Baker v. Coates

CourtCourt of Appeals for the Second Circuit
DecidedDecember 11, 2024
Docket23-7483
StatusUnpublished

This text of Baker v. Coates (Baker v. Coates) is published on Counsel Stack Legal Research, covering Court of Appeals for the Second Circuit primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Baker v. Coates, (2d Cir. 2024).

Opinion

23-7483-cv Baker v. Coates

UNITED STATES COURT OF APPEALS FOR THE SECOND CIRCUIT

SUMMARY ORDER

RULINGS BY SUMMARY ORDER DO NOT HAVE PRECEDENTIAL EFFECT. CITATION TO A SUMMARY ORDER FILED ON OR AFTER JANUARY 1, 2007, IS PERMITTED AND IS GOVERNED BY FEDERAL RULE OF APPELLATE PROCEDURE 32.1 AND THIS COURT’S LOCAL RULE 32.1.1. WHEN CITING A SUMMARY ORDER IN A DOCUMENT FILED WITH THIS COURT, A PARTY MUST CITE EITHER THE FEDERAL APPENDIX OR AN ELECTRONIC DATABASE (WITH THE NOTATION “SUMMARY ORDER”). A PARTY CITING A SUMMARY ORDER MUST SERVE A COPY OF IT ON ANY PARTY NOT REPRESENTED BY COUNSEL.

At a stated term of the United States Court of Appeals for the Second Circuit, held at the Thurgood Marshall United States Courthouse, 40 Foley Square, in the City of New York, on the 11th day of December, two thousand twenty-four.

Present: GERARD E. LYNCH, WILLIAM J. NARDINI, EUNICE C. LEE, Circuit Judges. _____________________________________

RALPH W. BAKER, JR.,

Plaintiff-Appellant,

v. 23-7483

TA-NEHISI P. COATES, BCP LITERARY, INC., THE ATLANTIC, LAURENE POWELL JOBS, DAVID G. BRADLEY, BERTELSMANN SE & CO. KGAA, SPIEGEL & GRAU, CHRIS JACKSON, NICOLE COUNTS, VICTORY MATSUI, KENYATTA MATTHEWS, THE APOLLO, MACEO-LYN, KAMILAH FORBES, SUSAN KELECHI WATSON, WARNER BROS. DISCOVERY, INC., Ms. OPRAH WINFREY, THE WALT DISNEY COMPANY, APPLE, INC., PLAN B, MGM STUDIOS, RYAN COOGLER, JOE ROBERT COLE, ROXANE GAY, YONA HARVEY, THE ATLANTIC MONTHLY GROUP LLC, VICTORIA MATSUI, ENTERTAINMENT, INC., METRO-GOLDWYN-MAYER STUDIOS INC., SPIEGEL & GRAU LLC,

Defendants-Appellees, _____________________________________

For Plaintiff-Appellant: RALPH W. BAKER, Jr., pro se, Brooklyn, New York.

For Coates Defendants-Appellees: JOHN M. BROWNING (Linda J. Steinman, Laura R. Handman, Celyra I. Myers, on the brief), Davis Wright Tremaine LLP, New York, NY.

For Defendant-Appellees Oprah Winfrey TAL DICKSTEIN (Barry Slotnick, David and Apple, Inc.: Forrest, on the brief), Loeb & Loeb LLP, New York, NY.

For Defendant-Appellees The Apollo and Howard Schiffman, Robert Griffin, on the Kamilah Forbes: brief, Schulte Roth & Zabel LLP, New York NY.

Appeal from a judgment of the United States District Court for the Southern District of

New York (J. Paul Oetken, District Judge; Sarah L. Cave, Magistrate Judge).

UPON DUE CONSIDERATION, IT IS HEREBY ORDERED, ADJUDGED, AND

DECREED that the judgment of the district court is AFFIRMED.

Appellant Ralph W. Baker, Jr., proceeding pro se, appeals from a judgment of the United

States District Court for the Southern District of New York (J. Paul Oetken, District Judge) entered

on September 27, 2023, granting Appellees’ motion to dismiss the Complaint. Baker sued author

Ta-Nehisi Coates, as well as a variety of associated companies and individuals, alleging that

Coates and the other defendants infringed on the copyright of Baker’s self-published memoir,

Shock Exchange: How Inner-City Kids From Brooklyn Predicted the Great Recession and the Pain

Ahead (“Shock Exchange”). Baker alleged that upon reading Coates’s novel The Water Dancer,

he realized that Coates had attempted to mimic his writing style and had copied portions of Shock

2 Exchange, which Baker had sent Coates in 2013. Approximately eighty pages of Baker’s

complaint are dedicated to side-by-side comparisons between Shock Exchange and Coates’s

various literary works including: The Water Dancer, Between the World and Me, We Were Eight

Years in Power, several magazine articles and comic books, as well as dialogue from the movie

Black Panther. For instance, Baker used the following two passages to demonstrate how, in his

view, Coates must have appropriated what Baker describes as Shock Exchange’s “rhythmic prose

and tedious talk” writing style:

The Water Dancer Shock Exchange

The effect of all this was a kind of We would see all kinds of people from the watchfulness among the tasking folks, in community, some from Mercy Seat, particular toward those you did not know. Hampden-Sydney, Darlington Heights, etc., This worked the other way too, so that if you looking like they were in dire straits. If he were new to Lockless or any of these other didn’t know the person, then Grandpa houses of bondage, you took things slow, you miraculously was out of liquor. We kids saw did not question or inquire on people’s affairs, this take place for years and never once for if you did you might then be thought to be mentioned it, not even amongst ourselves; we among those who were eye [sic] and ears, knew better. who tasked among the Task, and this was a dangerous place because then you thought yourself might be poisoned or plotted against.

Complaint, Ex. B, at 9, 17, Baker v. Coates, No. 22-cv-7986, 2023 WL 6289964 (S.D.N.Y. Sept.

27, 2023), ECF No. 2.

After conducting a lengthy review of Baker’s allegations, the magistrate judge

recommended dismissing the Complaint for failure to state a claim, reasoning in part that the works

were not substantially similar as a matter of law. The district court adopted the report and

recommendation and dismissed the Complaint. See Baker v. Coates, 22-CV-7986 (JPO) (SLC),

2023 WL 6007610 (S.D.N.Y. July 26, 2023), report and recommendation adopted, 2023 WL

3 6289964 (S.D.N.Y. Sept. 27, 2023). 1 On appeal, Baker challenges the dismissal of his Complaint,

and moves to hold Appellees’ counsel in contempt and to strike Appellee Apple, Inc.’s brief. We

assume the parties’ familiarity with the case.

We review de novo the grant of a motion to dismiss for failure to state a claim. See

Hernandez v. United States, 939 F.3d 191, 198 (2d Cir. 2019). To establish copyright

infringement, “two elements must be proven: (1) ownership of a valid copyright, and (2) copying

of constituent elements of the work that are original.” Feist Publ’ns, Inc. v. Rural Tel. Serv. Co.,

499 U.S. 340, 361 (1991). A plaintiff “must demonstrate that: (1) the defendant has actually copied

the plaintiff’s work; and (2) the copying is illegal because a substantial similarity exists between

the defendant’s work and the protectible elements of plaintiff’s.” Hamil Am. Inc. v. GFI, 193 F.3d

92, 99 (2d Cir. 1999).

An evaluation of substantial similarity is “guided by comparing the contested [work’s] total

concept and overall feel with that of the allegedly infringed work.” Peter F. Gaito Architecture,

LLC v. Simone Dev. Corp., 602 F.3d 57, 66 (2d Cir. 2010). The court may consider similarities in

“feel, theme, characters, plot, sequence, pace, and setting,” but must look beyond “superficial

similarities.” Williams v. Crichton, 84 F.3d 581, 588‒89 (2d Cir. 1996). Dismissal is appropriate

if the works in question are not substantially similar as a matter of law—that is, if no reasonable

jury could find the works substantially similar. See Peter F. Gaito Architecture, 602 F.3d at 63–

64. “[T]he works themselves supersede and control contrary descriptions of them, including any

contrary allegations, conclusions or descriptions of the works contained in the pleadings.” Id. at

64.

1 Unless otherwise indicated, when quoting cases, all internal quotation marks, alteration marks, emphases, footnotes, and citations are omitted.

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