BARBARA NAMON, etc. v. KAREN NAMON ELDER

CourtDistrict Court of Appeal of Florida
DecidedNovember 24, 2021
Docket21-0536
StatusPublished

This text of BARBARA NAMON, etc. v. KAREN NAMON ELDER (BARBARA NAMON, etc. v. KAREN NAMON ELDER) is published on Counsel Stack Legal Research, covering District Court of Appeal of Florida primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
BARBARA NAMON, etc. v. KAREN NAMON ELDER, (Fla. Ct. App. 2021).

Opinion

Third District Court of Appeal State of Florida

Opinion filed November 24, 2021. Not final until disposition of timely filed motion for rehearing.

________________

No. 3D21-0536 Lower Tribunal No. 18-4172 ________________

Barbara Namon, etc., Appellant,

vs.

Karen Namon Elder, et al., Appellees.

An appeal from a non-final order from the Circuit Court for Miami-Dade County, Rosa C. Figarola, Judge.

Michael Van Cleve, Law, and Michael Van Cleve; Muir Law, LLC, and William Douglas Muir, for appellant.

Paul M. Cowan & Associates, P.A., and Paul M. Cowan, and Manuel A. Celaya, for appellee Karen Namon Elder; Richard Namon, Jr., in proper person.

Before FERNANDEZ, C.J., and LINDSEY, and MILLER, JJ.

MILLER, J. In this appeal, Barbara Namon, the widow of Richard Namon (the

“decedent”), challenges the denial of a motion for a temporary injunction she

filed in her capacity as personal representative of her late husband’s estate. 1

By means of the injunction, Barbara sought to recover a Winslow Homer

painting, entitled “Portrait of Lucy Valentine,” from the possession of

Sotheby’s. The decedent’s children, Karen Namon Elder and Richard

Namon, Jr., claim ownership of the painting, alleging they received it from

the decedent by way of an inter vivos gift. Contending the painting is an

estate asset, Barbara asserts the children’s claim of ownership is barred by

the two-year statute of nonclaim codified in the Florida Probate Code.

Because the record before us does not extinguish the viability of the

children’s claim of ownership, we affirm the exercise of discretion by the trial

court.

BACKGROUND

During his lifetime, the decedent acquired the “Portrait of Lucy

Valentine,” a painting attributed to Winslow Homer, one of the foremost 19th-

century American painters. The painting is of considerable value, and, at the

1 Appellant further appeals the denial of her petition for recovery of an estate asset. The issues raised in the petition necessitate further judicial labor, rendering the challenged order nonfinal and nonappealable. See Fla. R. App. P. 9.170.

2 time of the decedent’s passing, was, as it had been for decades, on loan at

the Portland Museum of Art in Portland, Maine.

Following the death of the decedent, Barbara filed a petition for

administration. Under the terms of the decedent’s last known will, which was

executed shortly before his death, Barbara was to receive the entire estate,

save a nominal sum which was to be divided in equal shares among the

decedent’s three biological children and stepdaughter. Karen contested the

will, contending it was the product of undue influence and the decedent

lacked testamentary capacity. 2

While litigation was pending, one of the Namon siblings was

approached by the Portland Museum of Art. Correspondence ensued, and

the museum requested that all three siblings3 authorize any removal of the

painting from the museum. All acquiesced and further directed the painting

be transported first to Sotheby’s, an art broker, for evaluation, and then to

Day & Meyer, Murray & Young Corp., a secure warehouse facility, for

storage.

2 Karen further alleged that her father died under suspicious circumstances, and Barbara ordered his body to be immediately cremated to impede any potential criminal investigation. 3 The third sibling, Jay Namon, died on January 1, 2015. Prior to his death, he participated in the proceedings.

3 Upon learning of this series of events, Barbara alleged the painting

was an estate asset and obtained a temporary injunction from the probate

court directing Karen “to maintain the status quo of the painting [at Day &

Meyer] in New York.” Karen agreed to pay the associated costs of insurance

and storage, and the trial court ordered the parties to litigate their respective

claims to the painting through a separate adversarial action.

Karen’s objections to the contested will were eventually overruled, but

the ownership issues surrounding the “Portrait of Lucy Valentine” remained

unresolved. A succession of probate judges all determined a trial would be

necessary to adjudicate the fate of the painting.

While awaiting trial, Karen discovered the painting was no longer in

storage at Day & Meyer and was listed for auction in a Sotheby’s catalogue.

She therefore filed an emergency motion seeking an injunction to prevent

the sale and any further movement of the painting. 4 The trial court granted

the injunction.

Barbara then filed the emergency motion for injunction at issue in these

proceedings. In the motion, she alleged the painting was an estate asset

4 Robert Pardo was identified as the consignor. His relationship with the painting is unclear, and he has been voluntarily dismissed from these proceedings by Barbara. The removal of the painting from storage is the subject of a separate lawsuit in New York.

4 and sought to relocate it to South Florida. The court denied relief and

ordered the painting remain in the custody of Sotheby’s. The instant appeal

followed.

STANDARD OF REVIEW

We review the denial of a temporary injunction for an abuse of

discretion. Banyan Lakes Home Owners Ass’n, Inc. v. Sch. Dist. of Palm

Beach Cnty., Fla., 823 So. 2d 247, 248 (Fla. 4th DCA 2002). Because such

an injunction is properly entered only under extraordinary circumstances,

“[t]he party appealing the denial . . . carries a heavy burden to demonstrate

that the court’s ruling was clearly improper.” DiChristopher v. Bd. of Cnty.

Comm’rs, 908 So. 2d 492, 495 (Fla. 5th DCA 2005), decision clarified on

denial of reh’g (Aug. 12, 2005).

ANALYSIS

It is well-settled that a party seeking a temporary injunction must

demonstrate that: “(1) irreparable injury will result if the injunction is not

granted, (2) there is no adequate remedy at law, (3) the party has a clear

legal right to the requested relief, and (4) the public interest will be served by

the temporary injunction.” ASA Coll., Inc. v. Dezer Intracoastal Mall, LLC,

250 So. 3d 731, 733 (Fla. 3d DCA 2018) (footnote omitted) (quoting Bay N

Gulf, Inc. v. Anchor Seafood, Inc., 971 So. 2d 842, 843 (Fla. 3d DCA 2007)).

5 While the law is clear that a substantial likelihood of success on the merits

is but one consideration in determining the propriety of an injunction, here,

Barbara contends the trial court was required to grant injunctive relief

because the painting constitutes an estate asset, and any claim to the

contrary is time-barred by section 733.710, Florida Statutes (2021). This

argument implicates certain jurisdictional concerns.

Under Florida law, the timing of probate claims is governed by two

separate statutory provisions. The first, codified in section 733.702, Florida

Statutes, bars any claim or demand against an estate that arose before the

death of the decedent which is not

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