Alphaville Design, Inc. v. Knoll, Inc.

627 F. Supp. 2d 1121, 2009 U.S. Dist. LEXIS 48210, 2009 WL 1604693
CourtDistrict Court, N.D. California
DecidedJune 5, 2009
DocketC 07-05569 MHP
StatusPublished
Cited by3 cases

This text of 627 F. Supp. 2d 1121 (Alphaville Design, Inc. v. Knoll, Inc.) is published on Counsel Stack Legal Research, covering District Court, N.D. California primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Alphaville Design, Inc. v. Knoll, Inc., 627 F. Supp. 2d 1121, 2009 U.S. Dist. LEXIS 48210, 2009 WL 1604693 (N.D. Cal. 2009).

Opinion

MEMORANDUM & ORDER

Re: Cross-Motions for Partial Summary Judgement

MARILYN HALL PATEL, District Judge.

Alphaville Design, Inc. (“Alphaville”) brought this declaratory judgment action against Knoll, Inc. (“Knoll”), requesting judgment that Knoll is without right to maintain suit against Alphaville for the infringement of certain trademarks. Knoll counterclaimed with a claim of trademark infringement and several related claims. Now before the court are cross-motions for partial summary judgment. Alphaville moves for summary judgment that Knoll’s marks are not valid trademarks. Knoll moves for summary judgment against portions of Alphaville’s affirmative defenses to the counterclaims. Having considered the parties’ arguments and submissions, the court enters the following memorandum and order.

BACKGROUND

I. The Parties

Plaintiff and counter-defendant Alpha-ville is a corporation that, since 2003, has sold early-to-mid twentieth century Bauhaus style furniture. Counter-defendants David and Peggy Lee operate Alphaville. David Lee is president of the corporation. Defendant and counter-claimant Knoll is a *1125 manufacturer and marketer of modern furniture. Its predecessor in interest was founded in 1938 by a German-American immigrant. Like Alphaville, Knoll sells Bauhaus style furniture.

II. The Barcelona Collection

Ludwig Mies van der Rohe (“Mies”) was an architect of the early twentieth century Bauhaus school. Bom in Aachen, Germany, he emigrated to the United States in 1937. While working as an architect in Germany, Mies was asked to design the German pavilion for the 1929 Barcelona International Exhibition. In addition to designing the building itself, Mies designed the furniture to be placed inside the building, including a chair and a stool. These items of furniture came to be known as the “Barcelona Cham” and “Barcelona Stool.” At about the same time, Mies designed a house in Brno, Czechoslovakia, for Grete and Fritz Tugendhat. He designed furniture for the Tugendhat house, which included a chair known as the “Flat Brno Chair” and a table that later came to be known as the “Barcelona Table.” In 1930, Mies designed a couch or daybed which became known as the “Barcelona Couch.” For the sake of convenience, these five items of furniture will be referred to as the “Barcelona collection.”

III. Patents for Pieces in the Barcelona Collection

In 1929, the German patent office issued Mies a patent (Patentschrift Nr. 486722) for a chair made of metal rails linked crosswise as supporting elements (“the German patent”). The patent specification included a figure of a chair substantially identical in appearance to the Barcelona Chair as well as frame configurations present in both the Barcelona Chair and the Barcelona Stool. Green Moving Dec., Exh. 1. In 1931, the Spanish patent office issued Mies a patent for a chair in which the frame of the seat is formed by two or more independent elastic springs (“the Spanish patent”). In 1942, the U.S. Patent Office issued Mies a patent (No. 2,283,755) for various designs of the “C” shaped springs ultimately used in the Brno Chair (“the U.S. patent”). Accompanying illustrations displayed a chair substantially similar to what has become known as the Brno chair.

IV. Knoll’s Agreements with Mies

In 1953, Mies signed a letter purporting to give an exclusive license to Knoll's predecessor in interest for the manufacture and sale of the Barcelona Chair and Barcelona Stool in the United States, Canada, France, Germany, and Belgium. Weaver Dec., Exh. 2. In 1959, this agreement was expanded to include the Brno Chair. Id., Exh. 3. In November 1965, Mies and Knoll’s predecessor entered into a letter agreement (“the 1965 agreement”) stating, among other things, that Mies did “hereby sell, assign, and convey all of [his] right, title and interest in [his] designs and the exclusive use of [his] name in connection with the sale in the United States and elsewhere, of the furniture identified in Exhibit 1 [including the designs at issue in this case].” As consideration, Knoll’s predecessor agreed to pay Mies a flat fee of $150,000 over the following ten-year period. Id., Exh. 4.

V. The BARCELONA Mark

It is undisputed that Knoll and its predecessors have continuously sold the pieces in the Barcelona collection since before the time of the 1965 agreement. Knoll offered items for sale under the “BARCELONA” name from at least 1953. Needle Dec. ¶ 9. Knoll was assigned a federal trademark registration for “BARCELONA” in March 1968. Misthal Dec. ¶ 103 & Exh. 86. In late 1968, following acquisition of the mark, the lawyers of *1126 Knoll’s predecessor sent several cease and desist letters to furniture sellers who were advertising their merchandise as original Mies Barcelona chairs. See, e.g., Wilson Opp. Dec., Exh. 9; Green Dec., Exh. 4. The letters objected to the use of the words “original” and “Barcelona.” In at least some cases, the recipients of the letters agreed to stop advertising their products in this manner. See, e.g., Wilson Opp. Dec. at 8 & 9. There are no cease and desist letters in the record from 1968 to 2000. In May 2000, Knoll’s general counsel sent a letter to Palazetti, a furniture retailer, requesting that the latter cease using the BARCELONA trademark in its literature. Id., Exh. 11.

VI. The Designs

The 1968 cease and desist letters objected to the use of the terms “original” and “BARCELONA” but did not object to the sale of furniture based on the Mies designs of the Barcelona Chair and Barcelona Stool. Indeed, in November 1968, the Vice President for Marketing of Knoll’s predecessor drafted a letter in response to a customer stating, “The Barcelona chair was originally designed by Mies van der Rohe before 1930. The visual design as such, is in the public domain by this point and time. We have the exclusive rights from Mies van der Rohe to manufacture his designs and to use his name in connection with them.” Green Moving Dec., Exh. 4. The copy of this letter in the record is dated November 25 but is unsigned.

In February 1990, Knoll’s Executive Vice President for Design sent a letter to the New York Museum of Modern Art (MoMA) proposing several steps “as a means of expanding public and industry awareness of our relationship with the Museum and exclusive rights to the Mies Archive Reproductions.” Green Moving Dec., Exh. 27. Knoll noted that, “In taking these steps, Knoll intends to differentiate our Mies Collection from the numerous copies sold at lower price levels and without restriction, by companies having no royalty obligations.” Id.

In June 1991, a KnollStudio employee wrote to a potential customer to convince it to purchase the Knoll Brno Chair for its corporate cafeteria. She wrote that the purpose of her letter was “to make it clear in writing what makes the Knoll Brno chair superior to the unauthorized copies on the market.” Id., Exh. 28.

Free access — add to your briefcase to read the full text and ask questions with AI

Related

Aurora World, Inc. v. Ty Inc.
719 F. Supp. 2d 1115 (C.D. California, 2009)

Cite This Page — Counsel Stack

Bluebook (online)
627 F. Supp. 2d 1121, 2009 U.S. Dist. LEXIS 48210, 2009 WL 1604693, Counsel Stack Legal Research, https://law.counselstack.com/opinion/alphaville-design-inc-v-knoll-inc-cand-2009.