Arista Records LLC v. Lime Group LLC

532 F. Supp. 2d 556, 2007 U.S. Dist. LEXIS 88449, 2007 WL 4267190
CourtDistrict Court, S.D. New York
DecidedDecember 3, 2007
Docket06 Civ. 5936(GEL)
StatusPublished
Cited by43 cases

This text of 532 F. Supp. 2d 556 (Arista Records LLC v. Lime Group LLC) is published on Counsel Stack Legal Research, covering District Court, S.D. New York primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Arista Records LLC v. Lime Group LLC, 532 F. Supp. 2d 556, 2007 U.S. Dist. LEXIS 88449, 2007 WL 4267190 (S.D.N.Y. 2007).

Opinion

*562 OPINION AND ORDER

GERARD E. LYNCH, District Judge.

Plaintiffs/counter-defendants are thirteen major record companies that filed a complaint alleging copyright infringement under federal law and assorted claims under New York State law against defendants Lime Group LLC, its wholly-owned subsidiary Lime Wire LLC (“Lime Wire”), two officers of the corporate entities, and a limited partnership controlled by one of the officers. (Compl. ¶¶ 29-35. 1 ) All defendants have answered the Complaint. In addition, defendant/counter-plaintiff Lime Wire filed antitrust counterclaims under sections 1 and 2 of the Sherman Antitrust Act, 15 U.S.C. §§ 1 and 1px solid var(--green-border)">2, and section 4 of the Clayton Act, 15 U.S.C. § 15, alleging that counter-defendants conspired through various illegal means to restrain trade and monopolize the market for the digital distribution within the United States of copyrighted sound recordings over the internet. Lime Wire also asserts ancillary counterclaims under New York State law for conspiracy in restraint of trade, deceptive trade practices, and tortious interference with prospective business relations. Counter-defendants now move pursuant to Fed. R.Civ.P. 12(b)(6) to dismiss Lime Wire’s counterclaims. For the reasons discussed below, the motion will be granted.

BACKGROUND

The following facts are taken from Lime Wire’s Restated First Amended Counterclaims (“FAC”) (Doc. # 42), except where noted. All factual allegations in the FAC are assumed to be true for purposes of this motion. See Manufacturers Hanover Trust Co. v. Yanakas, 7 F.3d 310, 312 (2d Cir.1993).

I. Technological Advances in the Music Distribution Industry

Counter-defendants are thirteen major record companies that collectively own the rights to “the vast majority of copyrighted sound recordings sold in the United States.” (Comply 23.) Through exclusive recording contracts with artists and control over promotion and physical distribution channels, counter-defendants have become the dominant players in the music distribution industry. (FAC ¶¶22, 30.) Four record labels (the “Major Labels”)— each of whom own distribution companies that are parties to this litigation — sell and distribute over 85% of all recorded music in the United States. 2 (Id. ¶ 22.)

Traditionally, the recording, duplication, and physical distribution of music to retailers and consumers required considerable resources that few individual artists could afford without the assistance of record companies in the music distribution industry. (Id.) With the development of the internet and new technology in the 1990s, however, the costs of recording and distributing music dropped significantly. (Id. ¶ 23.) Artists could digitally record their own songs using their own equipment and personal computers, and digital music could be distributed at very low cost over *563 the internet to consumers without the need for physical products {e.g., records, cassette tapes, and compact discs) or physical store locations. {Id.) “[Ujnburdened by any tangible media” {id.), consumers could play digital music on handheld devices such as iPods and cell phones and were no longer “dependent exclusively on the physical media products and distribution channels that historically had been controlled by the Counter-Defendants” {id. ¶ 27).

At the forefront of these technological advances were companies such as Napster, which developed a file-sharing application that allowed networked users to exchange digital files through centralized servers that acted as “brokers.” 3 {Id. ¶ 42.) Counter-plaintiff Lime Wire designed and distributed a similar file-sharing application utilizing “peer-to-peer” (“P2P”) technology, which allows users to search and download files directly from other online users without utilizing a centralized server. 4 {Id. ¶ 43.) In addition to its P2P application, Lime Wire also created the “MagnetMix” website, which provided users of its software application with links to licensed, copyrighted music content. (Id.) At its creation, MagnetMix provided links to such content for free, but Lime Wire alleges that it intended to utilize MagnetMix in conjunction with its P2P application “as a means to ultimately charge customers for downloading copyrighted content.” (Id.)

II. Alleged Anticompetitive Conduct

In response to the technological changes affecting the music distribution industry, counter-defendants, through an array of allegedly anticompetitive activities, “conspired to delay and disrupt the entry and emergence of ... alternative means for distribution, and to extend their oligopoly in the distribution of recorded music over the new market for the electronic distribution of music via the Internet.” (Id. ¶ 28.)

A. Price-Fixing and Exclusive Distributorship Agreements

1. MusicNet and pressplay

In 2000, each of the Major Labels, through their distribution companies, launched its own website for the digital distribution of music. (Id. ¶ 33.) By mid-2001, the record companies changed course and formed two joint ventures — MusicNet and pressplay — that became the exclusive vehicles through which counter-defendants would license music content for online distribution. 5 (Id. ¶¶ 34, 35.) Counter-defen *564 dants allegedly used these joint ventures “as conduits for colluding to fix prices” as they “provided a forum in which executives of the parent distribution companies met to discuss their own pricing and prices of competitors.” (Id. ¶ 38.) Through the joint ventures, the record companies allegedly “pool[ed] their copyrights” and “effeet[ed] a price-fixing arrangement” for licenses at both the wholesale and retail levels. (Id. ¶ 36.) In particular, the FAC alleges that “MusicNet’s wholesale price was a share of a licensee’s revenues, subject to a minimum payment, to be shared among the Major Labels, rather than a price per copy or work.” 6 (Id.)

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532 F. Supp. 2d 556, 2007 U.S. Dist. LEXIS 88449, 2007 WL 4267190, Counsel Stack Legal Research, https://law.counselstack.com/opinion/arista-records-llc-v-lime-group-llc-nysd-2007.