Arreola v. One More Productions CA4/3

CourtCalifornia Court of Appeal
DecidedFebruary 5, 2014
DocketG047467
StatusUnpublished

This text of Arreola v. One More Productions CA4/3 (Arreola v. One More Productions CA4/3) is published on Counsel Stack Legal Research, covering California Court of Appeal primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Arreola v. One More Productions CA4/3, (Cal. Ct. App. 2014).

Opinion

Filed 2/5/14 Arreola v. One More Productions CA4/3

NOT TO BE PUBLISHED IN OFFICIAL REPORTS California Rules of Court, rule 8.1115(a), prohibits courts and parties from citing or relying on opinions not certified for publication or ordered published, except as specified by rule 8.1115(b). This opinion has not been certified for publication or ordered published for purposes of rule 8.1115.

IN THE COURT OF APPEAL OF THE STATE OF CALIFORNIA

FOURTH APPELLATE DISTRICT

DIVISION THREE

STEVE BRIAN ARREOLA,

Plaintiff and Appellant, G047467

v. (Super. Ct. No. 30-2011-00479064)

ONE MORE PRODUCTIONS, OPINION

Defendant and Appellant.

Appeals from a judgment and a postjudgment order of the Superior Court of Orange County, William M. Monroe, Judge. Affirmed. Request for judicial notice. Granted in part and denied in part. Law Office of Robert L. Starr, Adam Rose; Law Offices of Marc A. Legget and Marc A. Legget for Plaintiff and Appellant. Mark S. Rosen for Defendant and Appellant.

* * * INTRODUCTION Following a bench trial on wage and hour claims and an unfair competition claim, the trial court found plaintiff Steve Brian Arreola provided carpentry services for defendant One More Productions, as an independent contractor, not as an employee. The court also found, however, that Arreola had not been paid the agreed upon $20 hourly rate for the 679 hours of labor he provided, and entered judgment in favor of Arreola, awarding him restitution in the amount of $13,580 “under its equitable powers.” One More Productions filed a motion to vacate the judgment and enter a judgment in its favor under Code of Civil Procedure sections 663 and 663a, on the ground the award was not supported by any cause of action. The trial court granted the motion, vacated the judgment, and entered a new judgment in One More Productions’s favor. The court, however, denied One More Productions’s motion for prevailing party attorney fees under Labor Code former section 218.5. Arreola appeals from the judgment and One More Production appeals from the postjudgment order denying it prevailing party attorney fees. We affirm both the judgment and the postjudgment order. The trial court properly vacated the original judgment and entered judgment in favor of One More Productions. Substantial evidence supports the court’s finding Arreola was an independent contractor and none of Arreola’s causes of action provided support for a restitution award. The trial court also properly denied One More Productions’s motion for prevailing party attorney fees because the only unpaid “wages” Arreola sought to recover in this action were the alleged unpaid balance of minimum wage and overtime compensation pursuant to Labor Code section 1194; prevailing party attorney fees under Labor Code former section 218.5 were therefore unavailable.

2 FACTS In June 2008, Arreola was employed by Golden West College (Golden West) as the master carpenter in its scenic shop. Arreola became aware that One More Productions, a small nonprofit community theater company, was in need of a carpenter to build the sets for its first show, Seussical. On June 22, Arreola met with One More Productions’s artistic director, Damien Lorton, at the Gem Theater, to discuss building 1 the sets for Seussical. During their meeting, Lorton orally agreed to Arreola’s request that he be paid $20 an hour to build the set that had been designed by Wally Huntoon. Lorton testified that set builders are commonly paid by the hour for their services and not paid a lump sum per project. He explained that after the set design is created for a show, it is given to the set builder who is responsible for taking over the building of the set. Lorton stated, “[i]f something’s not working, he can then tweak it to make it work” and would talk to the set designer about it. Lorton testified that Arreola was retained by One More Productions as an independent contractor, as were the set designer, the choreographer, and the painter. Lorton asked all the independent contractors to let him know when they got close to committing 125 hours of labor so he could keep an eye on costs. The actors and ushers for One More Productions’s shows were volunteers. The ticket takers were also the actors. One More Productions did not hire any employees. Lorton did not discuss benefits with Arreola and never told him he was hired as an employee. Arreola built the set for Seussical at the scenic shop at Golden West and used some of the tools there because One More Productions did not have any tools except for staple guns and an inoperable saw. Arreola required additional tools. Lorton provided him with One More Productions’s credit card to buy additional tools at The

1 The Gem Theater had fallen into disrepair under the care of a prior theater company. One More Productions was preparing to reopen the theater after renovating it for Seussical. The Gem Theater was closed on May 27, 2011, following a fire.

3 Home Depot. Arreola selected and purchased the tools. Lorton did not know what had become of many of the tools that Arreola had purchased. Arreola told Lorton that he needed the help of Timothy Van Gerven (his assistant at Golden West) in building the set at Golden West; Lorton agreed. On July 16, 2008, Van Gerven submitted an invoice to One More Productions, requesting payment for 118.5 hours of work at a rate of $18 per hour. One More Productions paid Van Gerven in full on August 11. Seussical opened on July 17 and ran until August 17, 2008. One More Productions’s next show was Big River. Lorton retained Arreola’s services to build the set for Big River which ran from September 11 until October 12, 2008. Arreola did not tell Lorton he required Van Gerven’s assistance to build the Big River sets and Van Gerven did not help build those sets. Although, as artistic director, Lorton had the right to make changes to a set, he did not physically supervise the set construction for either show. Arreola primarily built the Big River set at Golden West. At some point after September 26, 2008, Arreola submitted an eight-page invoice to Lorton, seeking payment in the amount of $6,920 for 346 hours Arreola had worked and also payment in the amount of $6,660 for another 333 hours he had worked. The invoice identified Lorton and Nicole Cassesso of One More Productions as “customers,” identified One More Productions as the “company,” and instructed them to “[p]lease make all checks payable to Steve Arreola” at the listed address. Arreola also submitted a request for $622.93 for expense reimbursement, the payment of which is not an issue in this appeal. When Lorton first looked at the invoice, he thought the number of hours was “very excessive” and not “humanly possible,” particularly in light of Van Gerven’s work on the Seussical set. Lorton immediately contacted Arreola to schedule a meeting with him. Lorton testified Arreola had not told him how many hours he had worked before submitting that invoice. Lorton offered to pay Arreola a total of $6,000 ($3,000

4 per show) for his carpentry services, which would be paid in $1,500 monthly installments. Arreola refused the offer and threatened to sue One More Productions. Consequently, One More Productions did not pay Arreola for any of his carpentry services. Lorton wrote a check to Arreola in the amount of $1,615, however, for some audio work he did for One More Productions. Arreola cashed that check and that payment is not an issue in this appeal.

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