Auditorium Conditioning Corp. v. St. George Holding Co.

4 F. Supp. 95, 1933 U.S. Dist. LEXIS 1430
CourtDistrict Court, E.D. New York
DecidedJune 29, 1933
DocketNo. 6556
StatusPublished
Cited by3 cases

This text of 4 F. Supp. 95 (Auditorium Conditioning Corp. v. St. George Holding Co.) is published on Counsel Stack Legal Research, covering District Court, E.D. New York primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Auditorium Conditioning Corp. v. St. George Holding Co., 4 F. Supp. 95, 1933 U.S. Dist. LEXIS 1430 (E.D.N.Y. 1933).

Opinion

CAMPBELL, District Judge.

This action is brought to obtain relief by injunction and damages for the alleged infringement of reissue patent No. 16,611, issued to Leo L. Lewis, assignor to Carrier Engineering Corporation, for method of and apparatus for cooling and ventilating, granted May 3, 1927, on application for reissue filed February 12, 1927, original No. 1,583,-060, May 4, 1926, original application filed December 22, 1924, and of patent No.-1,670,-656, issued to Walter L. Fleisher, assignor by mesne assignments to Auditorium Ventilating Corporation, for ventilating system, granted May 22, 1928, on an application filed May 20, 1927.

Both of these patents relate to methods and apparatus for conditioning the air in auditoriums, theaters, and similar places in which -a considerable number of people assemble.

The plaintiff, Auditorium Conditioning Corporation, a New Jersey corporation, which changed its name from Auditorium Ventilating Corporation, has title to both patents.

The defendant St. George Holding Company, a New York corporation, is the owner, and the defendant St. George Amusement Company, a New York corporation, is the op[96]*96erator, of a theater in the Eastern district of New York, called the St. George Playhouse, which contains an air-conditioning system put into operation subsequent to the issuance of said patents in suit, after notice and prior to the filing of the bill herein, and continuously operated from that time on.

The problem that confronted Lewis and Pleisher, of air conditioning for human comfort, was very different from the so-called air conditioning for industrial purposes, in whieh the factors of moisture and heat are always known, and the system can easily be operated either to add moisture, add heat, or to remove heat or moisture, according to a predetermined plan. The materials processed constitute the real load; the people in such a plant usually being a negligible factor.

The prior art in the main deals only with industrial systems.

In air conditioning for human comfort within a public inelosure such as a theater or the like, the factors of moisture and heat are not always known, as the people to a preponderant degree constitute the heavy load, and this is an uncertain load whieh cannot be estimated, due to the constant shifting of audiences.

The people may arrive in large numbers and pack the theater to capacity at some time during the day, while at another time the theater may be almost empty.

This, however, while the dominant, is not the only, difficulty, as changes in weather have some effect on the load, and each person gives off heat and moisture, and also gives off odors which in the aggregate become seriously objectionable. The quantities of heat and moisture given off differ with different people, and the variations in temperature and humidity do not follow the same curves.

The heat and moisture given off by individuals tend to raise the temperature and absolute amount of moisture in an atmosphere, but the relative humidity will actually fall, since the heat given off is proportionately greater than the moisture exuded.

The human organism is extremely sensitive to atmospheric conditions, and, to be considered comfortable, the humidity in the air must not be oppressive, the air motion must create a pleasant effect without excessive evaporation from the skin, and there must also be an absence of streaks and drafts.

In addition, the temperature and moisture must be correlated with the air motion, or the air at comfortable temperature with too much moisture would feel hot and muggy, or the same air with too little moisture would increase evaporation and feel cold, as it would tend to dry the membranes of the nostrils and throat, which would be physically injurious.

Attempts were made to solve the problem prior to the dates of invention of the patents in suit, but in all of them all of the air was treated, and, if any reheating of cold air was accomplished, it was by means of heating devices, usually requiring the use of a steam boiler under summer conditions, whieh was objectionable.

The patentees of the patents in suit taught the art that all the air need not be treated, and that mechanical reheaters could entirely be eliminated and comfortable conditions produced at a reasonable cost despite the quantities of air handled.

Both of the patents in suit have a primary fourfold object in view:

First, to provide for producing and controlling atmospheric conditions in an inelosure by means of a system wherein only part of the air is conditioned, instead of all of it.

Second, to provide a system where the need for mechanically reheating the dehumidified air is entirely eliminated. Thus, although air is chilled to a low temperature in order to produce desired dehumidification, that air is introduced into the inelosure at a higher and comfortable temperature, yet no mechanical reheaters are employed.

Third, to provide a system wherein the same volume of air may at all times be introduced, even though the constituent proportions of dehumidified air and other air are varied, so that equable conditions may be maintained throughout the theater and fluctuations in temperature be limited to a degree or two.

Fourth, to enable such systems to be installed and operated at a reasonable cost.

Large quantities of air are used by both of the patentees of the patents in' suit in achieving these objects.

This is also true of the St. George Playhouse of the defendants, in whieh about 33,-000 cubic feet of air per minute is used, and was true of the adjudicated Rochester system, in which about 108,000 cubic feet per minute were used.

An appreciable part of the air so used in both inclosures was recirculated air, or air which is reused without conditioning.

Recirculated air is in practice often called “bypassed” air, due to the faet that it bypasses the conditioner instead of passing through it, and mixes at the outlet end of the [97]*97conditioner with conditioned air discharged from the conditioner.

This bypassing seems to me to be the gist of both of the patents in suit.

Lewis states that his invention relates to air conditioning of rooms where people congregate,, such as theaters; that it is desirable to maintain a relative humidity preferably not greater than 59 per cent.; that it is essential to keep the air circulating in order quickly to absorb heat and moisture from the. bodies and the exhalations of the people; and that he avoids first cooling the air to dehumidify it and then heating it up again by mechanical means, which would require the operation of a boiler in summer, by a new arrangement which contemplates bypassing. He states his primary object is to provide a cooling system “in which the bulk of the air is recirculated without being conditioned.”

Only a small part of the air is taken from outside and conditioned; this small part being mixed with the recirculated or bypassed air, “thus saving in refrigeration and eliminating the necessity of means for reheating the air during the summer months.”

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Related

In Re Aikens
83 B.R. 344 (E.D. Pennsylvania, 1988)
In re the Estate of Caplan
196 Misc. 631 (New York Surrogate's Court, 1949)
Auditorium Conditioning Corp. v. Warner Bros. Pictures
11 F. Supp. 21 (S.D. New York, 1935)

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Bluebook (online)
4 F. Supp. 95, 1933 U.S. Dist. LEXIS 1430, Counsel Stack Legal Research, https://law.counselstack.com/opinion/auditorium-conditioning-corp-v-st-george-holding-co-nyed-1933.