Barovic v. Constanti

48 P.2d 257, 183 Wash. 60, 1935 Wash. LEXIS 720
CourtWashington Supreme Court
DecidedAugust 13, 1935
DocketNo. 25422. Department Two.
StatusPublished
Cited by5 cases

This text of 48 P.2d 257 (Barovic v. Constanti) is published on Counsel Stack Legal Research, covering Washington Supreme Court primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Barovic v. Constanti, 48 P.2d 257, 183 Wash. 60, 1935 Wash. LEXIS 720 (Wash. 1935).

Opinion

Blake, J.

For a number of years prior to Ms death in the summer of 1932, Dominic Constanti owned and operated a number of moving picture theaters in Tacoma, Puyallup and Sumner. The plaintiff, his son-in-law, was manager of the theaters in Puyallup and Sumner.

In the late fall of 1929, Barovic was approached by one McNérney with a proposition to build a theater at Aberdeen. McNerney at that time was sales manager for United Artists Corporation at Seattle. He had known both Constanti and Barovic for a number of years. His idea, as first presented to Barovic, was to establish theaters, not only at Aberdeen, but at Yakima, Wenatchee and Port Angeles. Aberdeen, however, according to McNerney, afforded the best immediate opening, due to the fact that the Fox people were without competition in that field. His idea was to procure franchises from Warner Bros, for the exclusive exhibition of pictures produced by them.

Neither McNerney nor Barovic had any considerable financial resources. So, at the suggestion of McNerney, the proposition was presented to Constanti. At first, it was the intention of the parties to go into the enterprise on a one-third basis — each to put in six thousand dollars. Shortly after this, McNerney was transferred to San Francisco and dropped out of the enterprise.

In the meantime, Barovic entered into contracts with Vitagraph, Inc., and First National Pictures, Inc. (subsidiaries of Warner Bros.) for franchises at *62 Aberdeen. These contracts were entered into on November 8 and December 12, 1929, respectively.

A site for the theater was procured, and title was taken in the name of Constanti. Construction of the theater was commenced in the early part of January, 1930. The theater was completed at a total cost of upwards of $150,000. It was operated for six or seven weeks by Constanti and Barovic, and then sold to Warner Bros. Downtown Theatre Corporation for $215,000. The sale was consummated by the deposit of the purchase price with a Tacoma bank, as trustee. The bank, after paying outstanding obligations, turned the balance over to Constanti. The latter never accounted to Barovic for the purchase price nor for the profits of operation of the theater before sale.

Constanti died in August, 1932. Barovic presented to the administratrix of Constanti’s estate a claim for $17,333.33, estimated to be one-third of the profits made in the operation and sale of the theater. The claim having been rejected, Barovic brought this action against the administratrix for an accounting and for the amount of the claim. The theory of the complaint was that Constanti and Barovic were engaged in a partnership or joint venture in the erection and operation of the theater. By answer, the defendant joined issue and set up three counterclaims, which, for the present, need not be noticed.

The court, after an extensive hearing, found that the building and operation of the theater at Aberdeen was a- partnership venture, in which Constanti had two-thirds interest and Barovic one-third. An interlocutory order was entered referring the matter to a referee for an accounting. The referee found the profits from the sale and operation of the theater to be $70,520.10. He found that defendant was entitled to offsets aggregating $2,091.84. Deducting this amount *63 from $23,506.70 (one-third of the profits), plaintiff had coming $21,414.86, for which amount the court entered judgment in his favor. Defendant appeals.

Appellant makes fourteen assignments of error, which are discussed under four headings: (1) That the evidence does not sustain the finding of partnership or joint enterprise; (2) that respondent’s recovery must be limited to the amount of his claim, i. e., $17,333.33; (3) that the scope of the accounting before the referee was erroneously limited; (4) that the court erred in allowing the referee a fee of five hundred dollars.

In a controversy such as this, little help can be gotten from decided cases. Of necessity, each case must be determined on its own facts. And, for the most part, the facts are to be gleaned rather from the acts and conduct of the parties than from the spoken word. The difficulty in attempting to solve the problem from what the parties said is made manifest by this record. A number of witnesses testified that Constanti on various occasions told them that Barovic had an interest in the enterprise; that it was Barovic’s deal; that he was backing Barovic, etc. On the other hand, other witnesses, apparently of equal credibility, testified that Barovic had made statements to the effect that he was simply working for Gonstanti, and that he had no interest in the enterprise. So, we shall not undertake to weigh the testimony of one witness against that of another, but shall confine ourselves to a consideration of facts which are not controverted, or which, in our opinion, are established by clear and convincing evidence. We shall first consider the facts which tend to support respondent’s contention, and then state those which tend to support appellant’s.

To begin with, the enterprise was conceived by McNerney. He proposed to Barovic a partnership or *64 joint venture and suggested that franchises from Vita-graph and First National be obtained. These franchises were obtained by Barovic before a site for the theater had been procured. Whether they were obtained before Constanti was approached, is not clear. In any event, when Constanti was approached, the proposition was presented to him as a joint venture or partnership enterprise — each of the partners to have a one-third interest. Negotiations, in which Barovic had an active part, were entered into for lease of a theater site. These negotiations were broken off when the owner made some condition or demand with which Constanti declined to comply. A lot was then purchased. Plans for the theater were immediately prepared, and construction commenced in the first part of January. It was necessary, under the Vitagraph and First National franchises, that the theater should be ready for occupancy on April first. To accomplish this, the work was carried on twenty-four hours a day.

December 26,1929, Constanti left for California and was gone for three or four weeks. During the period of construction, Barovic was on the job much of the time. He conducted all the preliminary negotiations for furnishings and lighting and electrical equipment. He not only negotiated but executed in his own name the following contracts: One with Electrical Research Products, Inc., for sound equipment; one with General Illuminating Company for the installation and lease of a Neon sign; one with Aberdeen Electric Shop for the installation of heating equipment. While he did not execute, as vendee, the conditional bill of sale for furnishings, he did sign in his own name the preliminary order for opera chairs. All proposals for furnishings were made to him, and orders therefor were made by him.

Prior to the completion of the theater, the Fox peo- *65 pie initiated negotiations looking toward buying it. They made an offer which would have netted a profit on the enterprise of twenty-five thousand dollars. Of this offer and its rejection, the Fox representative testified :

“Mr.

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Bluebook (online)
48 P.2d 257, 183 Wash. 60, 1935 Wash. LEXIS 720, Counsel Stack Legal Research, https://law.counselstack.com/opinion/barovic-v-constanti-wash-1935.