Baker v. American Society of Composers, Authors and Publishers

District Court, S.D. New York·Decided December 28, 2021·No. 1:21-cv-11126·Unknown

Opinion

WO

Alexander C Baker, et al., No. CV-21-00022-TUC-RM

Plaintiffs, ORDER

v.

American Society of Composers, Authors and Publishers, et al., Defendants. On March 25, 2021, Plaintiffs Alexander C. Baker (“Baker”) and Adam Bravery LLC (“Adam Bravery”) filed a First Amended Complaint (“FAC”) (Doc. 10), suing Defendants American Society of Composers, Authors and Publishers (“ASCAP”), Broadcast Music, Inc. (“BMI”), Mike O’Neill (“O’Neill”), and Erika Stallings (“Stallings”), and asserting fifteen causes of action on behalf of themselves and purported classes of similarly situated songwriters (“Songwriters”) and royalty assignees (“Assignees”). Shortly thereafter, Plaintiffs also filed a Motion for Preliminary Injunction (Doc. 11) and a Motion for Class Certification (Doc. 12). Defendants ASCAP, BMI, and O’Neill moved to dismiss the FAC. (Docs. 22, 25.) In an Order dated July 30, 2021, the Court partially granted and partially took under advisement Defendants’ Motions to Dismiss, denied as moot Plaintiffs’ Motion for Preliminary Injunction, and took under advisement Plaintiffs’ Motion for Class Certification. (Doc. 40.) The Court dismissed with prejudice Counts Two, Three, Four, Seven, and Thirteen of the FAC for failure to state a claim on which relief can be granted. (Id. at 11-14, 20.)1 The Court dismissed without prejudice Counts Eight, Nine, Ten, Eleven, Twelve, Fourteen, and Fifteen for lack of subject-matter jurisdiction. (Id. at 15- 17, 20.) The Court also dismissed Defendants O’Neill and Stallings, as they were named as defendants only with respect to the dismissed claims. (Id. at 17-18, 20.) The Court took the Motions to Dismiss under advisement with respect to Counts One, Five, and Six of the FAC (“the Remaining Counts”) and ordered the parties to file supplemental briefs addressing whether the Court has subject-matter jurisdiction over those counts under 28 U.S.C. § 1332(d)(2) and/or 28 U.S.C. § 1367. (Id. at 16, 20-21.) BMI and ASCAP filed their supplemental briefs on August 17, 2021 (Docs. 41, 42), and Plaintiffs responded on August 26, 2021 (Doc. 43). I. Allegations of FAC As alleged in the FAC, ASCAP and BMI are not-for-profit Performance Royalty Organizations (“PROs”) that collect and distribute performance royalty money to their writer and publisher members. (Doc. 10 at 6, 14, 17, 20 ¶¶ 1, 44, 59-60, 73.) Songwriters assign to ASCAP and BMI the right to license the public performances of their songs, and ASCAP and BMI in turn enter into license agreements with end-users of recorded music, charging an annual blanket license fee in exchange for the public performance rights to their repertories of music. (Id. at 18 ¶¶ 66-67.) ASCAP and BMI together collect approximately $2 billion in license fees annually and, after deducting operating expenses, distribute the money on a quarterly basis as performance royalties. (Id. at 18 ¶ 68.) Due to prior federal antitrust litigation, both ASCAP and BMI are bound by consent decrees issued by the United States District Court for the Southern District of New York. (Id. at 7, 21 ¶¶ 4, 79; see also Doc. 10-1 at 2-10, 92-100.) BMI’s consent decree requires BMI to include a mandatory arbitration clause in its standard writer’s agreement. (Doc. 10 at 10 ¶ 83; see also Doc. 10-1 at 5.) Plaintiff Baker is a songwriter and music producer who was a member of ASCAP from 1990-1999 and has been a member of BMI since 1999. (Doc. 10 at 8, 10, 13, 25 ¶¶

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