Baker v. American Society of Composers, Authors and Publishers

District Court, S.D. New York·Decided December 28, 2021·No. 1:21-cv-11126·Unknown

Opinion

1 WO 2 3 4 5 6 IN THE UNITED STATES DISTRICT COURT 7 FOR THE DISTRICT OF ARIZONA

9 Alexander C Baker, et al., No. CV-21-00022-TUC-RM

10 Plaintiffs, ORDER

11 v.

12 American Society of Composers, Authors and Publishers, et al., 13 Defendants. 14 15 On March 25, 2021, Plaintiffs Alexander C. Baker (“Baker”) and Adam Bravery 16 LLC (“Adam Bravery”) filed a First Amended Complaint (“FAC”) (Doc. 10), suing 17 Defendants American Society of Composers, Authors and Publishers (“ASCAP”), 18 Broadcast Music, Inc. (“BMI”), Mike O’Neill (“O’Neill”), and Erika Stallings 19 (“Stallings”), and asserting fifteen causes of action on behalf of themselves and purported 20 classes of similarly situated songwriters (“Songwriters”) and royalty assignees 21 (“Assignees”). Shortly thereafter, Plaintiffs also filed a Motion for Preliminary 22 Injunction (Doc. 11) and a Motion for Class Certification (Doc. 12). Defendants 23 ASCAP, BMI, and O’Neill moved to dismiss the FAC. (Docs. 22, 25.) 24 In an Order dated July 30, 2021, the Court partially granted and partially took 25 under advisement Defendants’ Motions to Dismiss, denied as moot Plaintiffs’ Motion for 26 Preliminary Injunction, and took under advisement Plaintiffs’ Motion for Class 27 Certification. (Doc. 40.) The Court dismissed with prejudice Counts Two, Three, Four, 28 Seven, and Thirteen of the FAC for failure to state a claim on which relief can be granted. 1 (Id. at 11-14, 20.)1 The Court dismissed without prejudice Counts Eight, Nine, Ten, 2 Eleven, Twelve, Fourteen, and Fifteen for lack of subject-matter jurisdiction. (Id. at 15- 3 17, 20.) The Court also dismissed Defendants O’Neill and Stallings, as they were named 4 as defendants only with respect to the dismissed claims. (Id. at 17-18, 20.) The Court 5 took the Motions to Dismiss under advisement with respect to Counts One, Five, and Six 6 of the FAC (“the Remaining Counts”) and ordered the parties to file supplemental briefs 7 addressing whether the Court has subject-matter jurisdiction over those counts under 28 8 U.S.C. § 1332(d)(2) and/or 28 U.S.C. § 1367. (Id. at 16, 20-21.) BMI and ASCAP filed 9 their supplemental briefs on August 17, 2021 (Docs. 41, 42), and Plaintiffs responded on 10 August 26, 2021 (Doc. 43). 11 I. Allegations of FAC 12 As alleged in the FAC, ASCAP and BMI are not-for-profit Performance Royalty 13 Organizations (“PROs”) that collect and distribute performance royalty money to their 14 writer and publisher members. (Doc. 10 at 6, 14, 17, 20 ¶¶ 1, 44, 59-60, 73.) 15 Songwriters assign to ASCAP and BMI the right to license the public performances of 16 their songs, and ASCAP and BMI in turn enter into license agreements with end-users of 17 recorded music, charging an annual blanket license fee in exchange for the public 18 performance rights to their repertories of music. (Id. at 18 ¶¶ 66-67.) ASCAP and BMI 19 together collect approximately $2 billion in license fees annually and, after deducting 20 operating expenses, distribute the money on a quarterly basis as performance royalties. 21 (Id. at 18 ¶ 68.) Due to prior federal antitrust litigation, both ASCAP and BMI are bound 22 by consent decrees issued by the United States District Court for the Southern District of 23 New York. (Id. at 7, 21 ¶¶ 4, 79; see also Doc. 10-1 at 2-10, 92-100.) BMI’s consent 24 decree requires BMI to include a mandatory arbitration clause in its standard writer’s 25 agreement. (Doc. 10 at 10 ¶ 83; see also Doc. 10-1 at 5.) 26 Plaintiff Baker is a songwriter and music producer who was a member of ASCAP 27 from 1990-1999 and has been a member of BMI since 1999. (Doc. 10 at 8, 10, 13, 25 ¶¶

28 1 All record citations herein refer to the page numbers generated by the Court’s electronic filing system. 1 12, 18, 38, 99-100, 106.) Plaintiff Adam Bravery is a limited liability company that has 2 been assigned Baker’s royalty stream. (Id. at 8, 10-11, 13, 41-42 ¶¶ 12, 18, 24, 40, 185- 3 191.) 4 The Remaining Counts of the FAC are asserted by Plaintiffs on behalf of 5 themselves and the purported classes of Songwriters and Assignees. In Count One, 6 Plaintiffs seek a declaratory judgment stating that the mandatory arbitration clause 7 contained in BMI’s standard writer’s agreement is void and unenforceable. (Doc. 10 at 8 26-28 ¶¶ 111-121.) In Count Five, Plaintiffs seek a declaratory judgment stating that 9 ASCAP and BMI owe a fiduciary duty to Songwriters and Assignees. (Id. at 36-38 ¶¶ 10 161-169.) In Count Six, Plaintiffs allege that ASCAP and BMI breach their fiduciary 11 duty by manipulating their royalty calculation formulas to underpay Songwriters. (Id. at 12 38 ¶¶ 170-176.) In addition to declaratory relief, Plaintiffs seek as relief on the class 13 claims unspecified monetary damages, an injunction prohibiting ASCAP and BMI from 14 disclaiming a fiduciary duty to Songwriters and Assignees, an injunction prohibiting BMI 15 from compelling arbitration as a precondition of collecting performance royalties for 16 Songwriters, an accounting of money received and distributed, and reimbursement of 17 Plaintiffs’ costs and attorneys’ fees. (Id. at 38-39 ¶ 177.) 18 II. Supplemental Briefs on Jurisdiction 19 Under the Class Action Fairness Act (“CAFA”), district courts have original 20 jurisdiction of a class action that meets minimum diversity and class numerosity 21 requirements if the aggregated claims of the individual class members exceed the sum or 22 value of $5,000,000, exclusive of interest and costs. See 28 U.S.C. § 1332(d)(2); see also 23 28 U.S.C. § 1332(d)(5)(B), (d)(6). Both BMI and ASCAP argue in their supplemental 24 briefs that the Court lacks jurisdiction over the Remaining Counts under 28 U.S.C. § 25 1332(d)(2) because Plaintiffs cannot meet their burden of establishing, by a 26 preponderance of the evidence, that the aggregate amount in controversy on the class 27 claims exceeds $5 million. (Doc. 41 at 2-4; Doc. 42 at 2-7.) In addition to this 28 jurisdictional argument, Defendant BMI also argues in its supplemental brief that the 1 Remaining Counts fail to state a claim on which relief can be granted, that Plaintiffs lack 2 standing to bring the class counts, and that the Court should transfer this case to the 3 Southern District of New York if Count One is not dismissed. (Doc. 41 at 4-7.) 4 In response, Plaintiffs argue that the FAC plausibly alleges the existence of a 5 fiduciary duty and BMI and ASCAP’s breach of that duty, and that Songwriters can 6 plausibly allege class-wide damages of $100 million. (Doc. 43 at 5-9.) Plaintiffs contend 7 that they do not bear the burden of establishing the amount in controversy by a 8 preponderance of the evidence because Defendants have not converted their jurisdictional 9 challenge into a factual challenge. (Id. at 6-8.) Plaintiffs also argue that dismissal under 10 Rule 12(b)(1) is improper because CAFA provides the basis for both the subject-matter 11 jurisdiction of this Court and for Plaintiffs’ substantive claim for relief. (Id. at 9-10.) 12 Finally, Plaintiffs argue that if the Court is inclined to make factual findings, it should 13 allow jurisdictional discovery and order Defendants to produce an accounting of their 14 revenue and expenses for a recent year, as well as details of their royalty calculation 15 formulas and Baker’s performance survey data for one quarterly distribution. (Id.

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