Anthony Elmore v. City of Memphis, Shelby County, Memphis City Council, Shelby County Commission, Shelby County School Board, Memphis Tourism and Kevin Kane, Charles Ewing, Jamila Swearengen, Memphis Arts Council, Indie Memphis, G.A. Hardaway, Orange Mound Arts Council, Mary Mitchell, Toni Holmon Turner, Paul Young, Dr. W.W. Herenton, Shelby County Historical Commission, Jim Rout, The Commercial Appeal, John Beifuss, and Linn Sitler

CourtDistrict Court, W.D. Tennessee
DecidedMarch 5, 2026
Docket2:25-cv-02526
StatusUnknown

This text of Anthony Elmore v. City of Memphis, Shelby County, Memphis City Council, Shelby County Commission, Shelby County School Board, Memphis Tourism and Kevin Kane, Charles Ewing, Jamila Swearengen, Memphis Arts Council, Indie Memphis, G.A. Hardaway, Orange Mound Arts Council, Mary Mitchell, Toni Holmon Turner, Paul Young, Dr. W.W. Herenton, Shelby County Historical Commission, Jim Rout, The Commercial Appeal, John Beifuss, and Linn Sitler (Anthony Elmore v. City of Memphis, Shelby County, Memphis City Council, Shelby County Commission, Shelby County School Board, Memphis Tourism and Kevin Kane, Charles Ewing, Jamila Swearengen, Memphis Arts Council, Indie Memphis, G.A. Hardaway, Orange Mound Arts Council, Mary Mitchell, Toni Holmon Turner, Paul Young, Dr. W.W. Herenton, Shelby County Historical Commission, Jim Rout, The Commercial Appeal, John Beifuss, and Linn Sitler) is published on Counsel Stack Legal Research, covering District Court, W.D. Tennessee primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Anthony Elmore v. City of Memphis, Shelby County, Memphis City Council, Shelby County Commission, Shelby County School Board, Memphis Tourism and Kevin Kane, Charles Ewing, Jamila Swearengen, Memphis Arts Council, Indie Memphis, G.A. Hardaway, Orange Mound Arts Council, Mary Mitchell, Toni Holmon Turner, Paul Young, Dr. W.W. Herenton, Shelby County Historical Commission, Jim Rout, The Commercial Appeal, John Beifuss, and Linn Sitler, (W.D. Tenn. 2026).

Opinion

IN THE UNITED STATES DISTRICT COURT FOR THE WESTERN DISTRICT OF TENNESSEE WESTERN DIVISION ANTHONY ELMORE, ) ) Plaintiff, ) v. ) ) CITY OF MEMPHIS, SHELBY COUNTY, ) MEMPHIS CITY COUNCIL, SHELBY ) COUNTY COMMISSION, SHELBY ) COUNTY SCHOOL BOARD, MEMPHIS ) TOURISM and KEVIN KANE, CHARLES ) EWING, JAMILA SWEARENGEN, ) No. 25-cv-02526-SHL-tmp MEMPHIS ARTS COUNCIL, INDIE ) MEMPHIS, G.A. HARDAWAY, ORANGE ) MOUND ARTS COUNCIL, MARY ) MITCHELL, TONI HOLMON TURNER, ) PAUL YOUNG, DR. W.W. HERENTON, ) SHELBY COUNTY HISTORICAL ) COMMISSION, JIM ROUT, THE ) COMMERCIAL APPEAL, JOHN ) BEIFUSS, and LINN SITLER, ) Defendants. ORDER ADOPTING REPORT AND RECOMMENDATION AND DISMISSING PLAINTIFF’S COMPLAINT WITHOUT PREJUDICE FOR FAILURE TO STATE A CLAIM AND FOR LACK OF STANDING

Before the Court is Chief Magistrate Judge Tu M. Pham’s Report and Recommendation (“R&R”), filed October 19, 2025, recommending that the Court dismiss pro se Plaintiff Anthony Elmore’s complaint as to all Defendants for failure to state and claim and because the Court lacks jurisdiction due to Elmore’s lack of standing. (ECF No. 10). Elmore filed objections to the R&R on December 4, 2025. (ECF No. 13). For the reasons described below, the Court ADOPTS the R&R and DISMISSES WITHOUT PREJUDICE Elmore’s Complaint. BACKGROUND The Chief Magistrate Judge accurately described Elmore’s complaint (ECF No. 2), which is “styled as an action brought under [42 U.S.C.] § 1983” (ECF No. 10 at PageID 34). In brief, Elmore seems to be challenging political decisions made by local government officials that he

alleges constitute historical erasure of his film’s role in black history. (See ECF No. 2-1 at PageID 12–14.) Elmore introduces his “second amended complaint”1 with the following statement: “[t]his is a civil action seeking injunctive relief and other remedies for systemic discrimination, the deliberate failure to acknowledge and actively suppress a landmark achievement in Black world history and Memphis history – the 1988 film ‘The Contemporary Gladiator’ – and related grievances.” (Id. at PageID 5.) He then proceeds, for eleven pages, to assert mostly generalized concerns about political decisions made by various municipal and governmental entities. Judge Pham detailed the many conclusory allegations that form the foundation of Elmore’s complaint. (ECF No. 10 at PageID 36). The allegations include: “Failure to Support

Black History and Culture,” “Discrimination in Tourism Promotion,” “Intentional Suppression of a Landmark of World Black History,” “Fraudulent Misuse of Funds and Position,” “Discrimination by Film Organizations and Media,” “Failure to Acknowledge Black History,” “Failure to Support Education and International Diplomacy,” “Violation of Civil Rights,” and “Suppression of Plaintiff’s Efforts to Promote Black History and Cultural Exchange.” (Id. at PageID 32).

1 The “Second Amended Complaint” is a typed document attached to the § 1983 complaint form template. Judge Pham correctly explained that, to state a claim under § 1983, a plaintiff must identify a constitutional right, then “show that a person acting under the color of state law deprived him of that right.” (Id. at PageID 34–35 (quoting Susselman v. Washtenaw Cty. Sheriff’s Office, 109 F.4th 864, 870 (6th Cir. 2024)). However, Judge Pham concluded that it

was unclear exactly which constitutional right Elmore was alleging was violated, and, even if Elmore had sufficiently alleged a constitutional violation, he failed to provide factual allegations to support a claim that any of the defendants either deprived him of a constitutional right or acted under the color of state law. (Id. at PageID 35.) Judge Pham concluded that, even under the less stringent standards applied to pro se complaints, Elmore failed to state a claim for which relief could be granted under § 1983. (Id.) (citing Williams v. Curtin, 631 F.3d 380, 383 (6th Cir. 2011)). Judge Pham also concluded that Elmore lacks Article III standing to bring a claim. (ECF No. 10 at PageID 35.) The R&R recommends denying Elmore’s Motion to Amend Complaint because amendment would be futile, as the proposed amended complaint “does not cure Elmore’s failure to state a

claim under § 1983.” (Id. at PageID 36). Ultimately, Judge Pham recommends that the case be dismissed for failure to state a claim under § 1983 and for lack of Article III standing. LEGAL STANDARD A magistrate judge may submit to a district court judge proposed findings of fact and recommendations for the involuntary dismissal of an action. 28 U.S.C. § 636(b)(1)(B). “Within 14 days after being served with a copy of the recommended disposition, a party may serve and file specific written objections to the proposed findings and recommendations.” Fed. R. Civ. P. 72(b)(2); see also 28 U.S.C. § 636(b)(1). A district court reviews de novo only those proposed findings of fact or conclusions of law to which a party specifically objects; the rest are reviewed for clear error. 28 U.S.C. § 636(b)(1); Fed. R. Civ. P. 72(b)(3). ANALYSIS Elmore’s offers brief, general objections to the R&R with accompanying exhibits that he

asserts indicate his unique status. He begins his introduction with an objection “to any ruling that minimizes his standing, the significance of his historical and cultural achievements, or the plausibility of his claims of racial discrimination and historical erasure . . . [as] the Plaintiff is a figure of international and federal notability whose documented achievements contradict the local historical revisionism and racial discrimination alleged against the Defendants.” (ECF No. 13 at PageID 44). He then offers a description of the exhibits attached to his objections, including the following: I. Argument on Exhibit C: Federal Validation of Cultural Diplomacy

The Plaintiff’s African Cultural Diplomacy was officially sanctioned and preserved by the U.S. Government, establishing a permanent historical record that transcends local politics.

• Diplomatic Intent and Acceptance: The Plaintiff sent the African Tuxedo (made in Ghana by his tailors) as an intentional act of cultural diplomacy. The gift was formally accepted, and the Plaintiff received a personal Thank You Letter from President Barack Obama, dated July 14, 2009. • Official Acknowledgment in Congress: The Plaintiff’s work as the “innovator of African style” was officially acknowledged and commended by U.S. Congressman Steve Cohen in the Congressional Record in July 2009, linking the Plaintiff’s diplomatic gesture to the highest level of U.S. foreign policy. • Permanent Historical Legacy: The African Tuxedo is permanently preserved and achieved in the Barack Obama Presidential Library Artifact Collection, cementing the Plaintiff’s achievement as a verifiable part of American and African Diaspora history.

II. Argument on Exhibit D: Unimpeachable Film History and Global Distribution The Plaintiff’s cinematic contributions hold verifiable historical precedence and worldwide commercial reach, directly countering the false historical claims of the Memphis/Shelby County Film Commission.

• Historical Precedence: The Plaintiff’s original film, The Contemporary Gladiator, was produced in 1988, thereby predating the 1989 film Mystery Train.

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Anthony Elmore v. City of Memphis, Shelby County, Memphis City Council, Shelby County Commission, Shelby County School Board, Memphis Tourism and Kevin Kane, Charles Ewing, Jamila Swearengen, Memphis Arts Council, Indie Memphis, G.A. Hardaway, Orange Mound Arts Council, Mary Mitchell, Toni Holmon Turner, Paul Young, Dr. W.W. Herenton, Shelby County Historical Commission, Jim Rout, The Commercial Appeal, John Beifuss, and Linn Sitler, Counsel Stack Legal Research, https://law.counselstack.com/opinion/anthony-elmore-v-city-of-memphis-shelby-county-memphis-city-council-tnwd-2026.