. Hendrix

931 F. Supp. 523, 1996 U.S. Dist. LEXIS 9992, 1996 WL 401891
CourtDistrict Court, S.D. Texas
DecidedJuly 11, 1996
Docket4:94-cv-03673
StatusPublished
Cited by7 cases

This text of 931 F. Supp. 523 (Bass v. Hendrix) is published on Counsel Stack Legal Research, covering District Court, S.D. Texas primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Bass v. Hendrix, 931 F. Supp. 523, 1996 U.S. Dist. LEXIS 9992, 1996 WL 401891 (S.D. Tex. 1996).

Opinion

MEMORANDUM AND ORDER

CRONE, United States Magistrate Judge.

Pending before the court is Defendant IRT Workshop Coordinators, Inc.’s (“IRT”) motion for summary judgment (# 26) on all of Plaintiff Barbara Bass’s (“Bass”) claims.

Having reviewed the motion, the submissions of the parties, the pleadings, and the applicable law, this court is of the opinion that IRT’s motion for summary judgment should be granted.

I. Background

This lawsuit arises out of the participation of the plaintiff and her former husband, Ian Bass (“Ian”), in a video series based upon the “Getting the Love You Want” workshop, produced by Imago Productions, Inc. (“Imago”) and Magnetic Arts, Inc. (“Magnetic Arts”), which are both incorporated in and have their principal places of business in New York. Harville Hendrix (“Hendrix”) is the president of Imago, which owns the copyright to the video series, audio cassettes, and printed materials on the “Getting the Love You Want” workshop. Hendrix is also an officer and the sole shareholder of IRT, which trains and educates Imago certified therapists — the instructors who conduct the workshops — and supplies the products and some advertising for the certified therapists and workshops. Norris Chumley (“Chum-ley”) is the president of Magnetic Arts.

On March 7 and 8, 1992, Bass and Ian attended an Imago counseling workshop, “Getting the Love You Want,” in New York City. At the workshop, Bass and her husband were chosen to participate in a demonstration exercise. During the workshop, an announcement was made that a video series about Imago relationship therapy was being made and that volunteer couples were being sought to participate. The participants would receive “free therapy” and an honorarium of $500.00 in return for their participation. Bass and Ian indicated that they wished to participate in the project and signed a letter to that effect. According to Bass, she agreed to participate in the video series on the assurances of Chumley that their privacy would be respected and that “[ojnly what you chose to share will be seen.” In fact, the participation letter states: “Rest assured that your needs will be respected; your privacy protected. Only what you choose to share will be seen.” On March 9, 1992, Bass signed a release consenting to the use of her “name, picture, portrait, and voice” in the “Getting the Love You Want” video/television project. Bass claims that *529 she signed the release because Chumley told her that she and Ian would have the right, at their discretion, to edit what they did not want included in the series. IRT, on the other hand, maintains that under the terms of the release, Bass never had the right to edit the final version. On March 26, 1992, Chumley, with a film crew, went to the Basses’ home in Fairfield, Connecticut. Bass and her husband attended two more filming sessions at the Union Theological Seminary in New York on April 21 and 22, 1992. The final filming session took place at the Basses’ home in Connecticut on May 9, 1992. According to Bass, no one connected with the videos series ever contacted her concerning her right to edit the film.

Bass first learned that the video series had been completed when acquaintances told her that they had seen a segment, which included her and Ian, that had aired on the “Oprah Winfrey Show” on January 18, 1993. On January 21,1993, Ian called Chumley, stating that they had a problem with being included in the series. Hendrix and Chumley met with Ian on January 29, 1993, regarding the Basses’ concerns about their appearance in the series. On February 4, 1993, Bass and her husband wrote to Hendrix and Chumley, stating that there were portions of the tapes that they “chose NOT to share.” On March 15, 1994, Bass wrote Hendrix, stating that she was withdrawing her consent to the use of her “name, face, voice, etc.” in the video series and in any other materials. Although Bass is currently a Texas resident, at that time of the filming of the series, she was a Connecticut resident and did not relocate to Texas until after the completion of the video series and after it had been shown on the “Oprah Winfrey Show.”

On September 23, 1994, Bass filed this lawsuit in the 127th Judicial District Court of Harris County, Texas, claiming violations of the Texas Deceptive Trade Practices Act (“DTPA”), breach of the duty of good faith and fair dealing, negligence, gross negligence, breach of contract, attorney’s fees under Chapter 38 of the Texas Civil Practice & Remedies Code, and intentional infliction of emotional distress. The defendants removed this action to federal court on October 27, 1994, on the basis of diversity of citizenship. On April 30, 1996, Hendrix, IRT, Chumley, Imago, and Magnetic Arts filed the instant motion for summary judgment. Hendrix, Chumley, Imago, and Magnetic Arts also filed a motion to dismiss for lack of personal jurisdiction, which the court granted on July 5, 1996. IRT, which does not contest this court’s personal jurisdiction over it because it maintains an employee in Texas, is the only defendant remaining.

II. Analysis

A. The Standard for Summary Judgment

Rule 56(e) provides that “[summary] judgment shall be rendered forthwith if the pleadings, depositions, answers to interrogatories, and admissions on file, together with the affidavits, if any, show that there is no genuine issue of material fact and that the moving party is entitled to judgment as a matter of law.” Fed.R.Civ.P. 56(c). The party seeking summary judgment bears the initial burden of informing the court of the basis for its motion and identifying those portions of the pleadings, depositions, answers to interrogatories, admissions on file, and affidavits, if any, which it believes demonstrate the absence of a genuine issue of material fact. Celotex Corp. v. Catrett, 477 U.S. 317, 323, 106 S.Ct. 2548, 2549, 91 L.Ed.2d 265 (1986); Anderson v. Liberty Lobby, Inc., 477 U.S. 242, 248, 106 S.Ct. 2505, 2510, 91 L.Ed.2d 202 (1986); Williams v. Adams, 836 F.2d 958, 960 (5th Cir.1988). Once a proper motion has been made, the non-moving party may not rest upon mere allegations or denials in the pleadings, but must set forth specific facts showing the existence of a genuine issue for trial. Celotex Corp., 477 U.S. at 322-23, 106 S.Ct. at 2552-53; Anderson, 477 U.S. at 257, 106 S.Ct. at 2514-15; Topalian v. Ehrman, 954 F.2d 1125, 1131 (5th Cir.), cert. denied, 506 U.S. 825, 113 S.Ct. 82, 121 L.Ed.2d 46 (1992). The controverted evidence must be viewed in the light most favorable to the non-movant and all reasonable doubts must be resolved against the moving party. Palmer v. BRG of Georgia, Inc., 498 U.S. 46, 49 n. 5, 111 S.Ct. 401, 402, 112 L.Ed.2d 349 (1990); Anderson,

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Bluebook (online)
931 F. Supp. 523, 1996 U.S. Dist. LEXIS 9992, 1996 WL 401891, Counsel Stack Legal Research, https://law.counselstack.com/opinion/bass-v-hendrix-txsd-1996.