Baer v. Chase

CourtCourt of Appeals for the Third Circuit
DecidedDecember 21, 2004
Docket04-1655
StatusPublished

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Bluebook
Baer v. Chase, (3d Cir. 2004).

Opinion

Opinions of the United 2004 Decisions States Court of Appeals for the Third Circuit

12-21-2004

Baer v. Chase Precedential or Non-Precedential: Precedential

Docket No. 04-1655

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Recommended Citation "Baer v. Chase" (2004). 2004 Decisions. Paper 12. http://digitalcommons.law.villanova.edu/thirdcircuit_2004/12

This decision is brought to you for free and open access by the Opinions of the United States Court of Appeals for the Third Circuit at Villanova University School of Law Digital Repository. It has been accepted for inclusion in 2004 Decisions by an authorized administrator of Villanova University School of Law Digital Repository. For more information, please contact Benjamin.Carlson@law.villanova.edu. PRECEDENTIAL

UNITED STATES COURT OF APPEALS FOR THE THIRD CIRCUIT

No. 04-1655

ROBERT V. BAER,

Appellant

v.

DAVID CHASE; CHASE FILMS INC., A Delaware Corporation; JOHN DOES A-Z

On Appeal from the United States District Court for the New Jersey (D.C. Civ. No. 02-02334) District Judge: Honorable Joel A. Pisano

Argued October 28, 2004

BEFORE: SCIRICA, Chief Judge, and FISHER and GREENBERG, Circuit Judges.

(Filed: December 21, 2004)

Robert V. Baer (argued) 4 Laurel Road Wayne, NJ 07870 Harley D. Breite 562 Black Oak Ridge Road Wayne, NJ 07470 Michael S. Kasanoff 157 Broad Street, Suite 321 P.O. Box 8175 Red Bank, NJ 07701

Attorneys for Appellant Peter L. Skolnick (argued) Michael A. Norwick Lowenstein Sandler PC 65 Livingston Avenue Roseland, NJ 07068

Attorneys for Appellees

OPINION OF THE COURT

GREENBERG, Circuit Judge.

This matter comes on before this court on Robert V. Baer’s (“Baer”) appeal from an order of the district court entered February 20, 2004, granting summary judgment to the defendants, David Chase and DC Enterprises, Inc. (together called “Chase”), pursuant to Federal Rule of Civil Procedure 56(c). This dispute centers on the creation and development of the well-known television series, The Sopranos. Through this action, Baer seeks compensation for what he perceives was his role in the creation and development of the popular and financially successful television series.

I. FACTUAL AND PROCEDURAL HISTORY

Chase, who originally was from New Jersey, but relocated to Los Angeles in 1971, is the creator, producer, writer and director of The Sopranos. Chase has numerous credits for other television productions as well. Before Chase met Baer, Chase had worked on a number of projects involving organized crime activities based in New Jersey, including a script for “a mob boss in therapy,” a concept that, in part, would become the basis for The Sopranos.

In 1995, Chase was producing and directing a Rockford Files “movie-of-the–week” when he met Joseph Urbancyk who was working on the set as a camera operator and temporary director of photography. Chase mentioned to Urbancyk that he was looking for new material and for writers who could develop feature film

2 screenplays that Chase later might re-write and direct. Urbancyk also overheard Chase say that the creators of The Rockford Files were looking to assign additional writers for their “movie of the week” project.

Urbancyk became the connection between Chase and Baer as a result of Urbancyk’s long-time friendship with Baer and his knowledge of Baer’s interest in pursuing a career in writing, directing and producing. Baer, who was a New Jersey attorney, recently had left his employment in the Union County Prosecutor’s Office in Elizabeth, New Jersey, where he had worked for the previous six years.

Urbancyk urged Baer to write a script for The Rockford Files. Baer did so and gave it to Urbancyk who passed it on to Chase. Chase considered Baer’s work “interesting” and asked Urbancyk if Baer had any plans to be in Los Angeles. Upon hearing of Chase’s interest, Baer flew to Los Angeles to meet with Chase.

Chase, Urbancyk and Baer met for lunch on June 20, 1995. At that time Chase informed Baer that he would be unable to use Baer’s screenplay, as the remaining slots in The Rockford Files had been filled. The lunch continued, however, with Baer describing his experience as a prosecutor. Baer also pitched the idea to shoot “a film or television shows about the New Jersey Mafia.” App. at 40. At that time Baer was unaware of Chase’s previous work involving mob activity premised in New Jersey. At the lunch there was no reference to any payment that Chase might make to Baer for the latter’s services and the parties agree that they did not reach any agreement on that day.

In October 1995, Chase visited New Jersey for three days. During this “research visit” Baer arranged meetings for Chase with Detective Thomas Koczur, Detective Robert A. Jones, and Tony Spirito who provided Chase with information, material and personal stories about their experiences with organized crime. Koczur served as a tour guide and drove Chase and Baer to various locations in northern New Jersey. Koczur also arranged a lunch between Chase and Spirito. Spirito told true and sometimes personal stories involving loan sharking, a power struggle with two uncles involving a family business, and two individuals, Big Pussy and Little Pussy

3 Russo.1 Chase also met with Jones, a detective with the Union County Prosecutor’s office who had experience investigating organized crime. Baer does not dispute that virtually all of the ideas and locations that he “contributed” to Chase existed in the public record.

After returning to Los Angeles, Chase sent Baer a copy of a draft of a Sopranos screenplay that he had written, which was dated December 20, 1995. Baer asserts that after he read it he called Chase and made various comments with regard to it. Baer claims that the two spoke at least four times during the following year and that he sent a letter to Chase dated February 10, 1997, discussing The Sopranos script. Baer ensured that Chase received the letter by confirming its arrival with Chase’s assistant. On this appeal we accept Baer’s allegations regarding his input into The Sopranos draft.

Notwithstanding his February 10, 1997 letter, at his deposition Baer claimed that he last rendered services to Chase in 1995. Thus, Baer’s testimony included the following:

Q. During any of those conversations after October of 1995, [when Chase visited New Jersey] did you provide any further information to Mr. Chase other than in relation to the sexual assault?

A. Not really.

Q. No?

A. Not really. The screen play was done and there wasn’t really any need for it at that point as far as I knew.

1 These or similar story lines and characters have appeared in episodes of The Sopranos.

4 Q. So everything that you had done and to which you claim entitlement was done by the end of October 1995?

A. Yes in terms of assisting him in helping with this project that would be true.

App. at 343-44.2 Notwithstanding this testimony, in Baer’s later certification dated October 3, 2003, in opposition to Chase’s motion for summary judgment he sought to clarify his deposition testimony, stating:

117. I also sent him a letter dated February 10, 1997 discussing the Sopranos script prior to making a trip to Los Angeles. After sending the letter, I spoke with Chase’s assistant, Kelly Kockzak, who confirmed that Chase had received it. This letter represents the last services I provided to Defendants. Most of my services were provided in 1995.

App. at 69.

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