Baron Alan Wolman Archives Trust v. Complex Media, Inc.

CourtDistrict Court, S.D. New York
DecidedFebruary 22, 2022
Docket1:20-cv-00152
StatusUnknown

This text of Baron Alan Wolman Archives Trust v. Complex Media, Inc. (Baron Alan Wolman Archives Trust v. Complex Media, Inc.) is published on Counsel Stack Legal Research, covering District Court, S.D. New York primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Baron Alan Wolman Archives Trust v. Complex Media, Inc., (S.D.N.Y. 2022).

Opinion

UNITED STATES DISTRICT COURT SOUTHERN DISTRICT OF NEW YORK THE BARON A. WOLMAN ARCHIVES TRUST, through its trustee Kristi A. Wareham, Plaintiff, OPINION & ORDER 20 Civ. 152 (ER) –against – COMPLEX MEDIA, INC., Defendant. Ramos, D.J.: On January 7, 2020, Baron Wolman brought this action alleging copyright infringement against Complex Media, Inc. (“Complex Media”).1 Doc. 1. Now pending before the Court are Complex Media’s motion for summary judgment, Doc. 27, and the Baron A. Wolman Archives Trust (“BAWAT”)’s cross-motion for summary judgment, Doc 32. For the reasons set forth below, both motions are DENIED. I. FACTUAL AND PROCEDURAL BACKGROUND A. Factual Background2 Wolman was a professional photographer who created a number of photographs as the first chief photographer for Rolling Stone magazine in the late 1960s. Doc. 33 ¶ 1.3 1 Wolman passed away on November 2, 2020. See Docs. 10, 16. On February 18, 2021, the Court granted Plaintiff’s motion under Fed. R. Civ. P. 25(a)(1) to substitute the Baron A. Wolman Archives Trust, through its trustee Kristi A. Wareham, Esq., as Plaintiff in this action. Doc. 26. 2 �e following facts are drawn from the parties’ Rule 56.1 statements, Docs. 29, 33, 34, and 39, supporting exhibits, and pleadings and are undisputed unless noted otherwise. 3 While Complex Media disputes this statement in BAWAT’s 56.1 statement, based on the Declaration of Kristi Wareham, Esq., (“Wareham Declaration”), as inadmissible hearsay, the Court notes that Wolman’s career as a photographer is a matter of public record and beyond dispute. See https://www.ny- times.com/2020/11/04/arts/baron-wolman-dead.html (last accessed February 18, 2022); https://www.rol- lingstone.com/music/music-news/baron-wolman-photographer-dead-1070786/ (last accessed February 18, 2022). Rule 201(b) of the Federal Rules of Evidence permits a court to take judicial notice of a fact that is not subject to reasonable dispute, and that Wolman was a prominent photographer is such a fact. Fed. R. Evid. 201(b). Furthermore, the Court may take judicial notice of the New York Times and Rolling Stones At issue in this case is one of Wolman’s photographs depicting the musician Jimi Hen- drix (“the Hendrix Photograph”).4 Doc. 33 ¶ 2. Wolman maintained ownership of the copyright of the Hendrix Photograph and registered it, along with hundreds of other pho- tographs, with the United States Copyright Office in 2017 under Registration Number VA 2-114-914.5 Doc. 33 ¶ 3; Doc. 35-2. On January 17, 2019, Wolman executed a notarized assignment of intangible rights, archives, and artistic property to BAWAT, which included his title and interest in all material works he created and any and all intangible rights in his work, and all exist- ing copyrights to his photographs. See Doc. 35-3. On September 20, 2012, Complex Media published an article titled, “A Detailed History of Celebrity Sex Tapes,” which included an image of the Hendrix Photograph, on its website at www.complex.com. Docs. 29 ¶¶ 6–8, 33 ¶ 6. Wolman alleges that he did not discover the use of the Hendrix Photograph in the Complex Media article until No- vember 2019, that he could not have discovered the use of the Hendrix Photograph any earlier with the exercise of due diligence, and that there were no “storm warnings” plac- ing him on notice of a duty to search for the photograph. Doc. 33 ¶¶ 7–9;6 see also Doc. 1 ¶¶ 13–15.

articles, not for the truth of their contents, but for the fact that Wolman’s career was a matter of public rec- ord. See Condit v. Dunne, 317 F. Supp. 2d 344, 357–58 (S.D.N.Y. 2004); Hesse v. Godiva Chocolatier, Inc., 463 F. Supp. 3d 453, 462 (S.D.N.Y. 2020).

4 Complex Media disputes that Wolman created the Hendrix Photograph, which assertion is based on the Wareham Declaration and exhibits thereto, as immaterial and as inadmissible hearsay, and argues that the contact sheets of Wolman’s photographs submitted with the Wareham Declaration do not establish that Wolman created the photograph. Doc. 39 ¶ 2. To be able to resolve the parties’ cross-motions, the Court assumes for purposes of the instant motion that Wolman did create the Hendrix Photograph. 5 Complex Media also disputes that Wolman registered the Hendrix Photograph, which assertion is based on the Wareham Declaration, as inadmissible hearsay, and points out that that the registration certificate lists 649 digital images with a name followed by .jpg, and therefore BAWAT has not established that the Hendrix Photograph was included with the application for copyright registration. Doc. 39 ¶ 3. �e Court assumes for purposes of the instant motion that the Hendrix Photograph was registered under Registration Number VA 2-114-914. 6 Complex Media objects to all of these statements as, among other reasons, immaterial and repetitive of the complaint’s allegations. Doc. 39 ¶¶ 7–9. BAWAT’s submission includes, as an attachment to both the Wareham Declara- tion and the Declaration of Richard Liebowitz (“Liebowitz Declaration”), a document purporting to be an email from the email address bwolman@fotobaron.com to Wolman’s then-counsel Richard Liebowitz, dated November 24, 2019 (“November 2019 email”). Docs. 35-4, 36-1. The subject line reads, “Here’s another one for ya . . . maybe.” The body of the email is as follows: Hi Richard – Jimi Hendrix, unauthorized use! https://www.complex.com/pop-culture/2012/09/a-detailed-history-of-ce- lebrity-sex-tapes/jimi-hendrix Baron B. Procedural History Baron Wolman brought this action on January 7, 2020. Doc. 1. Complex Media answered on February 4, 2020. Doc. 6. Wolman died on November 2, 2020, before the parties had exchanged discovery or taken depositions. Doc. 29 ¶¶ 3–5. On December 18, 2020, upon Plaintiff’s motion, the Court stayed the case for 60 days to allow BAWAT to settle its affairs and to determine how to proceed after Wolman’s death. Doc. 11. On February 8, 2021, the Court granted the law firm Doniger/Burroughs’ application to be substituted as counsel for Liebowitz and his firm the Liebowitz Law Firm, PLLC, follow- ing Liebowitz’s suspension from practicing law in this District. Doc. 14. On February 18, 2021, the Court held an initial pre-trial conference and gave the parties leave to move for summary judgment. The Court also granted Plaintiff’s motion to substitute BAWAT, through its trustee Kristi A. Wareham, for Wolman, over Complex Media’s opposition that Wolman’s death extinguished his copyright claims. Docs. 25, 26. On March 11, 2021, Complex Media filed the instant motion for summary judgment, Doc. 27, and on April 1, 2021, BAWAT cross-moved for summary judgment, Doc. 32. II. LEGAL STANDARD Summary judgment is appropriate where “the movant shows that there is no genu- ine dispute as to any material fact.” Fed. R. Civ. P. 56(a). “An issue of fact is ‘genuine’ if the evidence is such that a reasonable jury could return a verdict for the non-moving party.” Senno v. Elmsford Union Free Sch. Dist., 812 F. Supp. 2d 454, 467 (S.D.N.Y. 2011) (citing SCR Joint Venture L.P. v. Warshawsky, 559 F.3d 133, 137 (2d Cir. 2009)). A fact is “material” if it might affect the outcome of the litigation under the governing law. Id. The party moving for summary judgment is first responsible for demonstrating the absence of any genuine issue of material fact.

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