Allen v. Peacock TV LLC

CourtDistrict Court, D. Maryland
DecidedJuly 12, 2024
Docket1:24-cv-00971
StatusUnknown

This text of Allen v. Peacock TV LLC (Allen v. Peacock TV LLC) is published on Counsel Stack Legal Research, covering District Court, D. Maryland primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Allen v. Peacock TV LLC, (D. Md. 2024).

Opinion

IN THE UNITED STATES DISTRICT COURT FOR THE DISTRICT OF MARYLAND

MICHAEL ALLEN,

Plaintiff,

v. Civil Action No.: BAH-24-971

PEACOCK TV LLC ET AL.,

Defendants.

MEMORANDUM AND ORDER

Plaintiff Michael Allen (“Plaintiff”) filed the above-captioned complaint pro se together with a motion for leave to proceed in forma pauperis, ECF 2, which shall be granted. Plaintiff also filed a supplement to the complaint. ECF 4. Section 1915(e)(2)(B) of 28 U.S.C. requires this Court to conduct an initial screening of this complaint and dismissal of any complaint that (i) is frivolous or malicious; (ii) fails to state a claim upon which relief may be granted; or (iii) seeks monetary relief against a defendant who is immune from such relief. 28 U.S.C. § 1915(e)(2)(B); see also Lomax v. Ortiz-Marquez, 140 S. Ct. 1721, 1723 (2020). The Court is mindful of its obligation to construe liberally a complaint filed by a self-represented litigant. See Erickson v. Pardus, 551 U.S. 89, 94 (2007). Nonetheless, liberal construction does not mean that this Court can ignore a clear failure in the pleading to allege facts which set forth a cognizable claim. See Weller v. Dep’t of Soc. Servs., 901 F.2d 387, 391 (4th Cir. 1990); see also Beaudett v. City of Hampton, 775 F.2d 1274, 1278 (4th Cir. 1985) (stating a district court may not “conjure up questions never squarely presented”). Here, Plaintiff’s complaint fails to state a claim upon which relief can be granted. He will be directed to show cause why the complaint should not be dismissed. Plaintiff brings suit against defendants (1) Peacock TV LLC, (2) Regal Cinemas, Inc, (3) Cinemark Holdings Inc, (4) Home Box Office, Inc, (5) The Walt Disney Company, (6) Netflix, Inc, (7) Hulu, LLC, (8) AMC Entertainment Holdings, Inc, (9) Paramount Global, and (10) Warner Bros Entertainment Inc (collectively “Defendants”). See ECF 1. He alleges various claims for

copyright infringement, trade secret misappropriations, and violations of anti-trust laws. Id. Specifically, he alleges violations of the Digital Millenium Copyright Act (“DMCA”), Executive Order 13565, the Prioritizing Resources and Organization for Intellectual Property Act (“PRO-IP Act”), the Defend Trade Secrets Act of 2016, the Economic Espionage Act of 1996, Article I, Sec. 8 of the U.S. Constitution, the Sherman Act, and the Clayton Act. Id. at 6–7. In his supplement to the complaint, he adds a new claim under the Federal Trade Communication Act and additional claims under the Sherman Act and Clayton Act. ECF 4-1, at 1. Plaintiff alleges that he created a website called “Markydoo.net, (formerly an invention

constructed under the name ‘Livewire’),” which “has strived to become the inaugural online film streaming platform offering movies currently in theaters, along with plans to consolidate and merge film production companies and movie theaters.” ECF 1, at 11. According to Plaintiff, “[t]he website held the potential for a substantial market share, as it was pioneering the concept of being the first online box office, a novel approach in the industry.” Id. After Plaintiff “experienced numerous data breaches, including the unauthorized exposure of a business plan (initially under the name Livewire) detailing their movie streaming platform’s vision to become the premier online box office and film streaming website, offering movies still in theaters,” he “submitted to

executives of companies involved in acquisitions and mergers” his “revised business plan (now under the name markydoo.net).” Id. at 12. “A prototype and website for the original product were launched in June 2022.” Id. Plaintiff alleges that he has “diligently taken steps to safeguard and advance the concept and innovation behind markydoo.net” and has “presented markydoo.net to executives and representatives of [Defendants].” Id. at 11. However, he “harbors suspicions that he has been intentionally sidelined and treated unfairly, with the possible aim of undermining, replicating, or

misappropriating the concept and innovation behind markydoo.net.” Id. He alleges that Defendants “obstructed the plaintiff’s product from entering the OTT (over-the-top streaming service) market; thereby hindering competition[,] . . . establish[ing] a monopoly in the film streaming industry, [and] stifling the potential of the plaintiff’s film streaming platform.” Id. In his supplement, Plaintiff explains that “[d]espite possessing competitive features, Markydoo.net faces obstruction from established companies unwilling to entertain proposals or provide an opportunity for fair market entry.” ECF 4-1, at 1. He accuses Defendants of “engaging in mergers to stifle competition for emerging streaming platforms” thereby “monopolizing the market, [by]

withholding access to content from smaller competitors.” Id. Attached to his supplement are emails Plaintiff has sent to representatives of Defendants.1 See ECF 4-2. Plaintiff “is likely asking the court to order $3 billion in damages and relief based on their valuation of the potential revenue their company could generate from vendor ticket sales over the next five years.” ECF 1, at 13. The Court addresses the viability of each of Plaintiff’s claims in turn. I. Copyright Infringement Plaintiff has not stated a claim for copyright infringement under any of the authorities cited. “Through the DMCA, ‘Congress sought to mitigate the problems presented by copyright

enforcement in the digital age.’” Chambers v. Amazon.com Inc., 632 F. App’x 742, 744 (4th Cir.

1 It appears that one representative wrote Plaintiff back “request[ing] that [Plaintiff] direct all further correspondence with Paramount Global to [him],” rather than others in the company. ECF 4-2, at 7. 2015) (quoting MDY Indus., LLC v. Blizzard Entertainment, Inc., 629 F.3d 928, 942 (9th Cir. 2010)). “‘The DMCA contains three provisions directed at the circumvention of copyright owners’ technological measures’ that are either designed to control access to copyrighted works or to protect a copyright owner’s rights.” Id. (quoting MDY Indus., LLC, 629 F.3d at 942). To

state a claim under the DMCA, a plaintiff copyright owner must allege that “the circumvention of the technological measure either infringes or facilitates infringing a right protected by the Copyright Act.” Id. (quoting Storage Tech. Corp. v. Custom Hardware Engineering & Consulting, Inc., 421 F.3d 1307, 1318 (Fed. Cir. 2005)). “A valid copyright registration is required to bring a copyright infringement claim.” Philpot v. Indep. J. Rev., 92 F.4th 252, 263 (4th Cir. 2024) (citing Unicolors, Inc. v. H&M Hennes & Mauritz, L. P., 595 U.S. 178, 181 (2022)); see also 17 U.S.C. § 411(a) (stating that “no civil action for infringement of the copyright in any United States work shall be instituted until

preregistration or registration of the copyright claim has been made in accordance with this title”). Plaintiff alleges that his website’s “unique content, processes, and originality were safeguarded by copyright protection and other legal grounds” and that “[w]ith copyright protections in place, the website stood to monopolize the movie streaming market and/or stand out exclusively as the first online box office.” ECF 1, at 12.

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Allen v. Peacock TV LLC, Counsel Stack Legal Research, https://law.counselstack.com/opinion/allen-v-peacock-tv-llc-mdd-2024.