Art Headquarters, LLC v. Lemak

CourtDistrict Court, M.D. Florida
DecidedNovember 27, 2019
Docket8:19-cv-02899
StatusUnknown

This text of Art Headquarters, LLC v. Lemak (Art Headquarters, LLC v. Lemak) is published on Counsel Stack Legal Research, covering District Court, M.D. Florida primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Art Headquarters, LLC v. Lemak, (M.D. Fla. 2019).

Opinion

UNITED STATES DISTRICT COURT MIDDLE DISTRICT OF FLORIDA TAMPA DIVISION

ART HEADQUARTERS, LLC,

Plaintiff,

v. Case No: 8:19-cv-2899-T-36JSS

MARGARET LEMAK,

Defendant.

ORDER

This matter comes before the Court upon Plaintiff Art Headquarters, LLC’s (“Art Headquarters”) Emergency Motion for Temporary Restraining Order (Doc. 5) and memorandum in support (the “Motion”).1 In the Motion, Art Headquarters contends it will be irreparably harmed unless Defendant Margaret Lemak (“Lemak”), a former employee of Art Headquarters, is enjoined for a period of 22 months from activities that compete with Art Headquarters, from disclosing confidential information, and from misappropriating trade secrets. Doc. 5-1 at pp. 1-2. The Court, having considered the Motion and being fully advised in the premises, will deny the Motion. I. BACKGROUND2 Art Headquarters, which does business as the Wendover Art Group, creates and sells distinctive wall décor to retail, interior design, hospitality, and healthcare customers throughout the United States and abroad. Doc. 6 at p. 1. Art Headquarters takes reasonable efforts to maintain

1 Art Headquarters’ Motion, presented in two separate filings, violates the Court’s Local Rules which require that “[i]n a motion or other application for an order, the movant shall include a concise statement of the precise relief requested, a statement of the basis for the request, and a memorandum of legal authority in support of the request, all of which the movant shall include in a single document not more than twenty-five (25) pages.” L.R. M.D. Fla. 3.01(a). The Court will nonetheless consider the Motion based on the allegation of emergency. 2 The Background is based on the facts as alleged in Art Headquarters’ Motion, including the attached affidavits and exhibits. the secrecy of its trade secrets and confidential information, protecting such information outward and inward. Id. at p. 5. Art Headquarters imposes protections within the company, granting certain essential employees the right to view documents and denying access to others. Id.; Affidavit of Tom Maloney, doc. 6-4 (“Maloney Aff.”), at ¶¶ 4-7. Specifically, pricing models have strict access

policies, and for certain clients, are entirely secured. Doc. 6 at p. 5; Maloney Aff. at ¶¶ 7-8. Access for art contracts, royalty information, top accounts, and key customer information is limited to essential employees. Doc. 6 at p. 5; Maloney Aff. at ¶¶ 5, 9. Art Headquarters employed Lemak as an art consultant from August 6, 2018 to September 12, 2019. Doc. 6 at p. 1; Affidavit of Kandice Zeman, doc. 6-3 (“Zeman Aff.”) at ¶¶ 11-12. As an art consultant, Lemak was responsible for, among other things, artwork program development, interpreting and reinforcing design concepts through artwork selection and graphic manipulation, project management, business development, and maintaining client relationships. Zeman Aff. at ¶ 5. Lemak’s employment with Art Headquarters involved her with, and exposed her to,

confidential and trade secret information relating to Art Headquarters’ business operations throughout the United States. Doc. 6 at p. 1. For example: Lemak was trained using Art Headquarters’ proprietary system for evaluating art consultants and staffing its business needs, had access to and regularly used Art Headquarters’ quotation model, knew the identity of and had full access to all of Art Headquarters’ artist contracts, including their terms and royalty amounts, was provided with a breakdown of Art Headquarters’ top customers, target customers, competition, and current and future sales projections, and received current information about customer information and sales. Doc. 6 at p. 4; Hoffman Aff. at ¶¶ 7-16. Before beginning her position with Art Headquarters, Lemak signed an employment agreement promising not to (1) take a job with any of Art Headquarters’ competitors for 22 months following termination of her employment; (2) solicit Art Headquarters’ customers; or (3) disclose Art Headquarters’ confidential and trade secret information. Doc. 6 at pp. 2-3; Doc. 6-1 (the

“Agreement”). Lemak also agreed to return all property to Art Headquarters upon termination of her employment. Id. Lemak’s employment with Art Headquarters ended September 12, 2019. Doc. 6 at p. 6. During Lemak’s “offboarding,” Art Headquarters discovered e-mails Lemak sent to independent sales representatives communicating her departure. Maloney Aff. at ¶¶ 11-13. One such e-mail stated, in pertinent part, “I am leaving Wendover, but I will be moving to Chicago in the next few months and would love to connect and/or help out in any way that I can with your work in the area.” Doc. 6-4 at p. 6. Shortly after Lemak’s employment ended, Art Headquarters took inventory of all documents at Lemak’s work station. Doc. 6 at p. 6. At that time, Art Headquarters discovered that a key binder containing confidential and trade secret information—details of top customers,

target customers, and competition—was missing. Id.; Hoffman Aff. at ¶ 21. Earlier this month, Art Headquarters discovered that Lemak was working as an art consultant for a competitor, Artline Group (“Artline”). Maloney Aff. at ¶ 17. Art Headquarters and Artline compete for many of the same customers; like Art Headquarters, Artline develops and produces artwork for companies that do business in commercial markets. Hoffman Aff. at ¶ 27. If Artline gained access to Art Headquarters’ confidential and proprietary information that Lemak had gathered over the course of her employment with Art Headquarters, Artline would have a significant economic and competitive advantage. Id. at ¶ 28. II. LEGAL STANDARD Federal Rule of Civil Procedure 65(b)(1) authorizes the court to issue a temporary restraining order where “specific facts in an affidavit or a verified complaint clearly show that immediate and irreparable injury, loss, or damage will result to the movant before the adverse party

can be heard in opposition” and “the movant’s attorney certifies in writing any efforts made to give notice and the reasons why it should not be required.” However, a temporary restraining order “is an extraordinary remedy to be granted only under exceptional circumstances.” Cheng Ke Chen v. Holder, 783 F. Supp. 2d 1183, 1186 (N.D. Ala. 2011) (citing Sampson v. Murray, 415 U.S. 61 (1974)). To obtain a temporary restraining order, a movant must show: (1) a substantial likelihood of success on the merits; (2) an irreparable injury in the absence of the requested injunction; (3) a threatened injury that exceeds any injury to the non-moving party caused by the injunction; and (4) that public policy favors such an order. Dimare Ruskin, Inc. v. Del Campo Fresh, Inc., No. 8:10-cv-1332-T-23AEP, 2010 WL 2465158, at *1 (M.D. Fla. June 15, 2010) (citing Four Seasons

Hotels & Resorts, B.V. v. Consorcio Barr, S.A., 320 F.3d 1205, 1210 (11th Cir. 2003)); see also M.D. Fla. L.R. 4.05(b)(4) (requiring a party requesting a temporary restraining order to submit a brief or memorandum addressing these factors).

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Related

Sampson v. Murray
415 U.S. 61 (Supreme Court, 1974)
CHENG KE CHEN v. Holder
783 F. Supp. 2d 1183 (N.D. Alabama, 2011)

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Art Headquarters, LLC v. Lemak, Counsel Stack Legal Research, https://law.counselstack.com/opinion/art-headquarters-llc-v-lemak-flmd-2019.