Bal-Fel, Inc. v. Boyd

503 S.W.2d 673, 1973 Tex. App. LEXIS 2938
CourtCourt of Appeals of Texas
DecidedDecember 12, 1973
Docket12061
StatusPublished
Cited by1 cases

This text of 503 S.W.2d 673 (Bal-Fel, Inc. v. Boyd) is published on Counsel Stack Legal Research, covering Court of Appeals of Texas primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Bal-Fel, Inc. v. Boyd, 503 S.W.2d 673, 1973 Tex. App. LEXIS 2938 (Tex. Ct. App. 1973).

Opinion

O’QUINN, Justice.

This appeal is from order of the trial court overruling appellant’s plea of privilege to compel trial in Dallas County of a cause appellee brought in Travis County.

Mrs. John P. Boyd, a widow residing in Travis County, brought an action in July of 1971 alleging damages of $32,000 growing out of alleged fraudulent conduct of the several defendants, some of whom were residents of Travis County.

Plaintiff named as individual defendants Richard Felix, John Felix, Jr., and Paul D. Pierce, all residents of Travis County. Plaintiff also sued R & J, Incorporated, doing business as Fred Astaire Dance Studios, a Texas corporation with offices at 1500 West 34th Street in Austin, Travis County.

Plaintiff sued appellant, Bal-Fel, Incorporated, a Texas corporation, as the licen-sor of R & J, Incorporated, alleging that Nickolas Felix, at 6131 Luther Lane in Dallas, is the agent for service of Bal-Fel.

Plaintiff sued National Dance Association, Incorporated, as the national regulatory entity governing local Fred Astaire Dance Studios, alleging that it is a Florida corporation with home offices in Suite 208, 11205 South Dixie Highway, Miami, Florida, and sought service of process through the Secretary of State of Texas.

Bal-Fel, Inc., filed its plea of privilege to be sued in Dallas County, the county of its domicile. The appellee, plaintiff below, filed her controverting affidavit contending that venue in Travis County should be maintained under Section 4 of Article 1995 which provides in pertinent part:

“4. Defendants in different counties.— If two or more defendants reside in differ *675 ent counties, suit may be brought in any county where one of the defendants resides. * * * ” (sec. 4, Art. 1995, Vernon’s Ann.Texas St.)

The trial court overruled the plea of privilege, and Bal-Fel, Inc., appeals from that judgment. We will affirm judgment of the trial court.

The venue facts to be established under Section 4 are: (a) one defendant resides in the county of suit; (b) the party asserting his privilege is at least a proper party to the suit against the resident defendant; and (c) the plaintiff has a 'bona fide claim against the resident defendant. Hoover v. Barker, 476 S.W.2d 126, 128 (Tex.Civ.App., Austin 1972, writ dsmd.); Stockyards National Bank v. Maples, 127 Tex. 633, 95 S.W.2d 1300 (1936); 1 McDonald, Texas Civil Practice, Venue Sec. 4.10.2, p. 434 (1965 Rev.Ed.).

It appears conceded on appeal that plaintiff below met the burden of proof that at least one defendant resided in Travis County and that appellant was a proper party to the suit against the resident defendant.

The sole issue remaining is whether ap-pellee pleaded and proved by a preponderance of the evidence each element of a bona fide claim against the resident defendant, which was same claim asserted against the defendant in the controverting affidavit. 1 McDonald, Texas Civil Practice, Sec. 4.10.2, p. 441 (1965 Rev.Ed.); Gray v. Gulf Oil Corporation, 416 S.W.2d 875, 877 (Tex.Civ.App., Fort Worth 1967, no writ).

Testimony adduced at the hearing on the plea of privilege, bearing upon the elements of appellee’s cause, we set out here in brief.

Appellee was a widow, aged 56, when in March of 1970 as the guest of a friend she visited the Fred Astaire Dance Studios in Austin, where she was asked to enroll for an introductory course of five dance lessons at a charge of five dollars for the course. After completing three lessons ap-pellee was asked to enroll in a larger program. During these early lessons appellee was “made over . . . [and] flattered” by the male personnel of the studio who told her that she “had the potential to be a great dancer.” It was learned also in this period that appellee was a widow whose husband had been dead less than three years.

Appellee testified that she was lonely and “had not been out, at all, since . . . ” her husband’s death and “was wanting to meet friends and to be in a social climate.” Appellee admitted that she “was real anxious for the flattery and involvement that . . . [she] would get there at the studio.” In this brief period, appellee said, “ . . . they flattered me and played upon my emotions as a lonely widow to take more dance lessons.”

Responding to the coaxing and blandishments of the men at the studio, appellee on March 19, 1970, signed an agreement to take 45 dance lessons, for which she paid the Fred Astaire Studio $364.50 in advance. Fifteen of the lessons were to be private, fifteen were “class” lessons, and the remaining fifteen were to be “practice” lessons. This contract was but the first of a series of contracts, made in rapid succession over a period of months, with the numbers of the lessons increasing to a total approaching 2,500 and their costs ascending to an aggregate in excess of $27,000 before the end of the year.

After completing about ten of the first set of forty-five dance lessons, appellee was induced by the operators of the studio to contract, early in April, for 191 additional lessons at a cost of $1,750. This program was divided into 91 private lessons, 50 class lessons, and 50 practice lessons, which the studio called the “Amalgamated Program of Dancing.” Appellee paid for this series in advance from her bank account which contained the life in *676 surance money left appellee by her deceased husband.

Within less than two weeks after entering the “Amalgamated Program of Dancing,” appellee was persuaded to enter another program at the studio, a program of 508 lessons costing $4,450. Appellee testified that after buying the “Amalgamated Program” she acquired a status at the studio in which, she said, “ . . . they were very nice to me, flattering, and they would embrace me when I would come in. They were always glad to see me, and I felt like I was in a happy, lovable atmosphere, and they knew that I was lonely, and they would make me feel welcome.”

The contract appellee made for the new program, dated April 23, was marked “Confidential” by the studio and designated the “Supreme Gold Dance Standard.” Ap-pellee testified that the term “Confidential” as applied to the contract “ . . . meant that it was loaned to me by the studio, and I wasn’t supposed to tell anyone that, but then I was asked right away to pay the money because they needed it, so I paid in one check.”

Appellee did not have funds remaining in her bank account sufficient to pay the $4,450 and was obliged to borrow the money. Appellee, a school teacher, borrowed the $4,450 from the credit union in which she had membership as a teacher. Appel-lee borrowed the money on April 29, and paid the studio, six days after entering the “Supreme Gold Dance Standard” contract.

In the month of June appellee yielded to further persuasion by the men at the studio and entered into two contracts, on June 12 and on June 15, for a total of 1,068 dance lessons at an aggregate cost of $9,612.

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Bluebook (online)
503 S.W.2d 673, 1973 Tex. App. LEXIS 2938, Counsel Stack Legal Research, https://law.counselstack.com/opinion/bal-fel-inc-v-boyd-texapp-1973.