Baltimore Arts Festival, Inc. v. Mayor of Baltimore

607 A.2d 1, 326 Md. 653, 1992 Md. LEXIS 97
CourtCourt of Appeals of Maryland
DecidedJune 8, 1992
Docket142, September Term, 1991
StatusPublished
Cited by1 cases

This text of 607 A.2d 1 (Baltimore Arts Festival, Inc. v. Mayor of Baltimore) is published on Counsel Stack Legal Research, covering Court of Appeals of Maryland primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Baltimore Arts Festival, Inc. v. Mayor of Baltimore, 607 A.2d 1, 326 Md. 653, 1992 Md. LEXIS 97 (Md. 1992).

Opinion

McAULIFFE, Judge.

This appeal involves a dispute between the Mayor and City Council of Baltimore (the City) and two non-profit corporations, Baltimore Arts Festival, Inc. (BAF) and Maryland Community Foundation, Inc. (MCF). At the heart of the dispute is the right to ownership and control of approximately $600,000 in funds now held by MCF subject to restrictions imposed by BAF.

BAF was organized for charitable purposes, including the promotion and sponsorship of art fairs in the Baltimore metropolitan area. In 1981 the City, acting with the May- or’s Advisory Committee on Art and Culture (MACAC), entered into a written contract with BAF. The contract provided that BAF was to stage visual and performing arts programs in June of 1982 at the Mount Royal Center, a *655 project to be known as “Artscape ’82.” The City agreed to pay up to $225,500 1 for its services, the first 25 percent to be paid upon approval of the contract by the Board of Estimates, and the balance to be paid in quarterly installments, but only to the extent necessary to reimburse BAF for documented expenditures in connection with the Art-scape project.

All went well in 1982, and similar contracts were executed for Artscape projects in 1983 and 1984, calling for payment by the City of $225,500 and $162,100 respectively. BAF, in cooperation with MACAC, continued to present Artscape for the City for several years thereafter. Although no written contracts were executed for those years, the parties apparently operated under the same arrangement, and the City paid BAF additional sums for its services.

According to affidavits submitted by BAF, the costs to BAF for the presentation of Artscape during the years 1981 through 1987 exceeded the payments made by the City by approximately $361,000. BAF made up the deficit and accumulated a surplus of approximately $600,000, from funds derived from several sources, including: contributions from private donors; sales of various items during Artscape; rental fees paid by food and craft vendors who participated in Artscape; money raised from two Artscape balls; gifts from the proceeds of the Mayor’s ball; and interest on various accounts and certificates of deposit.

In 1986, BAF transferred essentially all of its funds to MCF, in the form of a “restricted gift.” The restrictions imposed by BAF were that the funds would be used

to support ARTSCAPE insofar as practicable or to sponsor performances and presentations of the visual and performing arts in Baltimore City, in either case subject to consultation of an advisory committee to be composed of Jody Albright, David Baker, Robert Goldman, Marie *656 Henderson, William Kelley, Malcolm Potter and Charles Shelton.

In a letter agreement between BAF and MCF, BAF’s intent in making the gift was expressed in these words:

The management of BAF is now changing and donors have made contributions to BAF with the expectation that those contributions would be applied for the corporate purposes of BAF ... under the personal supervision of present management of BAF. BAF desires to fulfill those expectations by establishing an endowment fund with MCF to be administered by an advisory committee (‘Advisory Committee’) consisting of the present management of BAF. The funds would be applied to support the present corporate purposes of BAF, particularly the Art-scape function, so long as that is practical. The intent is to utilize the funds in the same manner as if BAF had continued without any change in its management.

Upon learning of these events, the City objected and demanded that the funds transferred from BAF to MCF be turned over to the City. That demand was refused, and the City filed an action in the Circuit Court for Baltimore City. By its second amended complaint the City, purporting to sue on its own behalf and “to the use of all the Artscape donors,” sought to impose a constructive trust upon the funds transferred by BAF and sought an audit of the books of the defendant corporations. The City, although conceding that relations between it and BAF were the subject of written contracts, nevertheless alleged that it had “always assumed and was led to believe by BAF that the funds controlled by BAF would be used only by it to support Artscape according to the City’s wishes____” Concurrent with the filing of the second amended complaint, the City filed a motion for summary judgment. The defendants responded with a motion to dismiss the complaint, or in the alternative for summary judgment.

The cross motions were heard by Judge Mabel Houze Hubbard, who considered affidavits and exhibits filed by the parties, heard argument, and ruled in favor of the City. *657 Judge Hubbard directed that all of the “Artscape funds” under the control of the defendant corporations be turned over to the City, to be used “exclusively for this year’s Artscape Festival and for future Artscape events” under the continuing supervision of the court. The defendants appealed to the Court of Special Appeals, and we granted certiorari before the case was considered by that court. We now vacate the order granting summary judgment and remand the case for further proceedings.

Initially, we note that the trial judge based her decision in part on the finding that “[s]ince BAF’s solicitations, sales, and etc. were for the benefit of the public, all of the funds received from any source for Artscape were public funds subject to the CITY’s control.” That broad conclusion of law is incorrect. The fact that a charitable corporation raises money to benefit members of the public within a city does not mean that the funds of that corporation become city funds, or that they are subject to control by the city. When a city contracts with a charitable corporation to provide services to the public that the city has a duty or right to provide, we have held that the city has an obligation to maintain control over the subject matter of its contract with the corporation, and to require complete accountability for funds appropriated by it. St. Mary’s Indus. School v. Brown, 45 Md. 310, 336 (1876). That does not mean, however, that the corporation with which a city contracts, or to which it contributes funds, ipso facto becomes an agency of the city for all purposes, or that the city may control other aspects of the corporation’s activities. Annapolis v. W. Anna. Fire & Imp. Co., 264 Md. 729, 734-37, 288 A.2d 151 (1972).

Our review of the record in this case persuades us that disposition of the action by summary judgment was inappropriate. As Judge J. Dudley Digges wrote for this Court in Fenwick Motor Co. v. Fenwick, 258 Md. 134, 138, 265 A.2d 256 (1970):

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Bluebook (online)
607 A.2d 1, 326 Md. 653, 1992 Md. LEXIS 97, Counsel Stack Legal Research, https://law.counselstack.com/opinion/baltimore-arts-festival-inc-v-mayor-of-baltimore-md-1992.