American Society of Composers, Authors & Publishers v. Superior Court

207 Cal. App. 2d 676, 24 Cal. Rptr. 772, 1962 Cal. App. LEXIS 1956
CourtCalifornia Court of Appeal
DecidedSeptember 17, 1962
DocketCiv. 26458
StatusPublished
Cited by19 cases

This text of 207 Cal. App. 2d 676 (American Society of Composers, Authors & Publishers v. Superior Court) is published on Counsel Stack Legal Research, covering California Court of Appeal primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
American Society of Composers, Authors & Publishers v. Superior Court, 207 Cal. App. 2d 676, 24 Cal. Rptr. 772, 1962 Cal. App. LEXIS 1956 (Cal. Ct. App. 1962).

Opinion

THE COURT.

An alternative writ of prohibition was granted by this court on the application of petitioner herein and it was ordered that respondent show cause why it should not be absolutely restrained from any further proceedings in that certain action now pending before respondent entitled “Bernard Herrmann, Plaintiff, vs. American Society of Composers, Authors and Publishers, Defendant” bearing Number 770507.

Petitioner is an unincorporated membership association, hereinafter called “ASCAP,” organized to serve as a clearing house for users who render public performances for profit of copyrighted musical works, and for its members—the composers, authors, and publishers of such musical compositions. On behalf of its members, it grants nonexclusive licenses to radio and television networks and stations, restaurants, night *680 clubs and other such users of music permitting them to render nondramatic performances of its members’ musical works. The license fees collected are distributed, after deduction of operating expenses, to the members; one-half of such royalty distribution goes to the publisher members and one-half thereof to the composer and author (writer) members of petitioner.

Bernard Herrmann, the real party in interest herein, applied in writing for membership in AS CAP on or about November 1, 1943, as a writer of certain specified musical compositions. By said application Herrmann agreed that he would, if elected, abide and be bound by the Articles of Association thereof then in effect or as they might be thereafter amended. He executed a membership agreement in writing dated January 28, 1944, wherein he agreed that the royalties distributed by petitioner shall be divided into two equal sums, one such sum to be divided among the writer members “in accordance with the system of distribution and classification as determined by the Classification Committee . . . , in accordance with the Articles of Association as they may be amended from time to time, except that the classification of the Owner within his class may be changed.” In said agreement Herrmann further agreed that his classification in AS CAP as determined from time to time by the classification committee of his group or a review board established under the Articles of Association “shall be final, conclusive and binding upon him.” The agreement further provides: “The Society shall have the right to transfer the right of review of any classification from the Board of Directors to any other agency or instrumentality that in its discretion and good judgment it deems best adapted to assuring to the Society’s membership a just, fair, equitable and accurate classification. ’ ’ Also: "The Society shall have the right to adopt from time to time such systems, means, methods and formulae for the establishment of a member’s status in respect of classification as will assure a fair, just and equitable distribution of royalties among the membership.”

Herrmann remained a member from January 28, 1944, until December 31, 1959, upon which date he withdrew from membership having given proper written notice thereof to petitioner. His resignation was expressly subject to any rights or' obligations existing between petitioner and its licensees under then existing licenses, and to his right to continue to *681 receive a proportionate share of distribution from royalties accruing under such licenses. Shortly prior to his withdrawal from membership, Herrmann complained in writing that he was not receiving the share of the royalties distributed by petitioner to which he claimed he was entitled. Certain adjustments were made. On August 24, 1960, his counsel made a formal demand, “pursuant to Article XIV, Section 6B of the Articles of the Association of AS CAP . . . for a hearing to protest the payments made to him by the Society for the years 1955 through 1959 inclusive.” A hearing was given by the administrative tribunal on November 15, 1960, at which Herrmann was not present but was represented by counsel. His counsel’s statement to the tribunal as to his position with respect to Mr. Herrmann’s rights as a member of AS CAP was “that AS CAP has wrongfully discriminated against those members who write scores and background music, both in the allocation of moneys due as well as the interpretation of the Rule of AS CAP.” In February 1961, the board rendered its written decision, fully setting forth its reasons for its determination which was adverse to these specific as well as other general contentions advanced on behalf of Herrmann. A copy of the decision was served on Herrmann. He filed no appeal from the decision.

On May 8, 1961, Herrmann (hereinafter referred to as “plaintiff”) filed his complaint in the superior court in which it is alleged, upon information and belief, in paragraph VI thereof, “that he has not received full and adequate compensation under the terms of his membership agreement with the SOCIETY; that he has not received a true and accurate accounting from the defendant of all the uses of his work and that the defendant, by virtue of its method of evaluation and crediting, has wrongfully discriminated against plaintiff, and plaintiff’s musical compositions.” Also: “Plaintiff is further informed and believes and therefore alleges that notwithstanding the existing system of evaluation and crediting under the membership agreement between plaintiff and defendant, the defendant has not accurately and truthfully accounted to plaintiff for all the uses of his works which were reported to the defendant by the users thereof.” (Paragraph VII.)

Plaintiff then alleged that “pursuant to the membership agreement between plaintiff and defendant, plaintiff has prosecuted all remedies available to him thereunder; that *682 defendant has failed, neglected and refused, and does now fail, neglect and refuse to account to plaintiff for the uses, credits and money owed and due therefrom, which result from the public representation of the plaintiff’s musical compositions.”

In its answer, ASCAP denied, among other things, that plaintiff had prosecuted all remedies available to him, and alleged therein as an affirmative defense that plaintiff has failed to exhaust the remedies provided by article XIV, section 6B of the society’s 1960 Articles of Association, a copy of which was incorporated in the answer.

In October 1961, ASCAP filed a motion for a summary judgment of dismissal of the action upon the ground that it had no merit and that there was no triable issue of fact. Piled in support thereof was the affidavit of Stanley Adams, president of ASCAP. (It is to be noted that in ASCAP’s answer to the complaint, in Mr. Adams’ affidavit, as well as in Herrmann’s formal protest of August 24, 1960, reference is made to art.

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Bluebook (online)
207 Cal. App. 2d 676, 24 Cal. Rptr. 772, 1962 Cal. App. LEXIS 1956, Counsel Stack Legal Research, https://law.counselstack.com/opinion/american-society-of-composers-authors-publishers-v-superior-court-calctapp-1962.