Allied Artists Pictures Corp. v. Friedman

68 Cal. App. 3d 127, 137 Cal. Rptr. 94, 1977 Cal. App. LEXIS 1305
CourtCalifornia Court of Appeal
DecidedMarch 15, 1977
DocketCiv. 48706
StatusPublished
Cited by14 cases

This text of 68 Cal. App. 3d 127 (Allied Artists Pictures Corp. v. Friedman) is published on Counsel Stack Legal Research, covering California Court of Appeal primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Allied Artists Pictures Corp. v. Friedman, 68 Cal. App. 3d 127, 137 Cal. Rptr. 94, 1977 Cal. App. LEXIS 1305 (Cal. Ct. App. 1977).

Opinion

*131 Opinion

COMPTON, J.

In the early 1950s, a book entitled “Histoire d’O” was published in France. Plaintiff Allied Artists Pictures Corp. (Allied) euphemistically describes the book as a “worldwide classic of erotic literature.” An English translation of the book has been widely distributed in the United States since 1965 by Grove Press, Inc. (not a party to this action) under the title “The Story of O.”

In early 1975, a film based on the book and entitled “Histoire d’O” was produced in France. At about the same time production was commenced in the United States of a low budget film entitled “The Journey of O”. The latter is not based on the book and from what appears in the record there is no similarity to the film “Histoire d’O” except for its admitted theme of sexual exploitation and the fact that the principal character in each film is called “O.”

Following its release in mid-1975, the film “Histoire d’O” was widely advertised, distributed and viewed in France. As early as September 1975, the film was the subject of reviews in major United States publications such as Newsweek and Time Magazines.

In the meantime, however, defendant David Friedman, doing business as Equal Opportunities, Inc., in August of 1975, obtained the distribution rights to the American made “The Journey of O” and shortly thereafter the film was playing at theatres in Chicago, Illinois, and Charlotte, North Carolina.

Later, in October of 1975, Allied acquired the United States distribution rights to the French-made film “Histoire d’O.” It paid $400,000 for these rights. Allied embarked on a massive advertising and promotional campaign. The film opened in the United States in a theatre in New York City in November of 1975 under the English translated title “The Story of O.” It was apparently well attended and well received by reviewers.

On December 2, 1975, Allied commenced an action in the Superior Court of Los Angeles County, the county of defendant’s residence and *132 place of business. Allied’s complaint alleged that defendant’s use of the title “The Journey of O” amounted to unfair competition in that the title was confusingly similar to Allied’s title and was calculated to deceive the public into believing that “The Journey of O” was “The Story of O.” Allied sought a temporary and permanent injunction preventing defendant from using the title “The Journey of O” or ariy other “confusingly similar title.”

In support of its petition for a preliminary injunction Allied filed a declaration by Mr. Peter Strauss, executive vice-president of Allied. Strauss stated that the title “The Story of O” had acquired a secondary meaning in the minds of the public connecting the title with the book being distributed in the United States by Grove Press, Inc. and that “numerous movie going patrons will go to see the picture because it bears the same title as the book.”

Strauss further declared that as of the time of the filing of the action the picture had been widely acclaimed and on the basis of its success in New York had received approximately $1 million in advance bookings and was scheduled to open in 35 to 40 first-run theaters throughout the United States.

Allied’s investment up to that point was $250,000 in advertising in addition to the $400,000 paid for the distribution rights. Another $200,000 was projected for additional prints of the film and $1.5 million for future advertising.

The trial court after a hearing based upon opposing written declarations and oral argument declared that Allied had established a secondary meaning “between that certain French motion picture concerning which plaintiff has the American distribution rights to and the English title to said motion picture, to wit, “The Story of O” “and that the title of defendant’s picture “The Journey of O” was “confusingly similar.”

Based on that conclusion the trial court issued a temporary injunction which required defendant in California to include in all of its advertisements, including promotional “trailers,” the phrase “not to be confused with Allied Artists- Pictures’ ‘The Story of O’.”

*133 Defendant appealed from the order, Allied cross-appealed, contending that the injunction should extend beyond the boundaries of California and should require defendant to change the name of his film.

The defendant’s contentions can be summarized as follows.

(1) That the English translated title “The Story of O” had acquired no secondary meaning in the United States in relation to the film, and

(2) In any event Allied who was merely a distributor, albeit an exclusive distributor, failed, to establish that its distribution rights included “property rights” in the title.

Taking up defendant’s latter contention first, his reliance on the concept of a property right is misplaced. Allied does not and indeed cannot rest its claim on a theory of appropriation of a property right in the title.

As we pointed out in Tomlin v. Walt Disney Productions, 18 Cal.App.3d 226, at page 234 [96 Cal.Rptr. 118], the state’s power to protect literary titles, which are not afforded protection by federal copyright laws, cannot be based on any theory of appropriation of a property right. The gravamen of the action is unfair competition. A title of a literary product is, like a label on other types of products, simply a means of identifying a product.

As was stated in Curtis v. 20th Century-Fox Film Corp., 140 Cal.App.2d 461, at page 469 [295 P.2d 62], and quoted by us in Tomlin at page 230, “ ‘Anyone may use a title if there is no secondary significance. Unfair competition consists in palming off one’s goods as those of another. The mere use of a substantially similar title, if not used in such manner as to induce the public to believe that the work to which it is applied is the identical thing which it originally designated, does not constitute unfair competition.’ ”

On the other hand a state may protect a business in the use of trademarks or labels by requiring that appropriate steps be taken to prevent the consumer from being misled as to the content or source of the product. (Sears, Roebuck & Co. v. Stiffel Co., 376 U.S. 225 [11 L.Ed.2d 661, 84 S.Ct. 784].)

*134 Allied, by virtue of its exclusive right to market the film in question in the United States, has a property right in the film sufficient, to entitle it to protection against unfair competition. (Compare MetroGoldwyn-Mayer, Inc. v. Lee, 212 Cal.App.2d 23 [27 Cal.Rptr. 833].) That right includes protection against the use of deceptive or misleading titles. The available protection in the aréa of titles is “limited . .. to a narrowly drawn injunction requiring appropriate precautions to prevent public confusion . . . .” (Tomlin v. Walt Disney Productions, supra, at p. 235.)

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68 Cal. App. 3d 127, 137 Cal. Rptr. 94, 1977 Cal. App. LEXIS 1305, Counsel Stack Legal Research, https://law.counselstack.com/opinion/allied-artists-pictures-corp-v-friedman-calctapp-1977.