Athena Art Finance Corp. v. that Certain Artwork By Jean-Michel Basquiat Entitled Humidity, 1982, In Rem

CourtDistrict Court, S.D. New York
DecidedMay 29, 2025
Docket1:20-cv-04669
StatusUnknown

This text of Athena Art Finance Corp. v. that Certain Artwork By Jean-Michel Basquiat Entitled Humidity, 1982, In Rem (Athena Art Finance Corp. v. that Certain Artwork By Jean-Michel Basquiat Entitled Humidity, 1982, In Rem) is published on Counsel Stack Legal Research, covering District Court, S.D. New York primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Athena Art Finance Corp. v. that Certain Artwork By Jean-Michel Basquiat Entitled Humidity, 1982, In Rem, (S.D.N.Y. 2025).

Opinion

UNITED STATES DISTRICT COURT SOUTHERN DISTRICT OF NEW YORK. ee ee ee ee HK ATHENA ART FINANCE CORP., Plaintiff, : -against- MEMORANDUM DECISION AND ORDER that CERTAIN ARTWORK BY JEAN-MICHEL: BASQUIAT ENTITLED HUMIDITY, 1982, : Case No, 20-cv-4669 (GBD) (VF) in Rem, : Defendants. : SATFINANCE INVESTMENT LIMITED and : DELAHUNTY LIMITED d/b/a DELAHUNTY © : FINE ART, : Interested Parties :

SATFINANCE INVESTMENT LIMITED : Intervenor-Plaintiff, : -against- : ATHENA ART FINANCE CORP. and that : CERTAIN ARTWORK BY JEAN-MICHEL BASQUIAT ENTITLED HUMIDITY, 1982, : in Rem, : □□□□□□□□□□□□□□□□□□□□□□ : ee ee ee eee HK

GEORGE B, DANIELS, United States District Judge: This is an in rem action arising out of a title dispute over a 1982 painting by Jean-Michel Basquiat entitled Humidity (the “Painting”). Plaintiff and Intervenor-Defendant Athena Art Finance Corporation (“Athena”) filed this action seeking to foreclose on the Painting and obtain the court’s permission to sell it. Intervenor Plaintiff and Interested Party Satfinance Investment Limited (“Satfinance”) claims it

obtained full title to the Painting. Interested Party and Counterclaim Plaintiff Delahunty Limited d/b/a Delahunty Fine Art (‘Delahunty”) claims it has a 12.5% ownership interest in the Painting. Before this Court is Magistrate Judge Valerie Figueredo’s October 2, 2024 Report and Recommendations (the “Report”), recommending that Athena’s motion for summary judgment be denied.

(Report, ECF No. 259.) The Report also recommends that Satfinance’s motion for summary judgment be granted and it be declared to have full legal title to the Painting. Id. The Report next recommends that

Delahunty’s motion for summary judgment be granted, to the extent Delahunty seeks a declaration that

Athena has no rights or interest in the Painting. Jd. Finally, the Report recommends that Delahunty's motion be denied, to the extent it seeks a declaration that it owns a 12.5% ownership interest in the painting that is not impeded by the rights of Satfinance. /d. Athena timely filed objections to certain portions of the Report and did not file objections to others.

(See Athena’s Objection to Report and Recommendations (“Athena Obj.”), ECF No. 262.) Delahunty and Satfinance opposed Athena’s objections. (Delahunty’s Memorandum in Opposition to Athena’s Objection (“Delahunty Opp’n.”), ECF No. 265; Satfinance’s Memorandum in Opposition to Athena’s Objection (“Satfinance Opp’n.”), ECF No, 266.) This Court undertakes a de novo review of the portions of the Report to which a party objected and a clear error review of the portions to which no party objected. After doing so, this Court ADOPTS Judge Figueredo’s Report in full. I. BACKGROUND! A. Inigo Philbrick Acquires the Painting from Phillips Auctioneers LLC (“Phillips”) Inigo Phillip, a now convicted UK art dealer, did business through his wholly owned and operated entity Inigo Philbrick Limited (“IPL”). (R. 56.1 Statement, ECF No. 172 (“Delahunty R. $6.1”) 41.) In

July 2016, Philbrick, through IPL, purchased the Painting for $12.5 million from Phillips Auctioneers

! The procedural and factual background is set forth in greater detail in the Report and is incorporated by reference herein,

LLC (“Philips”). (Report at 2-3.) Athena, Satfinance, and Delahunty all agree that IPL acquired the title

and ownership of the Painting when it purchased the Painting from Phillips in 2016. (Report at 15;

Delahunty R. 56,1 2; R. 56.1 Statement, ECF No. 178 (“Satfinance R. 56.1”) ff] 28-30; R. 56.1

Statement, ECE No. 176 (“Athena R. 56.1”) { 2; see also ECF No. 182-20 (private sale agreement between

IPL and Phillips; Transcript (“Tr.”), ECF No. 257 at 4, 30.) Phillips authorized the release of the Painting

to IPL following a completed payment and on or about October 11, 2016, the Painting was released to

IPL. (Report at 3; Delahunty R. 56.1 9] 20-21; Satfinance R. 56.1 9 30; see also Clarick Decl. Ex. 17,

ECF No, 179-17, at 2; Grossman Decl., ECF No. 184-13, at 6-7.) B. Satfinance Agreement Around the same time that Philbrick purchased the Painting from Phillips in July 2016, Phiibrick

approached Aleksandar Pesko (“Pesko”), Advisor of Satfinance Investment Limited (“Satfinance”) about

the possibility of investing in the Painting. (Report at 4; Delahunty R. 56.1 94.) On August 10, 2016,

Philbrick gent Satfinance a signed bill of sale showing that “they were purchasing the Painting for $18.4

million” from an entity named “SHK Management Corp.” (“SHK”), not from Phillips. (Satfinance R.

56.1 4 10; ECF No. 180-1 (Bill of Sale); Athena Obj. at 5; see Report at 4.) On August 11, 2016, Philbrick

and Satfinance entered into a one-page agreement to jointly purchase the Painting for $18.4 million.

(Report at 4, 16; ECF No, 180-3 (“Satfinance Agreement”).) That same day, Philbrick sent Satfinance

the agreement and issued Satfinance an invoice, which expressly incorporated the terms of the “side letter”

agreement for sale. (Report at 4-5; ECF No. 180-4 (“Satfinance Invoice”), at 3.) The invoice indicated

that “{f]ull title [was] to be transferred from [JPL] to SatFinance upon receipt of above balance.” (/d.)

Satfinance paid IPL $10.5 million on August 12, 2016 and $1.7 million on September 6, 2016. (Payment Confirmations, ECF No. 180-5, at 2-3.) The email also stated that $12.2 million represented a “66%

share” in the Painting. (Satfinance Invoice at 2.) Satfinance never had physical possession of the Painting. (Report at 5.) The August 11, 2016 agreement between Satfinance co/o Pesko and Philbrick stated that Pesko

and Philbrick “intend to jointly purchase” the Painting for $18.4 million. (Satfinance Agreement; Report

at 4.) Under the terms of this agreement, Satfinance contributed 50% of the purchase price, or $9.200.000, and Philbrick contributed $6,200.000. (Satfinance Agreement.) Satfinance agreed to loan Philbrick $3

million, to “be secured against the artwork” and designated senior to Philbrick’s contribution. (/d.) The

agreement also stated that Pesko and Philbrick would “jointly own the work” and that Satfinance “shall

hold full title to the artwork,” in addition to a statement that “[flor the avoidance of doubt SatFinance shall

hold full title to the [Painting].” (/d.) Lastly, the parties agreed that their interests in the Painting would

“not be diluted, transferred, or otherwise encumbered during the duration of this agreement” and that the

“agreement is terminated only upon completed sale of the {Painting].” (d.) On September 14, 2016, Philbrick emailed Pesko a second agreement of sale dated August 10, 2016 and a bill of sale dated August 15, 2016. (Report at 4; ECF No. 180-2.) It was later discovered that

these documents were fake and that Philbrick lied to Satfinance about the identity of the seller and the

purchase price. (Report at 4.) C. Delahunty Agreement In July 2016, around the same time Philbrick approached Satfinance, Philbrick aiso discussed the

possibility of a joint purchase of the Painting with Damien Delahunty, the Managing Director of

Delahunty. (Report at 5; Delahunty R. 56.1 § 16.) On August 18, 2016, Philbrick sent Delahunty a bill

of sale listing SH Management Corp. as the seller and IPL as the buyer. (Delahunty R. 56,1 § 18.) The

purchase price was listed as $22 million, (Delahunty R. 56.1 { 18.) IPL issued an invoice to Delahunty

on November 1, 2016 for $2.75 million, which stated that IPL would retain title and that Delahunty would

,

receive 12.5% of the Painting. (Report at 6.) Subsequently, Delahunty made two payments to IPL. The

first payment of $2.53 million was made on November 1, 2016. (Report at 6.) The remaining balance of

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